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Neck-Cushion-Thigh-RestraintKombifessel Deluxe fr Kinky Play mit Komfort! Die Neck Cushion Thigh Restraint von Bad Kitty prsentiert sich luxuris und stilvoll in Schwarz und Rot mit feinstem Lederimitat und goldfarbenen Accessoires. Ein echtes Highlight fr aufregende Positionsspiele und Fesselungen! Die kombinierte Fessel verbindet eine weiche, ergonomisch geformte Nackenrolle mit lngenverstellbaren Gurtschlaufen fr die Schenkel. Zustzlich sorgen abnehmbare Handfesseln fr den
Kombifessel Deluxe für Kinky Play mit Komfort!
Die Neck-Cushion-Thigh-Restraint von Bad Kitty präsentiert sich luxuriös und stilvoll in Schwarz und Rot mit feinstem Lederimitat und goldfarbenen Accessoires. Ein echtes Highlight für aufregende Positionsspiele und Fesselungen!
Die kombinierte Fessel verbindet eine weiche, ergonomisch geformte Nackenrolle mit längenverstellbaren Gurtschlaufen für die Schenkel. Zusätzlich sorgen abnehmbare Handfesseln für den extra fesselnden Kick. Weiches Lederimitat und softe Polsterungen bieten dabei höchsten Komfort – perfekt für längere Sessions.
Die beiden bequemen Manschetten für die Hände sind mit den Schnallenverschlüssen schnell angelegt und passend verstellbar. Mit ihren Karabinerhaken sind sie leicht an der Nackenrolle ein- und ausgehakt oder auch als Handfessel miteinander verbunden.
Nackenkissen 30 x 20 x 10 cm;
Schenkelgurt/schlaufe 51–55 cm lang;
Handfessel jeweils 5,2 cm breit, Umfang 13–26 cm.
PU, Metall, ABS.
Produktverpackung mit 2 Präsentationsvarianten (stehend/hängend):
Die neuen Bad Kitty Verpackungen besitzen eine faltbare Lasche, die für die hängende Präsentation einfach ausgeklappt werden kann.
Die Neck-Cushion-Thigh-Restraint von Bad Kitty präsentiert sich luxuriös und stilvoll in Schwarz und Rot mit feinstem Lederimitat und goldfarbenen Accessoires. Ein echtes Highlight für aufregende Positionsspiele und Fesselungen!
Die kombinierte Fessel verbindet eine weiche, ergonomisch geformte Nackenrolle mit längenverstellbaren Gurtschlaufen für die Schenkel. Zusätzlich sorgen abnehmbare Handfesseln für den extra fesselnden Kick. Weiches Lederimitat und softe Polsterungen bieten dabei höchsten Komfort – perfekt für längere Sessions.
Die beiden bequemen Manschetten für die Hände sind mit den Schnallenverschlüssen schnell angelegt und passend verstellbar. Mit ihren Karabinerhaken sind sie leicht an der Nackenrolle ein- und ausgehakt oder auch als Handfessel miteinander verbunden.
Nackenkissen 30 x 20 x 10 cm;
Schenkelgurt/schlaufe 51–55 cm lang;
Handfessel jeweils 5,2 cm breit, Umfang 13–26 cm.
PU, Metall, ABS.
Produktverpackung mit 2 Präsentationsvarianten (stehend/hängend):
Die neuen Bad Kitty Verpackungen besitzen eine faltbare Lasche, die für die hängende Präsentation einfach ausgeklappt werden kann.
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4.1 ★★★★★
Based on 30 reviews
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Product Reviews
★★★★★ 4
Helpful
Format: Hardcover
The book itself is excellent, very helpful with lots of specific information.
I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 11, 2025
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 19, 2026
★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides.
I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people!
To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome.
Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
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Reviewed in the United States on January 5, 2013
★★★★★ 3
I Recommend It, But Not Much
Format: Paperback
This book is recommended in SELF-EDITING FOR THE FICTION WRITER, a book I have read twice and enjoyed a great deal. I had to give Gardner a try.
This is a tough review to write because I can't say this is a fantastic book to help one write fiction. At the same time, there is little or nothing said that I disagree with. So, what's the problem?
My confusion starts with my expectations when reading a book about writing. It's a situation where I want to gain information and hints on how to write better, without being bombarded by direction on how to write. This criteria has served me well and I've found a number of writing books that made me write or want to write better; SELF-EDITION FOR THE FICTION WRITER is one, THE FICTION WRITER'S WORKSHOP is another.
Judging by that, this book didn't pass muster. Rather than coming away with a new awareness of what I want to include or exclude from my own work, I'm left feeling like I've been having coffee with an experienced author full of sweeping opinions on craft.
He's crafty in one way, his ability to pull me in with the sense of being an insider, watching other fiction writers through thick glass. He uses a lot of lines like "The writer who can't distinguish truth from a peanut-butter sandwich can never write good fiction. What he affirms, we deny, throwing away his book in indignation..." The implication isn't about writers of bad fiction so much as it is about 'us', him and I, being partnered in our unique ability to indignantly recognize a lousy writer. In fact, we're pretty decent to only discard the book when we're entitled to exact creative justice on its sloppy author.
Still, and here's the rub, it isn't a bad read. Don't skip an hour of writing to sit down with this book but if you're between projects and have the time, I'd recommend it.
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Reviewed in the United States on July 11, 2010
★★★★★ 5
Good Guide to Writing in General
Format: Paperback
What Gardener says about fiction can equally apply to writing any good prose. He was a master teacher and this book definitely shows his skills in conveying the underlying knowledge to others.
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Reviewed in the United States on December 30, 2024
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