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Description
Big Star - #1 RecordREMASTERED 2020 EDITION CRAFT RECORDINGS LP Classic Alex Chilton Chris Bell guitar pop ala Badfinger, Beatles, and beyond. A must have for Memphis music fans! "Originally released in 1972, #1 Record is the debut album from Big Star, a critically acclaimed, Memphis based band which is often credited with creating the power pop sound. Remastered from the analog stereo masters, this reissue will allow fans to appreciate #1 Record as a standalone album.
REMASTERED 2020 EDITION CRAFT RECORDINGS LP
Classic Alex Chilton / Chris Bell guitar pop ala Badfinger, Beatles, and beyond. A must-have for Memphis music fans!
"Originally released in 1972, #1 Record is the debut album from Big Star, a critically acclaimed, Memphis-based band which is often credited with creating the power pop sound. Remastered from the analog stereo masters, this reissue will allow fans to appreciate #1 Record as a standalone album. This is the first time in many years that this version of the album will be sold independently of Big Star’s second album, Radio City.
#1 Record is the only Big Star album which has the combined writing power of both founders, Alex Chilton and Chris Bell. Fervent Anglophiles, Chilton and Bell employed a Lennon/McCartney style of collaborative songwriting to create their debut—Chilton taking a visceral approach, often laying down guitar and vocal tracks in one take, while Bell added polish with overdubs and harmonies.
This reissue comes during a time of resurgence for Big Star, a band whose legacy has been widely recognized as of late, with a tribute record (Big Star Small World, 2006), a documentary (2012’s Nothing Can Hurt Me) and a touring live show, “Big Star’s Third,” which features the sole-surviving original member of the band, Jody Stephens, on drums, guest vocalists, a chamber orchestra and a core band including Mike Mills, Chris Stamey of The dB’s, The Posies’ Ken Stringfellow and others. The ever-changing ense
In his liner notes, Mike Mills calls Big Star “a band who had gotten it right, who made records that sounded like rock and roll bands should sound.”
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