SKU: 20712872689

mac powder kiss lipstick werk werk werk

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Description

mac powder kiss lipstick werk werk werkMchtest du einen Lippenstift, der sowohl krftig als auch angenehm zu tragen ist? Der MAC Cosmetics Powder Kiss Lipstick 922 Werk, Werk, Werk ist ein strahlender Rotton mit einem matten, nicht glnzenden Finish. Dieser Lippenstift spendet deinen Lippen intensive Feuchtigkeit und verleiht ihnen ein samtiges Gefhl, ohne auszutrocknen. Perfekt, um deinem Look einen energetischen und aufflligen Schub zu verleihen! Was sind die wichtigsten Merkmale des MAC

Möchtest du einen Lippenstift, der sowohl kräftig als auch angenehm zu tragen ist? Der MAC Cosmetics Powder Kiss Lipstick - 922 Werk, Werk, Werk ist ein strahlender Rotton mit einem matten, nicht-glänzenden Finish. Dieser Lippenstift spendet deinen Lippen intensive Feuchtigkeit und verleiht ihnen ein samtiges Gefühl, ohne auszutrocknen. Perfekt, um deinem Look einen energetischen und auffälligen Schub zu verleihen!

 

Was sind die wichtigsten Merkmale des MAC Cosmetics Powder Kiss Lipstick - 922 Werk, Werk, Werk?

Dieser Powder Kiss Lipstick ist ideal für Liebhaber eines matten Lippenstifts mit einem Twist. Hier erfährst du, warum du ihn ausprobieren solltest:

  • Mattes Finish
  • ein eleganter, nicht-glänzender Look
  • Feuchtigkeitsspendende Formel
  • Hält deine Lippen den ganzen Tag weich und geschmeidig
  • Samtiges Gefühl
  • Fühlt sich leicht und angenehm auf den Lippen an
  • Langanhaltende Farbe
  • Der Lippenstift hält perfekt, ohne zu verblassen.
  • Strahlendes Rot
  • Ein energetischer Farbton, der zu jedem Outfit passt

 

Wie verwende ich den MAC Cosmetics Powder Kiss Lipstick - 922 Werk, Werk, Werk?

Trage den Lippenstift direkt auf deine Lippen auf für eine intensive rote Farbe.

Dank der seidig-zarten Textur gleitet der Lippenstift mühelos über deine Lippen, sodass du ihn einfach auftragen kannst.

Tipp: Möchtest du einen extra präzisen Look? Kombiniere den Lippenstift mit einem Lipliner für ein definiertes und professionelles Finish. 

 

Was ist das Ergebnis des MAC Cosmetics Powder Kiss Lipstick - 922 Werk, Werk, Werk?

Der MAC Cosmetics Powder Kiss Lipstick - Werk, Werk, Werk färbt deine Lippen intensiv rot, mit einem matten, nicht-glänzenden Finish. Deine Lippen fühlen sich weich, hydratisiert und samtig an, während die lebendige Farbe deinem Aussehen Kraft und Energie verleiht.

 

Aus welchen Inhaltsstoffen besteht der MAC Cosmetics Powder Kiss Lipstick - 922 Werk, Werk, Werk?

Dieser Lippenstift enthält feuchtigkeitsumhüllte Puderpigmente und feuchtigkeitsspendende Inhaltsstoffe, die speziell entwickelt wurden, um einen matten Look mit ultimativem Komfort zu verbinden.

Dimethicone, Tridecyl Trimellitate, Polyethylene, Phenyl Trimethicone, Dimethicone Crosspolymer, Hdi/Trimethylol Hexyllactone Crosspolymer, Zeolite, Kaolin, Alumina, Silica, Silica Dimethyl Silylate (Nano), Polysilicone-11, Caprylyl Glycol, Polyhydroxystearic Acid, Flavor (Aroma), Sodium Saccharin, Tocopherol, [+/- Mica, Titanium Dioxide (Ci 77891), Iron Oxides (Ci 77491), Iron Oxides (Ci 77492), Iron Oxides (Ci 77499), Bismuth Oxychloride (Ci 77163), Blue 1 Lake (Ci 42090), Carmine (Ci 75470), Orange 5 Lake (Ci 45370), Red 6 (Ci 15850), Red 21 (Ci 45380), Red 28 (Ci 45410), Red 30 (Ci 73360), Red 6 Lake (Ci 15850), Red 7 Lake (Ci 15850), Red 22 Lake (Ci 45380), Red 28 Lake (Ci 45410), Red 30 Lake (Ci 73360), Red 33 Lake (Ci 17200), Yellow 5 Lake (Ci 19140), Yellow 6 Lake (Ci 15985)]

Bitte beziehe dich auf die Zutatenliste auf der Verpackung für die aktuellsten Informationen, da die Zusammensetzung durch Produktoptimierungen variieren kann.

 

Möchtest du mehr über den MAC Cosmetics Powder Kiss Lipstick - 922 Werk, Werk, Werk erfahren?

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PS: Wusstest du, dass du bei einer Bestellung ab 40 € von kostenlosem Versand profitieren kannst? Wir wünschen dir viel Spaß beim Shoppen! ♡

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SKU: 20712872689

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4.9 ★★★★★
Based on 17 reviews
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T
Verified Purchase
Trendy Chic
Alexandria, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 8, 2024
M
Verified Purchase
Matthew
Boise, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 20, 2025
T
Verified Purchase
T
Fort Morgan, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 14, 2025
A
Verified Purchase
AMD
Whiting, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 8, 2025
D
Verified Purchase
Dr.C.J.Singh.Wallia
Louisville, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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