SKU: 19714164738

LUNA Feuerstelle Schwarz - Design-Feuersäule 110 cm, exklusives Favilla-Design

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Description

LUNA Feuerstelle Schwarz - Design-Feuersäule 110 cm, exklusives Favilla-DesignLUNA Feuerschale 110 cm Schwarz groe Design Feuersule aus Stahl mit Pulverbeschichtung fr Garten und Gastronomie 110 Zentimeter hoch. 100 100 cm Grundflche. 75 Kilogramm Stahl. Die LUNA in Schwarz ist keine Feuerschale, die man bersieht sie ist das Erste, was Gste sehen, wenn sie deinen Garten betreten. Eine groe Feuersule in dieser Gre findest du auf dem deutschen Markt kaum. Die meisten Feuerschalen enden bei 30, 40, vielleicht 50 Zentimetern Hhe.

LUNA Feuerschale 110 cm Schwarz – große Design-Feuersäule aus Stahl mit Pulverbeschichtung für Garten und Gastronomie

110 Zentimeter hoch. 100 × 100 cm Grundfläche. 75 Kilogramm Stahl. Die LUNA in Schwarz ist keine Feuerschale, die man übersieht – sie ist das Erste, was Gäste sehen, wenn sie deinen Garten betreten. Eine große Feuersäule in dieser Größe findest du auf dem deutschen Markt kaum. Die meisten Feuerschalen enden bei 30, 40, vielleicht 50 Zentimetern Höhe. Die LUNA geht auf Augenhöhe. Sie steht in deinem Garten wie ein Turm aus schwarzem Stahl, und wenn abends die Flammen aus der Brennkammer schlagen, wird sie zum Mittelpunkt von allem, was drum herum passiert. Wer eine robuste Feuerschale kaufen will, die gleichzeitig ein Designobjekt ist – hier ist sie.

Das Design der LUNA ist ein Favilla-Exklusiv – du bekommst diese Feuersäule nirgendwo anders. Die Form ist architektonisch: ein massiver quadratischer Körper, der sich nach oben verjüngt und in der offenen Brennkammer endet. Kein Schnörkel, keine Verzierung, keine unnötigen Details. Nur Stahl, Form und Feuer. In mattem Schwarz wirkt die LUNA wie ein monolithisches Objekt – tagsüber eine Skulptur, abends eine Feuerstelle, die den gesamten Außenbereich dominiert. Abends verschwindet das dunkle Gehäuse in der Dunkelheit und übrig bleiben nur Flammen, die aus einem unsichtbaren Körper aufsteigen. Dieser Nachteffekt funktioniert nur in Schwarz – kein Rost, keine Rostoptik, kein Farbwechsel. Nur Feuer und Dunkelheit.

Die elektrostatische Pulverbeschichtung macht den schwarzen Look dauerhaft. Hitzebeständig, UV-beständig, wetterfest – die LUNA in Schwarz bleibt matt-schwarz, Saison für Saison, Feuer für Feuer. Du stellst sie im Frühling auf die Terrasse und sie sieht im nächsten Frühling noch genauso aus. Dazwischen kann sie Outdoor draußen stehen bleiben – bei Regen, Frost, Schnee. Die mitgelieferte wasserabweisende Abdeckhaube schützt zusätzlich vor Laub, Staub und Schmutz, wenn du die LUNA gerade nicht nutzt. Eine langlebige Feuerschale, die ihren Look über Jahrzehnte behält.

75 kg Eigengewicht sind kein Zufall – sie sind Absicht. Eine Feuersäule von 110 cm Höhe muss absolut standfest sein. Kein Wind, kein versehentlicher Stoß, kein Nachlegen von großen Holzscheiten bringt die LUNA ins Wanken. Dieses Gewicht gibt ihr eine physische Präsenz, die man nicht nur sieht, sondern spürt. Wer daneben steht, merkt: Das ist kein Deko-Objekt aus dünnem Blech. Das ist 2 mm Stahl, verschweißt und beschichtet, gebaut für Jahrzehnte. Das ist ein Feuerbecken, das bleibt wo es steht – und den Raum um sich herum definiert.

Die Brennkammer ist mit einem speziellen hitzebeständigen Lack geschützt, der auch extreme Temperaturen aushält. Das Außengehäuse bleibt dabei deutlich kühler – die Konstruktion ist so ausgelegt, dass die Hitze nach oben zum Feuer geht und nicht seitlich abstrahlt. Die LUNA wird komplett vormontiert geliefert: kein Aufbau, kein Werkzeug, keine Anleitung. Ankommen, hinstellen, fertig. Mit 5 Jahren Garantie auf ein Produkt, das so gebaut ist, dass du die Garantie nie brauchst.

Technische Details

  • Modell: LUNA Design-Feuersäule Schwarz
  • Form: quadratisch, sich nach oben verjüngend
  • Maße (L × B × H): 100 × 100 × 110 cm
  • Materialstärke: 2 mm Stahl
  • Gewicht: ca. 75 kg
  • Oberfläche: elektrostatische Pulverbeschichtung – matt-schwarz, hitzebeständig, UV- und witterungsbeständig
  • Brennkammer: hitzebeständig lackiert
  • Lieferung: komplett vormontiert – kein Aufbau nötig
  • Zubehör: wasserabweisende Abdeckhaube inklusive
  • Garantie: 5 Jahre
  • Einsatzbereich: Privatgärten, Terrassen, Gastronomie, Hotels, Biergärten, Outdoor-Lounges

Was macht die LUNA Feuersäule so einzigartig?

Die Größe und die Exklusivität. 110 cm Höhe und 100 × 100 cm Grundfläche – in dieser Dimension gibt es auf dem Markt fast keine Feuerschalen. Die meisten enden bei 30 bis 50 cm Höhe. Die LUNA steht auf Augenhöhe und verwandelt jeden Außenbereich in eine Bühne. Dazu kommt das Favilla-Exklusivdesign: Diese Feuersäule gibt es nur bei uns. Kein anderer Händler, kein anderer Shop, kein Baumarkt.

Ist die LUNA Schwarz für die Gastronomie geeignet?

Ja – und sie wird bereits regelmäßig in Restaurants, Hotels, Biergärten und Outdoor-Lounges eingesetzt. Die schwarze Variante wirkt besonders elegant und professionell in gehobenen Außenbereichen. 75 kg Eigengewicht sorgen für absoluten Stand, auch an belebten Orten. Die Pulverbeschichtung hält dem täglichen Gastro-Einsatz stand, und die vormontierte Lieferung spart Personalzeit. Bei gewerblichen Bestellungen ab 2 Stück kontaktiere uns direkt unter [email protected] für ein individuelles Angebot.

LUNA Schwarz oder Cortenstahl – welche Version passt besser?

Zwei komplett unterschiedliche Auftritte, gleiche Technik. Die schwarze LUNA bleibt dauerhaft matt-schwarz – konstant, clean, modern. Ideal für urbane Terrassen, schwarze Gartenmöbel und architektonische Außenbereiche. Die LUNA in Cortenstahl entwickelt eine warme Edelrost-Patina, die sich mit der Zeit verändert und intensiver wird – rustikaler, wärmer, lebendiger. Maße, Gewicht, Konstruktion und Garantie sind identisch. Schwarz für Konstanz, Corten für Veränderung.

Wie unterscheidet sich die LUNA von der FUJI?

Beide sind große Designer-Feuerschalen von Favilla – aber mit völlig unterschiedlichem Charakter. Die LUNA ist eine Feuersäule: 110 cm hoch, vertikal, dominant. Sie steht im Raum wie ein Turm und zieht alle Blicke nach oben. Die FUJI ist eine runde Feuerschale: 46 cm hoch, mit integriertem Holzfach und isoliertem Gehäuse. Sie wirkt breiter und ruhiger. Wer Höhe und vertikale Präsenz will, nimmt die LUNA. Wer eine flachere Feuerstelle mit Holzlager und Isolierung sucht, nimmt die FUJI.

Bleibt die schwarze Pulverbeschichtung der LUNA dauerhaft?

Ja. Die elektrostatische Pulverbeschichtung ist hitzebeständig, UV-beständig und wetterfest. Sie blättert nicht ab, verblasst nicht und verändert ihre Farbe nicht – auch nach Jahren im Freien und nach vielen Feuern. Die Oberfläche bleibt gleichmäßig matt-schwarz. Gelegentlich mit einem feuchten Tuch abwischen reicht. Die mitgelieferte Abdeckhaube schützt bei längerer Nichtnutzung zusätzlich vor Verschmutzung.

Kann die LUNA Schwarz ganzjährig Outdoor stehen?

Ja – die Pulverbeschichtung schützt den Stahl dauerhaft vor Rost und Witterung. Bei Schnee und Dauerfrost empfehlen wir die Abdeckhaube, um die Beschichtung langfristig zu schonen. Asche nach dem Abkühlen entleeren – das ist die einzige Pflege. Mehr Tipps findest du in unserem Ratgeber zur Feuerschalen-Pflege.

Kann ich in der LUNA auch grillen?

Nein – die LUNA ist ausschließlich als Feuerstelle konzipiert. Die hochbauende Konstruktion eignet sich nicht für Grillroste oder Kochzubehör. Wer eine große Feuerschale mit Grillfunktion sucht, schaut sich unsere SINA Feuerschale mit Grillring oder die FLAME mit Grillplatte an. Beide kombinieren Feuerstelle und Grill mit massiver 8 mm Plancha-Grillplatte. Unser komplettes Feuerschalen mit Grillring Sortiment findest du hier.

Fragen vor dem Kauf?

Schreib uns unter [email protected] – wir beraten dich persönlich. Die LUNA ist ein besonderes Produkt und wir nehmen uns gerne Zeit für deine Fragen. Oder stöbere in unserem Feuerschalen-Sortiment.

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SKU: 19714164738

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4.6 ★★★★★
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Richard Reese (author of Understanding Sustainability)
Belleville, US
★★★★★ 5
A short book loaded with sharp insights
Every year, Canadians eagerly huddle around their radios to listen to the Massey Lectures, broadcast by the CBC. For the 2004 season, Ronald Wright was the honored speaker. He presented a series of five lectures, titled A Short History of Progress. In 2005, Wright's presentation was published as a short book, and it became a bestseller. Martin Scorsese's movie, Surviving Progress, was based on the book. It was an amazing success for a story contrary to our most holy cultural myths. Wright believed that the benefits of progress were highly overrated, because of their huge costs. Indeed, progress was approaching the point of becoming a serious threat to the existence of humankind. "This new century will not grow very old before we enter an age of chaos and collapse that will dwarf all the dark ages in our past." He pointed out that the world was dotted with the ruins of ancient crash sites, civilizations that self-destructed. At each of these wrecks, modern science can, in essence, retrieve the "black box," and discover why the mighty society crashed and burned. There is a clear pattern. Each one crashed because it destroyed what it depended on for its survival. Wright takes us on a quick tour of the collapse of Sumer, Easter Island, the Roman Empire, and the Mayans. He explains why the two oddballs, China and Egypt, are taking longer than average to self-destruct. The fatal defects of agriculture and civilization are old news for the folks who have been paying attention. It has become customary for these folks to believe that "The Fall" took place when humans began to domesticate plants and animals. Wright thinks the truth is more complicated. What makes this book unique and provocative is his notion of progress traps. The benefits of innovation often encourage society to live in a new way, while burning the bridges behind them as they advance. Society can find itself trapped in an unsustainable way of living, and it's no longer possible to just turn around and painlessly return to a simpler mode. Like today, we know that the temporary bubble of cheap energy is about over, and our entire way of life is dependent on cheap energy. We're trapped. Some types of progress do not disrupt the balance of the ecosystem, like using a rock to crack nuts. But our ability to stand upright freed our hands for working with tools and weapons, which launched a million year process of experimentation and innovation that gradually snowballed over time. We tend to assume that during the long era of hunting and gathering our ancestors were as mindful as the few hunting cultures that managed to survive on the fringes into the twentieth century. But in earlier eras, when big game was abundant, wise stewardship was not mandatory. Sloppy tribes could survive -- for a while. Before they got horses, Indians of the American west would drive herds of buffalo off cliffs, killing many at a time. They took what they needed, and left the rest for legions of scavengers. One site in Colorado contained the carcasses of 152 buffalo. A trader in the northern Rockies witnessed about 250 buffalo being killed at one time. Wright mentioned two Upper Paleolithic sites I had not heard of -- 1,000 mammoth skeletons were found at Piedmont in the Czech Republic, and the remains of over 100,000 horses were found at Solutré in France. Over time, progress perfected our hunting systems. Our supply of high-quality food seemed to be infinite. It was our first experience of prosperity and leisure. Folks had time to take their paint sets into caves and do gorgeous portraits of the animals they lived with, venerated, killed, and ate. Naturally, our population grew. More babies grew up to be hunters, and the availability of game eventually decreased. The grand era of cave painting ended, and we began hunting rabbits. We depleted species after species, unconsciously gliding into our first serious progress trap. Some groups scrambled to find alternatives, foraging around beaches, estuaries, wetlands, and bogs. Some learned how to reap the tiny seeds of wild grasses. By and by, the end of the hunting way of life came into view, about 10,000 years ago. "They lived high for a while, then starved." Having destroyed the abundant game, it was impossible to return to simpler living. This was a progress trap, and it led directly into a far more dangerous progress trap, the domestication of plants and animals. Agriculture and civilization were accidents, and they threw open the gateway to 10,000 years of monotony, drudgery, misery, and ecocide. Wright says that civilization is a pyramid scheme; we live today at the expense of those who come after us. For most of human history, the rate of progress was so slow that it was usually invisible. But the last six or seven generations have been blindsided by a typhoon of explosive change. Progress had a habit of giving birth to problems that could only be solved by more progress. Progress was the most diabolically wicked curse that you could ever imagine. Maybe we should turn it into an insulting obscenity: "progress you!" Climate scientists have created models showing weather trends over the last 250,000 years, based on ice cores. Agriculture probably didn't start earlier because climate trends were unstable. Big swings could take place over the course of decades. In the last 10,000 years, the climate has been unusually stable. A return to instability will make civilization impossible. Joseph Tainter studied how civilizations collapse, and he described three highways to disaster: the Runaway Train (out-of-control problems), the Dinosaur (indifference to dangers), and the House of Cards (irreversible disintegration). He predicted that the next collapse would be global in scale. Finally, the solution: "The reform that is needed is... simply the transition from short-term thinking to long-term." Can we do it? We are quite clever, but seldom wise, according to Wright. Ordinary animals, like our ancestors, had no need for long-term thinking, because life was always lived in the here and now. "Free Beer Tomorrow" reads the flashing neon sign on the tavern, but we never exist in tomorrow. The great news is that we now possess a mountain of black boxes. For the first time in the human journey, a growing number of people comprehend our great mistakes, and are capable of envisioning a new path that eventually abandons our embarrassing boo-boos forever. All the old barriers to wisdom and healing have been swept away (in theory). Everywhere you look these days; people are stumbling around staring at tiny screens and furiously typing -- eagerly communicating with world experts, engaging in profound discussions, watching videos rich with illuminating information, and reading the works of green visionaries. It's a magnificent sight to behold -- the best is yet to come! Richard Adrian Reese Author of What Is Sustainable
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 20, 2013
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Richard Clark
Natrona Heights, US
★★★★★ 5
Wright is right
The fact Wright attacks popular concepts of progress is enough to merit five stars. Until 1955, when I was 25, I naively believed progress was inevitable, natural, and simply a part of human nature and society. I attended the Earl Lectures that year. Swiss Theologian Emil Brunner presented three addresses on "Faith, Hope, and Love" at Berkeley, California. Westminster Press published his series in a book given the same title. I shall quote a few remarks. Brunner traced the burgioning faith in progress to the nineteenth century, when "Darwin's theory of evolution seemed so to support and enlarge this optimistic evaluation of progress as to see it in a cosmic perspective." But the doctrine of progress is not the same as evolution. "Although this idea of progress had a success for which the word 'triumph' is hardly an exaggeration, there were warning voices raised against it, voices of men of weight and importance who were not willng to accept the new doctrine," he said. "It was a new doctrine because it was not known to antiquity, it was not known in the time of the Reformation, it was unknown in all Asiatic culture. It was a new thing! The idea of progress became an axiomatic conviction which needed no proof and could not be disproved." At one point, Brunner said, "Since Hiroshima the world does not believe in progress anymore." The end of WWII was still fresh in our memories, and I suppose that's why he said it. We know, today, that it didn't take long for much of the world to revive and renew its faith in progress. And now it's stronger--and more dangerous--than ever. I'm not opposed to every aspect of progress. Progress, when it moves in wholesome and healthy directions, is a blessing. I'm glad my dentist is able to fill--and save--my teeth without pain. And when it came time for my doctor to pull my cataracts and replace them with implanted lenses, I marveled at the miracle. It was a quick and painless operation, and now I have wonderful vision. It's that dogmatic idea of progress based on greed and cold indifference to global warming that concerns me. It's that ongoing waste of limited resources, whether they be animal, vegetable or mineral, that concerns me. We are pulling the carpet from beneath our feet, and the king is pulling hardest of all. And who is the king? Ignorance! Ignorance is king!
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Reviewed in the United States on September 21, 2008
K
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Kevin S. Grail
Chelsea, US
★★★★★ 5
My favorite book, in any genre
Ronald Wright is an amazing scholar and writer. His style is fun and easy to read while delivering impeccable historical research. I have listed to this book several times over the years and I appreciate it more each time. I recommend the audio version more than the print version because of the compelling way Mr. Wright delivers this 4-Part lecture series to his audience (now in book form). Note to Amazon: Please make this book available on Audible, CDs are cumbersome.
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Reviewed in the United States on July 3, 2018
J
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J. Edgar
Lake Worth, US
★★★★★ 4
How many trees do we have left?
In this book, the author takes a look at the downfall of civilizations. Yes, that's plural. There are several models of how civilization is progressing. One is that we're getting better and better as time goes by. Another, less popular one states that we are actually in decline, going down from some sort of golden age. You'll find many of these proponents in the old age homes and such. For them, the only disagreement is when we are declining from. Wright takes a look at the cyclical nature of the rise and fall of civilizations, taking examples from several once- prospering civilizations. This book stands as a call to action that something must be done to grow smartly and be careful on how we allocate the scant resources we have left. While he doesn't hit an anything new, this book's strength is its concise nature. The several examples are familiar and in that have more impact. The strongest example is one he visits several times to show an analogy of current times: Easter Island. This isolated speck in the Pacific was once a thriving mini-civilization with culture and art. And a lot of trees. These trees helped the islanders fish and raise their ceremonial head sculptures. However, these trees also were a poorly cultivated resource. Someone not too long ago cut down the last tree, and the island is now a wasteland and anthropological curiosity. We are doing the same thing. How many trees do we have left to cut?
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Reviewed in the United States on October 14, 2009
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W Lorraine Watkins
Massapequa, US
★★★★★ 3
Good on Review Short on Direct Experience
It is an extensive review of the literature on rise and fall of civilizations with observations on our's. Extremely well footnoted and referenced it however suffers from the author appearing to have little direct primary experience in the study of his topic. Nonetheless there is good information here and substantiation of the notion that cultures come and go, frequently going as a result of the lack of capacity necessary to change group behavior in response to certain challenges. He presents compelling evidence that those overwhelming challenges often revolve around irrational and compulsive exploitation of natural resources. Sadly I share the author's pessimism in regard to our global culture being likely to respond adequately to the ongoing destruction of our livable earthly environment. I fear the planet is headed for a massive kill off in the disturbingly near future.
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Reviewed in the United States on April 13, 2013

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