SKU: 19386472729

bruciatore a bioetanolo per camini 40x8x20 cm 1l simple box 400 nero 235502

$121.45 $134.95
Save 10%
No.2 Bestseller on lamcf.fr >

Pay in installments of $33.74 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Jul 30 - Aug 4

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

bruciatore a bioetanolo per camini 40x8x20 cm 1l simple box 400 nero 235502Bruciatore a Bioetanolo Bruciatore a Bioetanolo per Camini 40x8x20 cm 1L Simple Box 400 Nero Bruciatore a Bioetanolo dotato di un sistema di sfiato che impedisce la formazione di pressione sotto il bruciatore in caso di possibile tracimazione del combustibile. Con un serbatoio aggiuntivo sotto il bruciatore, questo sistema impedisce anche al combustibile di fuoriuscire dal biocamino. L'inserto in fibra ceramica aumenta la sicurezza e inoltre prolunga

Bruciatore a Bioetanolo

Bruciatore a Bioetanolo per Camini 40x8x20 cm 1L Simple Box 400 Nero

Bruciatore a Bioetanolo dotato di un sistema di sfiato che impedisce la formazione di pressione sotto il bruciatore in caso di possibile tracimazione del combustibile. Con un serbatoio aggiuntivo sotto il bruciatore, questo sistema impedisce anche al combustibile di fuoriuscire dal biocamino.

L'inserto in fibra ceramica aumenta la sicurezza e inoltre prolunga e ottimizza il processo di combustione. La serranda, che fa parte del caminetto, serve a regolare l'altezza della fiamma e, contemporaneamente, quando la serranda viene chiusa, termina l'operazione, portando al completo spegnimento del biocamino. È inclusa una maniglia estinguente allungata.

Caratteristiche Tecniche

  • Lunghezza Bruciatore: 220 mm
  • Tempo di Combustione: 1,5-2 ore
  • Inserto con Regolazione della fiamma
  • Materiale: Acciaio verniciato a polvere
  • Colore: Nero
  • Peso: 10 Kg
  • Capacità del Bruciatore 1l
  • Dimensioni (LxAxP): 40x8x20 cm
  • Dotato di sistema di sfiato che impedisce la fomrazione di pressioni sotto il bruciatore con possibile overflow del carburante

Tanti buoni motivi per cui scegliere di acquistare un caminetto al Bioetanolo

Il camino a Bioetanolo necessita di canna fumaria?
No, il camino al bioetanolo non necessita di nessuna canna fumaria, poichè non vi sono fumi, emissioni nocive e residui, non vi è alcuna necessità di installare canne fumarie.

Posso utilizzarli come fonte di riscaldamento?
I camini al bioetanolo producono una fiamma viva, pertanto scaldano, ma in proporzione. La loro funzione primaria ovviamente è quella estetica, ma sono comunque in grado di donare calore all'ambiente sviluppando calore dai 3 ai 4 kw/h circa, a seconda della capacità del bruciatore ed all'intensità della fiamma, il calore non disperdendosi attraverso la canna fumaria resta concentrato all'interno della stanza in cui il biocamino è acceso, riuscendo a riscaldare anche 20 o 30 mq.

Il camino al bioetanolo consuma molto?
Il consumo dipende principalmente dalla potenza della fiamma, che non spesso può essere regolata nella sua intensità, oltre che poi dalla capacità e dal modello (non tutti i modelli sono provvisti di regolatore di fiamma). Una fiamma alla massima potenza può consumare 1L in 2 ore, mentre alla minima potenza la stessa quantità di bioetanolo può durare anche 10 ore.

Produce gas o sostanze tossiche?
Assolutamente no! Il camino al bioetanolo non monta canna fumaria proprio perchè dalla combustione del bioetanolo non viene prodotta alcuna sostanza tossica, ne vi è produzione di odori (anzi, consigliamo di aggiungere al bioetanolo qualche goccia della vostra essenza preferita, sfruttando il camino al bioetanolo anche come diffusore di fragranze).

Sono resistenti? Necessitano di manutenzione?
Il camino a Bioetanolo non necessità in genere di alcuna manutenzione successiva al montaggio, non produce cenere e residui, inoltre è totalmente scongiurata la presenza di elementi che possano essere soggetti ad usura, garantendo una stabilità costante nel tempo.

Necessitano di un collegamento all'impianto elettrico o al gas?
Il biocamino non necessita di alcun collegamento a qualsiasi tipo di impianto, può facilmente essere spostato o posizionato dove meglio si crede, come un mobile.

Il funzionamento è complicato?
Niente di più semplice, basta versare il bioetanolo nel bruciatore e dar fuoco tramite un accendino piezoelettrico (quelli lunghi da cucina).

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 19386472729

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.3 ★★★★★
Based on 21 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
D
Verified Purchase
D. Mikels
Carnegie, US
★★★★★ 3
"The devil knows why. . ."
I have mentioned before in a distant review of the past that each book has a "moment of truth," that shimmering macrosecond where the reader either becomes hooked (and therefore can't wait to finish the work), or disappointed (whereby the book is either put aside, or finished grudgingly). For me, alas, Bulgakov's THE MASTER AND MARGARITA evoked the latter, although I finished the book and readily appreciated the author's rather fantastic and satirical story of Satan and his pesky retinue wreaking havoc in 1930s Moscow. That Mikhail Bulgakov is an exceptional writer is a given; if only I was fluid in Russian where I could read his words as written I would no doubt be even more impressed with his prose and style. This Vintage Press edition (translated by Diana Burgin and Katherine Tiernan O'Connor) certainly pays homage to this classic with a meticulous eye for detail, followed by notes on each chapter that I found to be invaluable. So then, what's the problem? Well, I enjoy humor and satire as much as the next guy (I suppose), but a story depicting Satan as some sort of instrument of salvation--an instrument in alliance with Yeshua--for the book's two protagonists was just. . .too much. The Master, a writer who cannot endure the pain of rejection, is one-dimensional and sullen, while Margarita, his love, becomes a willing pawn of the devil. And the story blithely suggests that death through its mortal release is preferable to life (which is understandable, given Bulgakov's failing health as he finished the book). The fantastic notion of the story--of illusion, madness, a huge talking cat, flying through the air, and a Satanic ball--is a clever device, but eventually it wears thin. As a playwright, Bulgakov uses an abundance of theater officers, bureaucrats, and authors as unhappy victims of Satan's antics (no doubt the author was settling countless scores); unfortunately, the names of these characters are in Russian, and many of the names vary by a vowel or a letter, making it very difficult for the reader to keep track of "who's who." And the parallel story of Pontius Pilate and the crucifixion--told from a political, not spiritual, perspective--was interesting, yet bizarre. In fact, "bizarre" is a good word to describe THE MASTER AND MARGARITA in its entirety; it's an interesting, fantastic, metaphysical tale, yet requires too much suspension of disbelief. --D. Mikels
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 24, 2004
D
Verified Purchase
Dr. Mike
Cuba, US
★★★★★ 5
If you read rarely, or all the time, don't miss this! (It's easy to do)
This is simply one of the best works of literature, allegory, and even poetry, ever put together. It took decades for Mikhail Bulgakov to write this actually, and over the past century, his Faustian flavored tale about the nature of people and the power religion vs. the state vs. the devil knows.... has become a cult classic in Russia. Note that this is pure Bulgakov (as author) and this listing names one of the 2 wonderful translators who collaborated on getting the flavor of the language just right. They make it clear that this was a total collaboration of expert translators. At the end they offer additional notes about some of the details and finer points of history or the Russian language. There are also some additional passages included for the first time, which the earlier translation omitted. I read this when it was first translated (80s?) and a college friend who had escaped from Communism insisted I read this. It was great then, as literature, human drama, and superb writing. Bulgakov amassed a huge following once his work was actually published, after his death. Some of his work is only now being published and read. I recently found myself in front of Flat #50, near Patriarchs Ponds (Moscow), the setting where the first part of this addictive novel begins. Berlioz (in the guise of literary czar, not the famous composer) is arguing with a poet about the existence of G-d when interrupted by, who the devil knows, but soon it is clear that literary and bureaucratic Moscow have become friends to the devil. Mr. Woland and his interesting entourage are about to put on a show at the theater, promising to be magical. Great book. Like other great Russian *stories*, this captures human nature, anguish, curiosity and the variations in the rules of right/wrong, possible/impossible. It's quite a ride through the supernatural as well as theological and even medical., If you immerse yourself in it, you'll see many foreshadows of Harry Potter magic. Serious must read, for the adventure, mystery, the Faustian morality play, which takes pokes at both religion and "civil" humankind. A#1 recommend - and it may help to understand Russian (and human) psychology, and how we use words to invent smoke, mirrors, and fables which mirror life and death and love.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 16, 2014
C
Verified Purchase
C. Collins
Boise, US
★★★★★ 5
A masterpiece at several levels
This amazing book can be interpreted at several levels or just read for the sheer enjoyment of the bazaar antics of all the characters. I found it to be full of profound concepts wrapped in a chaotic and fantastic romp of a good story. First, I thought the story was a tale of revenge. Bulgakov was highly discriminated against and his work suppressed throughout his career and life. A genius' work is smothered by Soviet brainless censors while a literaray elite develops composed of talentless writers and editors who only push the Communist Party line. Bulgakov has these nit-wits become the play-toys of the Devil in a story of hilarious dark comedy. Bulgakov never got revenge against the system that impoverished him until after his death when readers laugh at the incredible uncomfortable situations the Devil creates for the Moscow talentless literary elite. Second, the tale is a satiric critique of the Soviet system under Stalin. Many Soviet methods of social control, such as apartment assignments by the state, set the stage for wild adventures for Soviet citizens caught in this overly centralized society. The chapter on the Soviet authorities trying to take over the apartment of the be-headed editor from the Devil and his assistants is some of the most clever satire ever written. The magic shows performed by the Devil in a state-owned theater was a perfect commentary on the weaknesses of the Soviet system. Third, the novel is a superb essay on the killing of God as a political act. The Devil is delighted to come to the Soviet Union where belief in God is under attack and atheists rise to positions of power and status. The Soviets tried to kill God to better control their citizens. The genius of this book is that Bulgakov tells us the tale of Pontius Pilot and the High Priest of Jerusalem playing a careful came of strategy with the life of Jesus Christ. Both men had reasons to kill Jesus so that they could both maintain political power. But these two men are wise and they wish for the other party to take the blame for the crucifiction. Since Jewish law did not allow for the death penalty, the High Priest must manipulate Pilot to give the orders. However Pilot uses spys and murderers to cast blame back on the Jewish leadership by murdering Judas and throwing thirty silver pieces into the home of the High Priest. God must always be killed/maimed/distorted for a totalitarian government to maintain control. Suppression of God doesn't simultaneously suppress the Devil. Fourth, the events related in the story are extremely fun to read. The encounter with the Devil in the public park, the scenes in the dead editor's apartment, the magic show, the insane assylum, the Devil's ball, the flashbacks to Jerusalem, all will stick in your mind for days after you finish the book. This novel was finally released after Bulgakov had been dead for 30 years. The Devil in the story predicts this future when he says: "Manuscripts don't burn."
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 5, 2005
K
Verified Purchase
KB2187
Port Orchard, US
★★★★★ 5
I Really Enjoyed This
Format: Paperback
I really enjoyed this book. The story is coordinated with Star Wars Vol. 8 Mutiny on Mon Cala and Star Wars Vol. 9 Hope Dies. It is not necessary, but to get a more rich, fuller story, you'll want to read this book first then switch over to those two Star Wars main series volumes. I'm giving this review 5 Stars, but I have to say that I wavered on docking it by one star. I'm not crazy about the art. And, although the story is excellent (and as much as I love a good Vader story), I didn't enjoy it as much as I did those two Star Wars volumes I mentioned above; Volumes 8 & 9, Mutiny at Mon Cala and Hope Dies. Those books are top notch excellent. This book, I'd say, is a notch down, at very, very good. Read it and see what you think. As a whole, I like how Marvel is filling out the years between the original trilogy movies with these stories. This story about the Battle of Mon Cala, over two different series, is fantastic.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 27, 2019
P
Verified Purchase
PWDecker
Carnegie, US
★★★★★ 5
A great volume with great Tarkin/Vader relationships
Format: Paperback
I am continuing to enjoy this ongoing series showing Darth Vader shortly after Episode 3. It's cool seeing Mon Cala prior to Imperial control. I like how there's a bit of a tie-in with the ongoing Star Wars comic series. There are also flashbacks to the Clone Wars era. I like this time period. Each jedi that evaded Order 66 is dealing with the new world in a different way. I also really enjoyed seeing a young Ackbar. There are two standalone issues included in this volume. First, there's a story that shows the relationship between Darth Vader and Tarkin developing into what we see in the original trilogy. The other is an Annual written by Chuck Wendig. This shows another interesting Vader/Tarkin dynamic. There are a bunch of great references that I love in this issue! Project Stardust. Geonosis. Krennic. Galen Erso. Overall, it's a really cool tie-in to Rogue One. Yet again, I give this volume of the ongoing Darth Vader: Dark Lord of the Sith a 5/5.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 19, 2018

recommand products

Langlochmatrize GEKA M 8
82.08
Aufnahmeschaft MK 2 passend
86.40
Hartmetall Sägebandführungs-
47.52
cruceta eje lavadora indesit c00104504
31.65
cresta de tambor c00043802
25.87