SKU: 48707621689

DeWalt DCF 894 P2 Akku Schlagschrauber 18 V 447 Nm 1/2" Brushless + 2x Akku 5,0 Ah + Ladegerät + TSTAK

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Description

DeWalt DCF 894 P2 Akku Schlagschrauber 18 V 447 Nm 1/2" Brushless + 2x Akku 5,0 Ah + Ladegerät + TSTAKLieferumfang: 1x DeWalt DCF 894 Akku Schlagschrauber 2x DeWalt DCB 184 18 V 5,0 Ah Li Ion Akku 1x DeWalt Ladegert DCB 1x DeWalt TSTAK Koffer Produktbeschreibung: Dieser Akku Schlagschrauber aus dem Hause Dewalt ist aus der neuesten Generation. Er hat eine hohe Abgabeleistung und einen weitaus strkeren Drehmoment gegenber dem Vorgngermodell. Eine lngere Laufzeit pro Akku Ladung ist gewhrleistet sowie eine hhere Lebensdauer durch die innovative,

Lieferumfang:

- 1x DeWalt DCF 894 Akku Schlagschrauber
- 2x DeWalt DCB 184 18 V 5,0 Ah Li-Ion Akku
- 1x DeWalt Ladegerät DCB
- 1x DeWalt TSTAK Koffer

Produktbeschreibung:

Dieser Akku Schlagschrauber aus dem Hause Dewalt ist aus der neuesten Generation. Er hat eine hohe Abgabeleistung und einen weitaus stärkeren Drehmoment gegenüber dem Vorgängermodell. Eine längere Laufzeit pro Akku-Ladung ist gewährleistet sowie eine höhere Lebensdauer durch die innovative, bürstenlose Motor-Technologie. Die Dreh- und Schlagzahl sowie das maximale Drehmoment ist über 2 Stufen elektronisch einstellbar und damit hat man die perfekte Kontrolle bei allen Anwendungen. Eine zusätzliche elektronische Kontrollstufe (mit gleichen Maximalwerten wie in Stufe 2) minimiert im Rechtslauf die Gefahr eines Überdrehen des Gewindes bzw. reduziert im Linkslauf die maximale Drehzahl, sobald sich die Schraube gelöst hat. Das Gerät hat ein sehr hohes Drehmoment von 447 Nm für schwere Schraubarbeiten. Problemloser Langzeiteinsatz durch Sicherheitselektronik (permanente Überprüfung von Akku-Temperatur, Stromentnahme und Entladeschutz) kann erfolgen. Ein robustes Aluminium-Schlagwerkgehäuse ermöglicht optimalen Wärmeaustausch und erhöht somit die Lebensdauer des Gerätes. Zudem hat der Schrauber eine robuste 1/2 Zoll -Außenvierkant-Aufnahme mit Kugelrastung. Diese garantiert den sicheren Sitz der Einsatzwerkzeuge auch im harten Schraubfall. Optimal positionierte und sehr leistungsstarke LED-Leuchten sorgen für perfekte Sichtverhältnisse am Arbeitsplatz. Eine perfekte Handhabung erfolgt durch die extrem kompakte und leichte Bauweise sowie die ergonomisch gummierten Griffbereiche. Problemloser Einsatz durch robusten Gürtelclip aus Metall kann stattfinden.

Technische Daten:

Hersteller: DeWalt
Herstellerbezeichnung: DCF 894
Spannung: 18 V
Leerlaufdrehzahl (1. / 2. / 3. Stufe): 0 - 900 / 0 - 2.000 / 0 - 2.000 min-1
Max. Lastschlagzahl 3.100 min-1
Max. Drehmoment: 447 Nm
Werkzeugaufnahme: 1/2"
Gewicht (ohne Akku): 1,5 kg
Schalldruckpegel (LPA): 94 db(A)
Schallleistungspegel (LWA): 105 db(A)
Unsicherheit K: 3 db(A)
Vibrationskennwert (ah): 13,5 m/s²
Unsicherheit K: 4,4 m/s²


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SKU: 48707621689

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4.4 ★★★★★
Based on 28 reviews
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D
Verified Purchase
David R. Papke
Massapequa, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Bozeman, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Natrona Heights, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Lexington, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
West Palm Beach, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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