SKU: 88744272491

charles xi 1665 1697 konig von schwedenzu david kloecker ehrenstrahl

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charles xi 1665 1697 konig von schwedenzu david kloecker ehrenstrahlEin Staats und Majesttsbild: Charles XI 1665 1697, Knig von Schweden, veredelt von David Klcker Ehrenstrahl Dieses Portrt fngt die feierliche Prsenz des Monarchen durch eine durchdachte Komposition ein, in der die reichen Gold und Purpurtne auf die zarten Lasuren des Knstlers antworten. Das Gesicht, mit feiner Modellierung und sanftem Licht dargestellt, drckt Autoritt und Zurckhaltung aus; die Pose, das Kostm und die dynastischen Attribute

Ein Staats- und Majestätsbild: Charles XI 1665-1697, König von Schweden, veredelt von David Klöcker Ehrenstrahl
Dieses Porträt fängt die feierliche Präsenz des Monarchen durch eine durchdachte Komposition ein, in der die reichen Gold- und Purpurtöne auf die zarten Lasuren des Künstlers antworten. Das Gesicht, mit feiner Modellierung und sanftem Licht dargestellt, drückt Autorität und Zurückhaltung aus; die Pose, das Kostüm und die dynastischen Attribute strukturieren den Bildraum mit barocker Strenge. Die Atmosphäre ist zugleich zeremoniell und intim und lädt den Blick ein, die Details der Stickereien und die Beherrschung von Hell-Dunkel zu betrachten. Diese kunstdruck des Gemäldes gibt die Textur und Tiefe des Originals getreu wieder.

David Klöcker Ehrenstrahl, Meister des barocken Porträts
Der schwedische Maler deutschen Ursprungs, der im 17. Jahrhundert tätig war, David Klöcker Ehrenstrahl, etablierte sich als offizieller Porträtist, beeinflusst von der europäischen Barocktradition und den Kanons des königlichen Porträts. Seine Karriere, geprägt von zahlreichen Aufträgen für den Hof, zeugt von einer Meisterschaft in der Darstellung luxuriöser Stoffe, zeremonieller Posen und einem ausgeprägten Sinn für Inszenierung. Ehrenstrahl trug dazu bei, das visuelle Bild der schwedischen Monarchie zu prägen und brachte so die Machtfigur den in ganz Europa geltenden bildlichen Codes näher. Sein Werk illustriert die Bedeutung des Porträts als politisches und künstlerisches Instrument.

Eine dekorative Anschaffung mit vielfältigen Vorteilen
Diese kunstdruck Charles XI 1665-1697, König von Schweden, ist ideal, um einem Interieur Charakter und Geschichte zu verleihen: Wohnzimmer, Büro oder Bibliothek erhalten sofort eine noble Note. Die sorgfältig reproduzierte Leinwand garantiert Farb- und Detailtreue und bietet die Präsenz eines echten Gemäldes aus der Epoche ohne die Erhaltungszwänge des Originals. In einem passenden Rahmen befestigt, wird diese Leinwand [artwork] zum Blickfang, während sich die kunstdruck des Gemäldes sowohl in ein klassisches als auch in ein zeitgenössisches Dekor einfügt. Schenken Sie Ihren Wänden ein Werk voller Geschichte und Prestige.

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SKU: 88744272491

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4.8 ★★★★★
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aariann ibatuan
Lowell, US
★★★★★ 5
Beautiful Book
Format: Hardcover
I love this book and it’s so pretty!
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Reviewed in the United States on December 13, 2023
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Phoenix, US
★★★★★ 5
Beautiful Book!
Format: Hardcover
A beautiful edition of one of my childhood favorites!
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Reviewed in the United States on September 22, 2023
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Shava Nerad
West Palm Beach, US
★★★★★ 5
You can get this online free, but I bought it. Let Fanon turn your brain inside out.
I actually like the idea of supporting a press that is publishing Fanon. When I was growing up with my dad working with the SCLC and Dr. Martin Luther King, Jr., as part of the night security crew for the summer marches, I was probably more aware than most Americans -- certainly most Americans outside of the black community -- of how much permeability there was between the nonviolent SCLC, and the Black Panther movement, for which Fanon was a seed influence. Youth in the SNCC organization, the youth group associated with the SCLC, often went back and forth between SNCC and the Panthers as they developed their activist identity and their ideas of how justice might be achieved. The phrase "by any means necessary" used by the Panthers often scared the bejeezus out of the white community. But when I sat down with my father -- who was an adherent of formal nonviolence -- he handed me Fanon to read, and told me that it was a valid investigation as to whether violence should be considered if nonviolent means were not entertained by the state. To my dad, who was a peaceful but fiercely justice-oriented man (for those of you who know the idiom "fire of Amos" he had it), he considered that without the counterpoint of the Panthers, MLK would never have gotten a hearing in Washington DC. Just the idea that there were revolutionaries in American society looking at American "apartheid" and saying, "We are willing to take care of our own if you separate us. We see our situation as that of a post-colonial slavery society and use the model of African liberation as our model. We are willing to be peaceful if we are given justice in peace, but we do not believe that you are acting in good faith and will use whatever means necessary to see you follow your own promises of justice and see justice for our own people if you will not see that done." That was actually a step down from Fanon. That was actually optimism. But all white Americans heard out of any of that was: "...by any means necessary." They didn't think of how they were creating the circumstances that might precipitate violence. That whites had created a system that instituted violence to keep slaves, and later free blacks, contained and preserve power and privilege for the white majority. It is hard for most Americans to even realize that America -- although we became independent from England -- continued as a colonial nation and economy on our own continent and territory. That all the institutions of the repression and destruction of indigenous and imported-slave cultures that happened "over there" in countries that Europeans colonized far from home, we did at home as a break-away colony, and the Europeans who conquered America never relented, compromised, or acknowledged that colonial reality in the way that the Spanish, Dutch, Portuguese, Italian, French, and British Empires did in their colonial domains. So Fanon is someone worth reading, not only for Africans, or for African-Americans, but for any American or anyone else in the world who wants to better ponder white privilege in America and how it became so very different from colonial privilege as that faded in Africa, through the lens of this Algerian revolutionary philosopher, who so influenced our Panthers. I remain committed to nonviolence personally, but I understand intensely how MLK and Malcolm balance each other. And how that can actually lead to better peaceful solutions, in a social justice conflict where the status quo has been preserved by judicial and extrajudicial violence by a superior force. This is still relevant in puppet regimes all over the world. In client states of capitalist powers and of Russia and China. In the conflicts surrounding Israel, and the conflicts throughout the Middle East and Central Asia that are often couched in sectarian terms or sectarian vs secular terms. It is vital to understanding countries like Zimbabwe or South Africa, where the dynamics of early black leadership as colonial-wannabes are creating environments of corruption and scandal, and robbing their own people. Everyone should read Fanon. If you can't afford the book here, you can find it online free. This book, and Black Skin, White Masks, both highly recommended. If you don't like Marxist/Socialist politics, try to suspend disbelief a bit. The philosophy, sociology, and psychology is amazing.
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Reviewed in the United States on March 28, 2019
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TH
Whiting, US
★★★★★ 5
The destruction of racism
Format: Paperback
This is a very open and candid view of racism in the early 19th century
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 22, 2026
B
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Benguet Bill
Los Angeles, US
★★★★★ 5
good read
Format: Paperback
classic work on imperialism
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 11, 2026

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