SKU: 38128985149

Aprilia Sl 750 Shiver [MOTOBATT] - Batterie MBTX12UHD, Schwarz

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Description

Aprilia Sl 750 Shiver [MOTOBATT] - Batterie MBTX12UHD, SchwarzDie MOTOBATT Batterie MBTX12UHD ist eine hochmoderne Motorradbatterie, die speziell fr Powersports Anwendungen entwickelt wurde. Diese Batterie vereint innovative Technologien mit den spezifischen Anforderungen von Hochleistungsmotorrdern. Technische Daten: 12V Spannung 14,0 Ah Kapazitt Kaltstartstrom: 200 CCA bei 18C Abmessungen: 151 mm (Lnge) x 87 mm (Breite) x 145 mm (Hhe) Gewicht: 4400 g Wartungsfrei, werksseitig aktiviert (AGM) Kein Surepack

Die MOTOBATT-Batterie MBTX12UHD ist eine hochmoderne Motorradbatterie, die speziell für Powersports-Anwendungen entwickelt wurde. Diese Batterie vereint innovative Technologien mit den spezifischen Anforderungen von Hochleistungsmotorrädern.

Technische Daten:

  • 12V Spannung
  • 14,0 Ah Kapazität
  • Kaltstartstrom: 200 CCA bei -18°C
  • Abmessungen: 151 mm (Länge) x 87 mm (Breite) x 145 mm (Höhe)
  • Gewicht: 4400 g
  • Wartungsfrei, werksseitig aktiviert (AGM)
  • Kein Säurepack benötigt
  • 4-polige Anschlusskonfiguration

Eigenschaften und Vorteile

Die MOTOBATT MBTX12UHD setzt sich durch ihr 'Power Balanced'-Design von anderen Batterien ab. Dieses Design bietet eine optimale Balance zwischen der Kapazität (Ah) und dem Kaltstartstrom (CCA), um sowohl die Anforderungen des Originalzubehörs als auch von Nachrüstkomponenten zu erfüllen. Die Konstruktion zielt darauf ab, den Kompromiss zwischen physischer Größe und Leistungsfähigkeit zu minimieren und so eine effiziente und langanhaltende Energieversorgung zu gewährleisten.

Diese Batterie ist wartungsfrei und kommt werksseitig aktiviert, was den Einbau und die Inbetriebnahme erheblich vereinfacht. Dank der AGM-Technologie ist sie auslaufsicher und extrem vibrationsresistent, was sie ideal für den rauen Betrieb auf der Straße oder im Gelände macht.

Zusätzlich ist die MOTOBATT MBTX12UHD eine hervorragende Wahl für Motorräder mit vielen elektrischen Zubehörteilen, da sie hohe Lasten bewältigen kann, ohne an Leistung zu verlieren. Ihre Robustheit und Zuverlässigkeit machen sie zu einer bevorzugten Wahl für Motorradfahrer weltweit.

Hinweis zum saisonalen Produkt: Diese Batterie ist ein Saisonprodukt und wird stets frisch gehalten. Am Saisonende kann sie möglicherweise vorübergehend nicht verfügbar sein. Es wird empfohlen, in solchen Fällen auf alternative Produkte zurückzugreifen und bei Bedarf unser Verkaufsteam zu kontaktieren.

Die MOTOBATT MBTX12UHD ist kompatibel mit einer Vielzahl von Motorradmodellen und ein perfekter Ersatz für viele ältere Batterietypen, was sie zu einer ausgezeichneten Wahl für Ihre Motorradbatteriebedürfnisse macht.

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SKU: 38128985149

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4.3 ★★★★★
Based on 24 reviews
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D
Verified Purchase
David R. Papke
Lexington, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Draper, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Belleville, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Draper, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Lexington, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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