SKU: 12800339965

Bob Dylan: Mixing Up the Medicine

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Bob Dylan: Mixing Up the MedicineBOB DYLAN: MIXING UP THE MEDICINE is an unprecedented glimpse into the creative life of one of America_Ts most groundbreaking, influential and enduring artists. 'If there is anything new to be discovered about Bob Dylan, you can probably find it in The Bob Dylan Centre_ Now the Bob Dylan Centre is publishing its first book, essentially the archive in miniature: Bob Dylan: Mixing up the Medicine. It is a 608 page tome examining over 1000 images and

BOB DYLAN: MIXING UP THE MEDICINE is an unprecedented glimpse into the creative life of one of America�_Ts most groundbreaking, influential and enduring artists. 'If there is anything new to be discovered about Bob Dylan, you can probably find it in The Bob Dylan Centre�_� Now the Bob Dylan Centre is publishing its first book, essentially the archive in miniature: Bob Dylan: Mixing up the Medicine. It is a 608-page tome examining over 1000 images and objects culled from the collection by archivists and curators Mark Davidson and Parker Fishel.' - The Telegraph Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing�_"draft lyrics, notebooks, and diverse ephemera�_" comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan�_Ts early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, BOB DYLAN: MIXING UP THE MEDICINE is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate�_Ts many musical fans as well as a broader cultural audience. Edited by Mark Davidson and Parker Fishel, BOB DYLAN: MIXING UP THE MEDICINE focuses a close look at the full scope of Dylan�_Ts working life, particularly from the dynamic perspective of his ongoing and shifting creative processes�_"his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of BOB DYLAN: MIXING UP THE MEDICINE is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan�_Ts creative process, but also their own. BOB DYLAN: MIXING UP THE MEDICINE is the magnum opus every Bob Dylan fan has been waiting for since the 60s and will be a landmark publication for the ages.

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SKU: 12800339965

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4.4 ★★★★★
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Paul Stevenson
Omaha, US
★★★★★ 5
A careful, scholarly work
Format: Hardcover
The introduction to this book does a great job of laying out the challenges of translating an ancient translation. It is not, however, aimed at people without a significant background in Hebrew, Greek and translation theory. I give credit to the authors of the introduction, Albert Pietersma and Benjamin G. Wright, for specifying the nature of the translation and its audience. Taken from Nida and Taber, _The Theory and Practice of Translation_ (Leiden: Brill, 1982), p. 31: "a translation in the present-day literary language, so as to communicate to the well-educated constituency." The translators chose this group "on the assumption that it is most probably this audience that has a more than passing interest in traditions of biblical literature other than their own" (p. xiv). I think they are right about this. "Translating an ancient text can only be described as a profoundly difficult undertaking.... "The difficulties of the undertaking are certainly not decreased when one attempts to translate an ancient translation into a modern language. If translating is an act of interpreting, as linguists suggest it is, rather than a simple transfer of meaning, a Greek interpretation of a Hebrew original can be expected to reflect what the translator understood the Hebrew text to mean. The end result is therefore inevitably to some degree a commentary written at a specific historical time and place by an individual person, whose understanding of the Hebrew will often have been at variance with our own, though at times perhaps equally viable." (p. xvi) Indeed, back when I was a linguist- and translator-in-training at the Summer Institute of Linguistics (early 1980s), I was taught the rather simplistic model of translation as a mere transfer of meaning. Experience, though, has taught me that this is virtually impossible. A text of any level of sophistication above that of a stop sign is full of cultural assumptions, lexical polysemy, syntactic ambiguity, and so forth. Any translation is perforce an interpretation. The only way to even begin to compensate for this, if the readers of the translations are not scholars trained in the relevant fields, is to include a massive set of footnotes. The average reader is just not going to take the time to read such a set of notes, even if they are included. The majority of traditional religious readers of a Bible translation are not prepared to deal with the challenges that such footnotes would present to their existing understanding of the text. The New English Translation of the Septuagint is aimed at those who already have at least some of the relevant scholarly background and are not averse to acquiring more.
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Reviewed in the United States on February 8, 2019
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Verified Purchase
Kim
Charlottesville, US
★★★★★ 5
Best Bible Ever!
Format: Leather Bound
This Bible is my new favorite. The leather is so soft. Best purchase , best Bible
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Reviewed in the United States on April 24, 2026
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Verified Purchase
Todd Heminger
Chelsea, US
★★★★★ 5
Great size.
Format: Leather Bound
We bought this for our son in college. He loves the size. He brings it to church and studies from it at school. Great Bible. He enjoys taking notes in it.
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Reviewed in the United States on December 1, 2024
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Amanda Jackson
Natrona Heights, US
★★★★★ 4
Pages are a little thin but nice Bible.
Format: Leather Bound
This Bible is a great option for someone with good eyesight, as the print is on the smaller side. I personally prefer larger print, but the smaller text does make it more compact and convenient to carry. I got this for my daughter in college, and it’s perfect for her since she likes to take notes during sermons. The leather cover is very nice and adds a quality feel. I do wish the pages were a bit thicker, as there is some show-through from writing on the other side—something to keep in mind for a journaling Bible. Overall, it’s a nice, basic option for jotting down notes and reflections.
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Reviewed in the United States on March 31, 2026
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Verified Purchase
Krissy Kilwein
Omaha, US
★★★★★ 5
Great for my expectations!
This is not the Bible that I read from during my daily quiet time, nor the Bible that I take to worship with me at church - but also not my originial intentions, which was to have a small compact (but complete) Bible to have with me at all times. It is small and lightweight, and easy to carry in my purse; available any time I need to reference it.
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Reviewed in the United States on September 26, 2017

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