SKU: 35981586616

UQL5910 Modern Rustic Indoor Ceiling Light, 8.25''H x 16''W x 16''D, Matte Black Finish, Fitzroy Collection

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Description

UQL5910 Modern Rustic Indoor Ceiling Light, 8.25''H x 16''W x 16''D, Matte Black Finish, Fitzroy CollectionPRODUCT OVERVIEW: What makes this product different? The UQL5910 creates a striking balance between modern minimalism and rustic warmth with its dome silhouette accented by a distressed walnut band. Unlike many fixtures that rely on plain metal or glass, its dual tone matte black steel and wood inspired detail offers a more textured, artisanal feel. The craftsmanship evokes farmhouse authenticity while maintaining contemporary polish. With three bulbs

PRODUCT OVERVIEW:

What makes this product different?
The UQL5910 creates a striking balance between modern minimalism and rustic warmth with its dome silhouette accented by a distressed walnut band. Unlike many fixtures that rely on plain metal or glass, its dual-tone matte black steel and wood-inspired detail offers a more textured, artisanal feel. The craftsmanship evokes farmhouse authenticity while maintaining contemporary polish. With three bulbs producing up to 4500 lumens, it casts a warmly focused, downlit glow ideal for kitchens or gathering spaces.

Why is this product worth the price?
The UQL5910 Fitzroy ceiling light offers enduring value with its blend of modern rustic charm and quality construction. The steel frame and matte black finish, accented by a distressed wood band, create a distinctive, hand-crafted look not found in mass-market fixtures. Its design elevates any space, from kitchen islands to bar areas, with warm, downward illumination. Although one review mentioned not liking the exposed bulbs in their particular setting, the fixture's overall aesthetic appeal is frequently praised. This Fitzroy light is a worthwhile investment for those seeking long-lasting style and quality.

What value does this product offer over similar options?
The UQL5910 transcends ordinary farmhouse fixtures through its harmonious marriage of matte black steel and distressed walnut—a sophisticated contrast rarely achieved in mass-produced alternatives. While competitors rely on thin, painted-on finishes that chip and fade, this Fitzroy's substantial 3.83-pound construction and genuine wood accents promise enduring beauty. The reflective interior dome bathes your kitchen island in warmth that factory-standard fixtures can't replicate, all backed by Urban Ambiance's UA Guarantee for lasting peace of mind.

FIXTURE INFORMATION:
  • MODEL NUMBER: UQL5910
  • ALTERNATE MODEL NUMBER: BWQ5910
  • PRODUCT COLLECTION: Fitzroy
  • INSTALL LOCATION: Indoor
  • FIXTURE TYPE: Ceiling Light
  • FINISH: Matte Black
  • CONSTRUCTION MATERIAL: Steel
  • INSTALLATION HARDWARE INCLUDED: Yes
INSTALLATION INFORMATION:
  • FIXTURE BODY: 8.25''H x 16''W x 16''D
  • MIN HANGING HEIGHT: N/A
  • MAX HANGING HEIGHT: N/A
  • DOWNRODS INCLUDED: N/A
  • CHAIN LENGTH: N/A
  • ADDITIONAL RODS / CHAIN AVAILABLE: N/A
  • CEILING OR WALL PLATE DIMS: 7.00"W X 1.25"L
  • POWER WIRE LENGTH: 6 In (Learn More)
  • FIXTURE WEIGHT (IN LBS): 3.83 lbs.
  • LOCATION RATING: Dry Locations (Learn More)
  • SLOPED CEILING COMPATIBLE: N/A
  • REVERSIBLE (UP/DOWN) OPTION: No (Learn More)
  • VOLTAGE: 110/120 V (Learn More)
BULB INFORMATION:
  • DIMMABLE: Yes
  • NUMBER OF BULBS: 3
  • BULBS INCLUDED: No
  • MAX BULB WATTAGE: 100 W
  • ESTIMATED LUMENS PRODUCED: 4500
  • BULB BASE: E26 Medium Base
  • RECOMMENDED BULB SHAPE: A19
  • RECOMMENDED BULB COLOR TEMP: 2200-3000K
  • LED BULB COMPATIBLE: Yes
  • LIGHT DIRECTION: Down Only
STYLE AND DESIGN INFORMATION:
  • SHADE CHARACTERISTICS: Cut
  • FIXTURE SHAPE: Jar
  • FIXTURE SHAPE: Circular
  • FIXTURE SHAPE: 0
COLLECTION DESCRIPTION:

The Fitzroy collection of light fixtures is a perfect addition to farmhouse décor, combining a matte black finish and distressed wood accents. The collection consists of ceiling lights and pendant lights, each with a clean and cohesive look. The black finish extends from the metal shade to the canopy, and a slightly distressed walnut band accentuates the design. These fixtures are an ideal lighting choice over a kitchen island or bar area, adding a touch of rustic charm to any space. Each fixture in the Fitzroy collection features a modern and minimalist design. The shade is a sleek, matte black dome that curves smoothly downwards, giving it a simple yet elegant look. Around the rim of the shade is a contrasting band of wood-like material that adds a touch of warmth and natural appeal to the overall design. This combination of materials creates a harmonious balance between the rustic farmhouse style and contemporary minimalism. The pendant lights in the Fitzroy collection are suspended from a straight, black rod connected to a matching black circular canopy at the ceiling, maintaining the clean lines and contemporary feel of the design. The interior of the shade is reflective to enhance the illumination provided by the light source contained within. Available in a matte black finish and distressed wood accents, the Fitzroy collection is suitable for a variety of interior settings, particularly those favoring modern or minimalist décor styles.

Shipping Notes
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
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SKU: 35981586616

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4.3 ★★★★★
Based on 16 reviews
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Lovechunk
Pawtucket, US
★★★★★ 5
The Best Gift Ever!
Denomination: 0, Design Name: You're the best. (Animated)
Easy Peasy! Who doesn't like to get an Amazon eGift Card!
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Reviewed in the United States on May 17, 2026
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Tim M.
Whiting, US
★★★★★ 5
Great gift idea!
Denomination: 0, Design Name: You're the best. (Animated)
Always a great gift for anyone and easy to purchase and redeem.
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Reviewed in the United States on May 12, 2026
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Madison
Whiting, US
★★★★★ 5
Quick delivery, Naturally a great and easy gift.
Denomination: 0, Design Name: You're the best. (Animated)
Always a great way to say thank you.
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Reviewed in the United States on June 6, 2026
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Daniel Myers
Fort Morgan, US
★★★★★ 5
A Foundling's Felicity
This book or novel or whatever you may deem fit to call it has so many points in its favour that it's difficult to know where to begin. I think a rundown of a few of the myriad of characters that delight me personally might do for starters: Tom Jones - A young fellow with many "imperfections" if so they may be called, but a robust fellow with a "good heart." Prudence and what is commonly called virtue are not his strong suit - But may I remind the reader that virtue comes from the Latin word for "manliness"- Tom is certainly possessed of the word's etymological origins, if not of its modern usage (particularly in amorous matters)--And a good thing too, or we should have no story here to delight us! Squire Western- Another rambunctious character, who, for me, typifies all that is Eighteenth Century England. Every time he appeared in this book, whether it was to comment on wenching, wine, or riding to hounds a smirk would immediately cross my face followed invariably by chuckling by the end of the chapter. Henry Fielding - The author plays as much a part of the book as any of the characters with many prologues and prefaces and etc. For these, and for much of the rest of the book, I might add, the reader who has not had four years of Latin inculcated into him at an English boarding school would do well to buy the Oxford edition, which fully explains all the learned quotes - Also, as one who was thus inculcated but is inclined to laziness, the Oxford edition's notes prove extremely helpful also. Fielding also gives us a lively picture of the literary life of his time, which the Oxford footnotes do a deft job of explaining- In short, buy the Oxford edition. This review can not be comprehensive. There are simply too many characters to even make a go at encompassing them all. I'm merely describing some of the, to me, more delightful ones. The book as a whole is simply a joy to read, in its comic descriptions of all who will deign to admit that they are human, and of some priggish sorts who will not so deign. I can put it no better than Fielding Himself at the beginning of Book XV: "There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that is not true." In short, this is a delightful ramble of a book which, while entertaining the reader not too attached to Sunday School, sheds light on how unvirtuous the virtuous can be, and how kind and good-natured the roguish can be as well as giving us as good a history lesson on the state of affairs in Eighteenth century England (with attention given to the Jacobite Rebellion etc.) as many a "proper" history does. Who, I ask myself, would not delight in this book? ---Well...for the priggish, there's always Jane Austen.
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Reviewed in the United States on January 24, 2007
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Alexander Kobulnicky
Chelsea, US
★★★★★ 4
The Sidekick in Early-Modern Literature.
Tom Jones is probably the most influential novel in English history, pioneering elements like complex characterization, social criticism and authorial interjection. But you already knew that. What you want to know is, is this a good book for us in the 21st century. And here, it's not so clear. The dialogue is pretty brisk, and some of the exchanges (the stereotypical Whig Mrs. Western arguing with her Jacobite brother is a particular treat) are actually funny. The latter part of the novel evolves into a farce, with a dozen characters engaged in scheming against one another, while Tom and Sophia helplessly go along. Farce works better in drama, where it has a faster pace, but it's always a welcome mode of comedy. You don't see enough farces. Some of the characters are evocative (why do I picture Blifil as looking like Ted Cruz?) but some are not: Dowling is just a lawyer, and Mrs. Miller is a good woman, like thousands who have come since, and that's all there is to it. It's not as if every character needs to, or can, be a fully realized person, but the parts of the novel spent with these human plot devices do feel mechanical. But Mr. Partridge, Tom's traveling companion, is in a different category altogether, and he just poisons the parts of the novel that he features in (chiefly the middle third). Eighteenth Century literature has a depressing reliance on goofy loose-lipped sidekicks: Mr. Partridge, Hugh Strap, Humphrey Clinker, Andrew Fairservice, Friday. Sometimes they're servants, but sometimes they're just stupid friends. Part of this must be practical: It's difficult to follow a wandering hero (and why are the heroes of these novels always wandering? But that's a different question altogether) without giving him a friend to talk to. Maybe early novelists had a hard time sketching characters who didn't have a way to discuss the ongoing action. But mostly, I think this is the bad influence of Don Quixote, which was becoming increasingly popular in England during this period. Sancho Panza is OK, and he's certainly the funniest element of that leaden tome. But Mr. Partridge *is* Sancho Panza, cowardice, superstition and all, and one Sancho Panza was more than enough. You know? There's a limited number of things that a silly, selfless, lazy pal can do, and it's hard to read about the same old doofus, yet again.
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Reviewed in the United States on April 28, 2016

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