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Description
trek fuel exe 9 7Das Fuel Exe 9. 7 definiert elektrisches Mountainbiken neu mit einem vllig neuen, perfekt versteckten Motor fr ein Fahrrad, das genauso leicht, spritzig und unterhaltsam bleibt wie herkmmliche Mountainbikes, mit dem zustzlichen Vorteil einer Tretuntersttzung, die es Ihnen ermglicht, mhelos wieder hinaufzusteigen. Das aktualisierte Federungspaket sorgt zusammen mit ausgewhlten Komponenten fr agiles Schalten und przise Modulation auf den Trails. Darber
Das Fuel Exe 9.7 definiert elektrisches Mountainbiken neu mit einem völlig neuen, perfekt versteckten Motor für ein Fahrrad, das genauso leicht, spritzig und unterhaltsam bleibt wie herkömmliche Mountainbikes, mit dem zusätzlichen Vorteil einer Tretunterstützung, die es Ihnen ermöglicht, mühelos wieder hinaufzusteigen. Das aktualisierte Federungspaket sorgt zusammen mit ausgewählten Komponenten für agiles Schalten und präzise Modulation auf den Trails. Darüber hinaus sorgt der leichte Carbonrahmen dafür, dass das Fahrrad agil und steif bleibt, sodass es Vibrationen perfekt absorbiert, wenn die Fahrt holpriger wird.
Spezifikationen
*Hinweis: Die Spezifikationen gelten für alle Größen, sofern sie nicht separat aufgeführt sind
Rahmensatz
| Chassis | OCLV Mountain Carbon, austauschbarer Akku, interne Kabelführung, Aluminium-Umlenkhebel, 34,9 mm Sitzrohr, hohe Kettenführungshalterung, 55 mm Kettenlinie, Mino Link, ABP, Boost148, UDH, 140 mm Federweg |
|---|---|
| Gabel | Fox Rhythm 36, Float EVOL-Luftfeder, GRIP-Dämpfer, konischer Gabelschaft, 44 mm Vorbiegung, Boost110, 15 mm Kabolt-Achse, 150 mm Federweg |
| Suspension | Fox Performance Float X, 2-Positionen-Stoßdämpfer, 205 mm x 60 mm |
| Max. Ausflug Gabelkompatibel | 160 mm (575 mm Stift bis Krone) |
Räder
| Vorderrad | Bontrager Line Comp 30, Tubeless Ready, 6-Loch, Boost110, 15-mm-Steckachse, 29" |
|---|---|
| Hinterrad | Bontrager Line Comp 30, Tubeless Ready, Rapid Drive 108, 6 Schrauben, Boost148, 12-mm-Steckachse, 29" |
| Hintere Verriegelung | Bontrager Switch-Steckachse, abnehmbarer Hebel |
| Reifen | Bontrager XR5 Team Issue, Tubeless Ready, Inner Strength-Schutz, Aramidwulst, 60 tpi, 29 x 2,50 |
| Pneumatische Komponente | Bontrager TLR-Dichtmittel, 6 Unzen |
| Paranippel | Bontrager TLR |
| Maximale Abmessungen des Reifens | Rahmen: 29x2,50", Gabel: Siehe Hersteller |
Elektronisches System
| Schlagzeug | TQ 360Wh |
|---|---|
| Computer | TQ-LED-Display mit Bluetooth- und ANT+-Konnektivität |
| Motor | TQ-HPR50, 50 Nm, 250 Watt maximale Dauerleistung, 300 Watt Spitzenleistung |
Übertragung
| Befehl | Shimano SLX M7100, 12-Gang |
|---|---|
| Schaltwerk | Shimano XT M8100, langer Käfig |
| Kurbelgarnitur | E*thirteen E*spec Plus, Länge 165 mm |
| Kurbel | E*thirteen E*spec Plus, Länge 170 mm |
| Krone | E*thirteen E*spec, 32T-Legierungskettenblatt, 55 mm Kettenlinie |
| Kassette | Shimano SLX M7100, 10–51 Zähne, 12 Gänge |
| Kette | Shimano SLX M7100, 12-Gang |
| Maximale Größe der Krone | 1x: 34T, mindestens 30T |
Komponenten
| Sattel | Bontrager Arvada, Austenitschienen, 138 mm Breite |
|---|---|
| *Sattelstütze |
Messen: S TranzX JD-YSP39, 100 mm Federweg, interne Kabelführung, 34,9 mm |
|
Messen: M TranzX JD-YSP39, 150 mm Federweg, interne Kabelführung, 34,9 mm |
|
|
Messen: L, XL TranzX JD-YSP39, 170 mm Federweg, interne Kabelführung, 34,9 mm |
|
| Lenker | Bontrager Line, Legierung, 35 mm, 27,5 mm Höhe, 780 mm Breite |
| Knöpfe | Bontrager XR Trail Elite, Nylon-Lockout |
| Lenkervorbau | Bontrager Elite, 35 mm, 0 Grad, 45 mm Länge |
| Bremse | Shimano 4-Kolben-Hydraulikscheibe, M6100-Hebel, M6120-Bremssattel |
| *Bremsrotor |
Messen: S, M, L, XL SRAM CenterLine, 6-Loch, abgerundete Kante, 200 mm |
|
Messen: S, M, L, XL Shimano RT66, 6 Bolzen, 203 mm |
|
| Bremssatz | SRAM Code R 4-Kolben-Hydraulikscheibe |
| Festplattengröße | Maximale Bremsscheibengröße – Rahmen: 203 mm, Gabel: siehe Gabelhersteller |
Zubehör
| Elektronik | TQ 4A Batterieladegerät |
|---|
Gewicht
| Gewicht | M – 19,05 kg / 42 lbs (mit TLR-Dichtmittel, ohne Schlauch) |
|---|---|
| Gewichtsbeschränkung | Für dieses Fahrrad gilt ein maximales Gesamtgewicht (Gesamtgewicht von Fahrrad, Fahrer und Ladung) von 136 kg. |
Wir behalten uns das Recht vor, jederzeit und ohne Vorankündigung Änderungen an den Produktinformationen auf der Website vorzunehmen, einschließlich Ausstattung, Spezifikationen, Modellen, Farben, Materialien und Preisen. Aufgrund von Lieferkettenproblemen können kompatible Teile jederzeit und ohne Vorankündigung ausgetauscht werden.
Die Fahrrad- und Rahmengewichte beziehen sich auf lackierte Vorserienprodukte zum Zeitpunkt des Drucks. Das Gewicht des fertigen Produkts kann variieren.
Maßnahmen
| Messen | Fahrergröße | Innenbein |
|---|---|---|
| S |
155 - 165 cm 5'1" - 5'5" |
74 - 78 cm 29" - 31" |
| M |
165 - 176 cm 5'5" - 5'9" |
79 - 83 cm 31" - 33" |
| L |
177 - 188 cm 5'10" - 6'2" |
84 - 89 cm 33" - 35" |
| XL |
188 - 195 cm 6'2" - 6'5" |
89 - 91 cm 35" - 36" |
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4.3 ★★★★★
Based on 27 reviews
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Product Reviews
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY
By Lisa Cron
Reviewed by C J Singh (Berkeley, California)
Excellent Primer on Novel-Writing
In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/
Here's my review of Lisa Cron's "Wired For Story"
"WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft.
Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow.
"Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information.
Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23).
.
"Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own.
Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65)
.
"Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious.
"Story Secret: There's no writing; there's only rewriting" (p 219).
Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow.
"Myth: Write What You Know.
"Reality: Write What You Know EMOTIONALLY" (p 62).
.
"Myth: Sensory Details Bring a Story to Life."
"Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118).
.
"Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying.
"Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152).
Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene.
At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti."
An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 )
WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020