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Description
Maxikleid Damen | Boho Spitzenbesatz & Ärmellos mit V-AusschnittLeicht wie eine Sommerbrise das Kleid, das dich strahlen lsst! Dieses traumhafte Boho Maxikleid mit zarten Spitzenbndern und luftiger Dobby Tupfen Textur vereint romantische Weiblichkeit mit unbeschwert Sommerleichtigkeit: Der feminine V Ausschnitt mit Spitzendetail, die mehrlagigen Spitzenbnder und der weit schwingende Stufenrock schaffen eine mrchenhafte Silhouette, die bei jeder Bewegung mitfliet. Das Kleid fr unvergessliche Sommertage. Romantische
Leicht wie eine Sommerbrise – das Kleid, das dich strahlen lässt!
Dieses traumhafte Boho-Maxikleid mit zarten Spitzenbändern und luftiger Dobby-Tupfen-Textur vereint romantische Weiblichkeit mit unbeschwertер Sommerleichtigkeit: Der feminine V-Ausschnitt mit Spitzendetail, die mehrlagigen Spitzenbänder und der weit schwingende Stufenrock schaffen eine märchenhafte Silhouette, die bei jeder Bewegung mitfließt. Das Kleid für unvergessliche Sommertage.
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Romantische Spitzenbänder: Die kunstvollen Spitzenbordüren, die die einzelnen Stufen des Rocks voneinander trennen, verleihen dem Kleid eine zarte, handwerklich hochwertige Eleganz, die es zu einem echten Hingucker macht.
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Luftiger Stufenrock: Der weit ausgestellte, mehrstufige Rock fließt bei jeder Bewegung wunderschön mit und schafft eine schmeichelhafte, feminin-romantische Silhouette für jede Körperform.
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Subtile Dobby-Tupfen-Textur: Die zarten eingewebten Punkte auf dem Stoff verleihen dem Kleid eine interessante Oberflächenstruktur und einen verspielten, hochwertigen Look.
- Ärmellos & sommerlich leicht: Das trägerlose Design mit V-Ausschnitt sorgt für maximale Frische an heißen Sommertagen – perfekt für Urlaub, Sommerfeste und laue Abende im Freien.
Stylingtipp – Trage das Maxikleid mit transparenten Heels und einem breiten Sonnenhut für einen vollendeten Boho-Beach-Look. Für Abendveranstaltungen ergänze es mit goldfarbenen Sandalen, Perlenketten und einem dezenten Strohgürtel – verträumt, feminin und absolut unvergesslich.
Spezifikationen:
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Ausschnitt: V-Ausschnitt mit Spitzendetail
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Ärmel: Ärmellos / Trägerlos
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Details: Mehrlagige Spitzenbordüren, Dobby-Tupfen-Textur, Stufenrock
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Passform: Loose Fit / Weit fließend
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Länge: Maxi / Bodenlang
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Stil: Boho, Romantic, Sommer, Festlich
- Saison: Frühling/Sommer
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4.3 ★★★★★
Based on 18 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017