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Description
Fargo DTC4250e Single-Sided ID Card Printer with Ethernet, Internal Print Server, & USBThe DTC4250e Single Sided ID Card Printer with Ethernet, Internal Print Server, & USB from Fargo is a convenient, professional, and secure printer encoder system, suitable for medium sized businesses, schools, and local government institutions. This printer comes with an internal print server for secure printing. It utilizes a dye sublimation resin thermal transfer processes to quickly create 300 dpi resolution prints. It works well with CR 80 and CR
The DTC4250e Single-Sided ID Card Printer with Ethernet, Internal Print Server, & USB from Fargo is a convenient, professional, and secure printer/encoder system, suitable for medium-sized businesses, schools, and local government institutions. This printer comes with an internal print server for secure printing. It utilizes a dye sublimation resin thermal transfer processes to quickly create 300 dpi resolution prints. It works well with CR-80 and CR-79 adhesive back card sizes and can print edge-to-edge. The printer is capable of printing at a rate of 6 seconds per card in black & white and at 24 seconds per card in full color with two black resin panels. It also features a movable SmartScreen graphical displaycom, which allows the printer to fit into tight spaces.
- Modular, scalable design that simplifies equipment upgrades and migration to higher levels of security
- Sleek design with changeable footprint to accommodate space-constraint office environments
- SmartScreen graphical display with easy-to-follow prompts
- Works with easy-to-use all-in-one ribbon cassette (EZ ribbons) or the eco-friendly refill ribbon (ECO ribbons)
- Eco-friendly erase and rewrite feature is suitable for creating temporary ID cards
- Fargo Workbench diagnostic utility facilitates printer maintenance
- Color Assist tool matches spot colors, ensuring accurate prints of graphics such as company logos
- Fully compatible with Asure ID card personalization software for badge design, database management and technology card encoding, as well as EasyLobby Secure Visitor Management solutions
- Standard printer password protection and fluorescent panel printing provide a cost-effective and dynamic means of increasing card security
- Internal server for secure printing over a network, enabling distributed card issuance in seconds
- A Wi-Fi accessory can be added that allows you to print anywhere, anytime
- ENERGY STAR certified for efficient energy consumption
In the Box
Fargo DTC4250e Single-Sided ID Card Printer with Ethernet, Internal Print Server, & USB
- Limited 3-Year Warranty
| Printing Technology | Dye sublimation / resin thermal transfer |
| Maximum Resolution | 300 dpi (11.8 dots/mm) continuous tone |
| Colors Supported | 16.7 million / 256 shades per pixel |
| Ribbon Options | EZ and ECO: Resin black, standard (1000 prints) EZ Only: Full-color with resin black and overlay panel, YMCKO, (250 prints) Full-color half-panel with resin black and overlay panel, YMCKO, (350 prints) Full-color with two resin black panels and overlay panel, YMCKOK, (200 prints) Full-color with fluorescing, resin black and overlay panel, YMCFKO, (200 prints) Full-color with fluorescing, two resin black panels and overlay panel, YMCFKOK, (175 prints) Resin black and overlay panel, KO, (500 prints) Dye-sublimation black and overlay panel, BO, (500 prints) Resin green, blue, red, white, silver, gold, (1000 prints) Resin silver and gold metallic, (500 prints) Rewrite technology, no ribbon is required Card cleaning roller integrated into ribbon cartridge that is automatically replaced with each ribbon change |
| Print Speed | K: 6 seconds per card KO: 8 seconds per card YMCKO: 16 seconds per card YMCKOK: 24 seconds per card |
| Card Sizes | CR-80 (L x W): 3.375 x 2.125" (85.6 x 54 mm) CR-79 Adhesive Back (L x W): 3.313 x 2.063" (84.1 x 52.4 mm) |
| Print Area | CR-80 Edge-to-Edge (L x W): 3.36 x 2.11" (85.3 x 53.7 mm) CR-79 (L x W): 3.3 x 2.04" (83.8 x 51.8 mm) |
| Media Thickness | Print Only: 9 to 40 mil (0.229 to 1.016 mm) Print: 30 to 40 mil (0.762 mm to 1.02 mm) |
| Double/Single-Sided | Single |
| Card Type | PVC of polyester card with polished PVC finish Monochrome resign required for 100% polyester cards Optical memory cards with PVC finish Rewrite |
| Paper Capacity | Input Hopper Card Capacity: Up to 100 cards with 30 mil (0.762 mm) thickness Output Hopper Card Capacity: Up to 100 cards with 30 mil (0.762 mm) thickness |
| Memory | 32 MB RAM |
| System & Software Requirements | Windows XP, Vista (32/64-bit), Server 2003 & 2008, 7, 8 (32/64-bit) Mac OS X 10.5-10.8 Linux Ubuntu 12.04, Debian 7.0, Fedora 18, Mandriva 2011, Red Hat 6.4, Open Suse 12.3 |
| Software | Swift ID embedded badging application, FARGO Workbench diagnostic utility with Color Assist spot-color matching |
| Interface | USB 2.0 and Ethernet with internal print server |
| Display | User friendly, SmartScreen graphical display |
| Security | Access is password protected |
| Certifications | Safety: UL 60950-2, CSA C22.2 (60950-07), and CE; EMC: FCC Class A, CE (EN 55022 Class A, EN 55024), CCC, BSMI, KC, ENERGY STAR qualified |
| Supply Voltage | 100 to 240 VAC, 50 to 60 Hz, 1.6 A max |
| Operating Temperature | 65 to 80�F (18 to 27�C) |
| Humidity | 20 to 80% non-condensing |
| Dimensions (H x W x D) | 9.8 x 18.1 x 9.2" (249 x 460 x 234 mm) |
| Weight | 9 lb (4.1 kg) |
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.1 ★★★★★
Based on 5 reviews
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Product Reviews
★★★★★ 5
Works!
Ive been using it for a couple weeks now and ive seen an improvement! It also takes longer for my leg hair to grow out too!
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Reviewed in the United States on June 1, 2026
★★★★★ 5
Battle tested
I have re-purchase this product a few times. It is great for razor bumps and clogged pores.
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Reviewed in the United States on May 28, 2026
★★★★★ 5
Great Item to get!
Thank you. Great product!
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Reviewed in the United States on May 24, 2026
★★★★★ 5
Ruthless, nail-biting action thriller from "Exorcist" director William Friedkin.
BOTTOM LINE: If you enjoy tension & suspense then you'll be hard-pressed to find a better experience than SORCERER. I loved it and feel it has a high replay value that offsets the discouraging lack of bonus features. 5 STARS
THE STORY: Four shady criminals from various countries are on the run from trouble. Each eventually ends up in the desolate backwards village of Vera Cruz, deep in the South American jungle. Arriving there illegally, none of the strangers possess proper documentation with which to leave once the heat is off. They are trapped, and the only work in the village is at a nearby oil drilling site. When saboteurs blow the rig up the oil company must quickly put it out & recap the well, to maintain its profitability. The explosives needed to blow out the raging fire are stored at the company headquarters - some 200 miles away. Complicating matters further, the TNT has become dangerously unstable due to improper storage conditions, so it cannot be flown to the site but must instead be delivered overland by truck. Knowing the danger, the company agrees to pay $10,000 each for drivers willing to tackle the high risk job. Desperate to earn the much-needed money with which to buy their way to freedom, all four criminals volunteer. Though in essence a suicide mission, each man has no choice if he hopes to leave the village and get on with his life. Who will make it?
THOUGHTS: Released a week after the first STAR WARS, and sadly lost in the shuffle, SORCERER is a terrific film. Maybe director William Friedkin's very best. Yes, it is a thinly-veiled re-working of the classic French thriller THE WAGES OF FEAR but don't let that deter you. In many ways Friedkin's adaption is superior. JAWS alumni Roy Scheider is terrific here as a seedy driver for a mob hit gone terribly wrong and the other actors are equally adept in their roles. SORCERER is beautifully photographed and tightly edited for maximum tension. Completely done practically and on actual locations, (being shot back before the advent of CGI and wirework), the action set pieces are among THE MOST intense & nerve-wracking I have EVER seen on film. Period. The rope bridge scene? Two words: Holy crap. I was literally on the edge of my seat throughout the entire sequence, my heart thumping and my hands clutching the arms of my chair in a death grip. If this scene doesn't make you break out in a cold sweat and get your pulse pounding then you might want to check with your doctor because you're probably dead. This sequence alone makes the purchase of SORCERER completely justified. I feel the first half of the film could have been tightened up some, as it spends the first 45 minutes or so setting everything up, but taking it for what it is it's worth the wait because the last half will have you gasping in disbelief, jumping in your seat and chewing your nails right down to the first knuckle. Simply great stuff. I only regret that I hadn't discovered SORCERER before now, but what a fantastic find.
THE BLU-RAY: In a word... magnificent. The remaster for SORCERER is an audio & visual triumph. This is THE version to own. While sadly lacking in extras, the hi-def film transfer looks so impressive that I am more than willing to overlook the bonus shortcomings. The Blu comes packaged in a sort of mini book binding that sports a brief excerpt from William Friedkin's autobiography, detailing his work on the film and his feelings about its new lease on life with this Blu-ray. I've never been much of a fan of the director himself because he's always come across like a snobby, pompous, egotistical ass. Surprisingly, he acknowledges this fault and describes how it lead to his eventual downfall in Hollywood. But I cannot deny that he's made a few really good films during his career.
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Reviewed in the United States on January 30, 2016
★★★★★ 5
A Perfect Film
It has been a long time since I have been so surprised by a film; I can remember hearing about it when I was a kid, but like so many others at the time, 'Star Wars' was my childhood obsession. That a being said, I also have to say that this movie is generally timeless; with the exception of the cars and the music sometimes(still an excellent score by Tangerine Dream...), there is nothing that falls to the side as 'dated'. The country the 4 men flee to is just miserable, and probably looks the same now as it did then...just behind the times in so many ways.
The set up of the 4 men starts things off with bang--literally. The scenarios are very different for each individual, but each equally satisfying. There is an excellent church robbery scenario that rounds things off with Roy Scheider, which includes a trademark Friedkin vehicle sequence(which--like many other scenes in this film--comes with a surprising jolt and a direction you didn't see coming...). Each backdrop story could pretty much provide for a film of it's own. Scheider is excellent, and this film reminds me why I was always a big fan of his. That being said, the other acting is all just right on the money as well; you can feel both their desperation and sweat, and sympathize with every stumbling block they encounter along the way. From the corrupt cops to the bandits they meet on the road(a favorite scene of mine in any movie...), you are thrown generally everything in the book as far as a crime/thriller movie go. And in this case it is all successful. There were more than a dozen scenes that hold up to or outshine anything that has been put out in the last 10 years to me. It is a reminder of the skill behind this project across the board, and the booklet with the blu-ray is really enjoyable to read, especially after seeing the film, as it fills in some curious questions about how certain things were done, and the difficulties the production encountered.
The look of the film is breathtaking at times; all of the camera shots of the landscapes, kids, animals, elderly soda vendors, and crowded village streets are very candid and realistic. While the plot is somewhat simple, the intensity and driving force behind the 4 men is unforgettable; and while they are all different in their ideals, beliefs, and character, they all manage to somehow come together by fate to carry out the one thing that could save them from a life of poverty or consequence by law. And everyone meets some kind of fate you don't see coming.
I have always loved Friedkin's work, especially when he delves into the darker side of mankind; However, this is the 1st movie in quite some time that has jumped into my top 5 favorite movies. It again reminds me how people w/talent to burn make timeless work, period. I am so happy that Friedkin was able to get this released as he saw fit, and it truly is a gift to those who like him, the genre, the actors, and the feel of such a film...
There is humor and philosophy throughout the film here and there as well; the screenplay is top notch, and the dialog is fascinating; it is one of the films you watch where you are never reminded it's a film. You get wrapped up in it, and do a lot of replaying certain sequences over and over. While the 'bridge scene' is the most famously known sequence in the film, there are countless others that are certainly equal, although the bridge scene is a pure nail biter(not to mention technical feat, as further explained in the booklet...).
The use of sound is also pretty incredible, especially coupled with the visuals; from the sounds of several surprise explosions, to the sound of the knife blade being flipped out, this film uses sound as a performance of it's own; it supplies a huge/equal part of the overall canvass and to feeling like you are there in particular a situation, not to mention hearing things as they actually probably would be heard; the sound is never overdone for the situation, and always effective. The creaking wood and rushing water of the bridge scene is a great example. Also, while the dialog is considerably less than in most movies, it is always very well written, realistic, and just another positive strength; but even when there is no dialog, and just simply sound and the expressions on the characters faces, it more than serves the point trying to be made. The character hit-man Nilo has very few lines, yet his character and performance are equally strong as anyone's here. The small visual details work in the same way the sounds ones do, such as the soldier accepting a bribe by scraping the money to himself with a fly swatter, the bar tender wiping off Roy Schieder's silverwear on his own shirt before passing them to him, to the cop popping open a Coke bottle with the cocked barrel of his gun...all small examples of going that little extra bit to make something potentially average something more. And these types of moments and details are throughout the film. A favorite to me is in the church scene in the beginning of the film where the priest mentions to the happy couple something to the effect of 'not being obsessed with material things', and you can see the groom roll his eyes, all while his bride with the black eye stands next to him(they show a close-up of her when the priest say he hopes their marriage is filled with blessings, but she still didn't look too happy to be there...).
Mr. Friedkin wanted this to be his 'magnum opus', and I think he well succeeded. It really does still outshine so many films and the people involved that exist nowadays; Like Stanley Kubrick and John Huston, I can see the obsessive side Friedkin had to create something unforgettable no matter how much time or money it took; it is quite a risk, and sadly one that doesn't always pay off; but it is an effort that is well appreciated, and something not as many filmmakers take on nowadays.
As far as it being considered a remake, I would have to say this is no more a remake than something like Herzog's 'Bad Lieutenant: Port of Call, New Orleans' was of the original 'Bad Lieutenant' film; some of the story elements are similar, but a lot of those elements are taken to new and different places with all the people involved with the production; and while 'Sorcerer' gets it's story foundation from both a novel and a film, you can see them much more as an influence, and not the basis. It is more the taking of a loose idea and making it to all your own, not an imitation of it.
I have watched this 6 times since it came out, and it still seems to expose a new layer or understanding each time, not to mention the brilliance of so many scenes that capture the moment spot-on. This film is pure genius to me, and the surprise release on blu-ray has made my month. It is a piece of work that warrants all the 5 star reviews it has gotten, and Mr. Friedkin should be more than proud of this piece of work.
I hope it reaches the full audience it deserves now, esp in the blu-ray format. I think it will.
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Reviewed in the United States on April 30, 2014