SKU: 37429241559

Spendor Classic 100 Loudspeaker (Each)

Sale price$4725.00 Regular price$5250.00
Save 10%

Pay in installments of $1312.50 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Aug 24 - Aug 29

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Spendor Classic 100 Loudspeaker (Each)Spendor Classic 100 Standmount Loudspeaker at Vinyl Sound Toronto Canada The Classic 100 is a 3 way reflex standmount loudspeaker from Spendor (Sheffield, United Kingdom), available at Vinyl Sound in Toronto, Canada. A distinguished model in Spendor's Classic range with engineering lineage that traces directly to the Spendor BC3 of the early 1970s, the Classic 100 combines a new generation of drive units with BBC heritage cabinet philosophy. Its

Spendor Classic 100 Standmount Loudspeaker at Vinyl Sound Toronto Canada

The Classic 100 is a 3-way reflex standmount loudspeaker from Spendor (Sheffield, United Kingdom), available at Vinyl Sound in Toronto, Canada. A distinguished model in Spendor's Classic range with engineering lineage that traces directly to the Spendor BC3 of the early 1970s, the Classic 100 combines a new generation of drive units with BBC-heritage cabinet philosophy. Its driver array centres on a 310mm (12.2") paper and Kevlar composite cone bass driver in a diecast alloy chassis, paired with a 180mm EP77 polymer cone midrange and a 22mm wide-surround soft-dome tweeter. Crossover points are set at 490Hz and 3.6kHz. With an 89dB sensitivity and an 8-ohm nominal impedance, the Classic 100 works equally well with valve and solid-state amplification from 25 to 250 watts, extending bass to 25Hz in a typical listening room. Sold individually, it requires dedicated stands and weighs 36kg (79.4 lbs) per cabinet.

BC3 Lineage — Large-Format Standmount with BBC-Heritage Engineering

The Spendor BC3 launched in 1973 as the professional companion to the iconic BC1, designed for studio monitoring applications that required deeper bass extension and greater dynamic capability than the smaller model could provide. The Classic 100 continues this tradition in an updated form, retaining the fundamental design priorities of a large-diameter woofer, a dedicated midrange driver, and a BBC-derived approach to cabinet panel behaviour, while incorporating modern driver materials, high-efficiency motor systems, cast magnesium alloy chassis, and a meticulously refined crossover network. The reflex-loaded enclosure of the Classic 100 allows the large 310mm bass driver to reach 25Hz in a typical room, a low-frequency extension that is exceptional for a standmount loudspeaker. The cabinet features Spendor's elastomer Dynamic Damping panels bonded to the inner surface of the walnut-veneered side panels, controlling resonant behaviour at low frequencies while allowing the subtle contribution to warmth and musical character that has defined the Classic Series sound for decades.

Three-Way Driver Array — Paper/Kevlar Bass, EP77 Midrange, Soft-Dome Tweeter

The Classic 100's bass driver uses a rigid, lightweight paper and Kevlar composite cone in a diecast alloy chassis, engineered specifically for Spendor's larger Classic Series models. The paper and Kevlar composite construction combines the natural internal damping of paper with the stiffness of Kevlar reinforcement, producing a bass driver that is both well-controlled and musically engaging at the low frequencies that define the model's exceptional reach. At 490Hz this driver hands over to the 180mm midrange unit, which uses Spendor's proprietary EP77 polymer cone — the same material applied across the D-Line range — in a cast magnesium alloy chassis for ultra-low coloration and natural reproduction across the vocal range. A 22mm wide-surround soft-dome tweeter completes the three-way array, crossing over at 3.6kHz with a carefully voiced transition that integrates cleanly with the EP77 midrange. Tri-wire binding posts on the rear panel support bi-wire and tri-wire cable configurations for audiophile-grade system assembly.

Key Features

  • BC3-Lineage Engineering: The Classic 100's design heritage traces to the Spendor BC3 of 1973, one of the original large-format BBC-inspired professional studio monitors, updated with entirely new driver materials and crossover technology.
  • 310mm Paper and Kevlar Composite Bass Driver: A large-diameter woofer in a diecast alloy chassis combining the natural damping of paper with Kevlar stiffness reinforcement, delivering bass extension to 25Hz from a standmount enclosure.
  • 180mm EP77 Polymer Cone Midrange: Spendor's proprietary in-house polymer cone material, shared with the D-Line series, provides ultra-low coloration and natural, detailed midrange reproduction across the critical vocal and upper-bass frequency range.
  • 22mm Wide-Surround Soft-Dome Tweeter: Smooth, even high-frequency dispersion with a crossover handover at 3.6kHz for seamless integration with the EP77 midrange driver.
  • 490Hz and 3.6kHz Three-Way Crossover: A meticulously refined crossover network with tri-wire binding post terminals, supporting bi-wire and tri-wire cable configurations for high-end system builds.
  • Reflex Port Loading: Bass-reflex enclosure extends low-frequency response to 25Hz in a typical room, providing deep and powerful bass output from a standmount cabinet.
  • Elastomer Dynamic Damping Panels: Viscoelastic damping pads bonded to the inner surfaces of the walnut-veneered side panels control cabinet wall resonance at low frequencies, contributing the warmth and musical charm that defines the Classic Series character.
  • 89dB Sensitivity, 8-Ohm Impedance: A stable and easy-to-drive load, compatible with quality valve amplifiers from 25 watts and high-powered solid-state designs up to 250 watts.
  • Walnut Veneer Cabinet: High-quality walnut veneer hand-applied to the side and rear panels, with crisp edges and a satin finish on a dynamically-damped satin black plinth with four levelling feet.
  • Requires Dedicated Stands: The Classic 100 is a standmount loudspeaker and must be used on dedicated stands. Spendor's matching Classic Stand is available separately from Vinyl Sound Toronto.
  • Hand-Assembled in the United Kingdom: Every Classic 100 is hand-assembled at Spendor's Sheffield facility, with cabinets produced by Spendor's own in-house cabinetmaking operation.
  • Sold Individually: The Classic 100 is priced and sold as a single unit. Two units are required for a stereo pair.

Technical Specifications

Type 3-way reflex standmount loudspeaker
Drive Units LF 310mm (12.2") paper and Kevlar composite cone, MF 180mm (7.08") EP77 polymer cone, HF 22mm (0.87") soft dome
Crossover Frequencies 490Hz / 3.6kHz
Frequency Response 25Hz - 25kHz
Sensitivity 89dB / 1W / 1m
Nominal Impedance 8 ohms
Amplifier Power 25-250 watts
Input Terminals Tri-wire precision binding posts
Height 700mm / 28"
Width 370mm / 15"
Depth 433mm / 17"
Weight 36kg / 79.4 lbs (per speaker)
Cabinet Finish Walnut veneer with satin black plinth
Stands Dedicated stands required, sold separately
Origin Hand-assembled in the United Kingdom
Sold Individually (each)

Frequently Asked Questions

What is the Spendor Classic 100?

The Spendor Classic 100 is a 3-way reflex standmount loudspeaker handbuilt in Sheffield, United Kingdom, with engineering lineage tracing to the Spendor BC3 of 1973. It features a 310mm paper and Kevlar composite bass driver, a 180mm EP77 polymer cone midrange, and a 22mm soft-dome tweeter in a walnut-veneered reflex-loaded cabinet. Key specifications include an 89dB sensitivity, an 8-ohm nominal impedance, a 25Hz to 25kHz frequency response, and compatibility with amplifiers from 25 to 250 watts. Available at Vinyl Sound in Toronto, Canada, the Classic 100 is sold individually, requires dedicated stands, and two units are needed for a stereo pair.

How does the Spendor Classic 100 differ from the Classic 100Ti?

The Spendor Classic 100Ti adds a multilayer brushed titanium front baffle to the standard Classic 100, which is finished entirely in walnut veneer. The titanium baffle of the 100Ti provides a more rigid and inert driver mounting surface and a visually distinctive premium identity. The driver complement, reflex port loading, crossover frequencies, cabinet dimensions, Dynamic Damping panel construction, and fundamental sonic character are shared between the Classic 100 and Classic 100Ti. Listeners who prefer a traditional all-veneer aesthetic will find the standard Classic 100 retains all the engineering substance of the Ti variant at a lower entry cost.

How does the Spendor Classic 100 compare to the ATC SCM50 and the Harbeth Monitor 30.2 XD?

The Spendor Classic 100, the ATC SCM50, and the Harbeth Monitor 30.2 XD are among the most respected large-format BBC-heritage standmount loudspeakers available, each representing a distinct approach to the studio monitor tradition. The Classic 100 uses a 310mm paper and Kevlar composite bass driver in a reflex-loaded cabinet with Spendor's EP77 polymer cone midrange and elastomer-damped walnut panels, producing the warm, rich, and musically engaging character that defines the Classic range. The ATC SCM50 is a sealed-enclosure design built around ATC's 75mm soft dome midrange driver, delivering a more forensically accurate presentation favoured in professional studio environments. The Harbeth Monitor 30.2 XD uses Harbeth's RADIAL cone technology in a BBC-legacy thin-walled sealed cabinet, with a natural tonal balance and vocal clarity that share priorities with the Spendor but achieved through different driver and cabinet choices. All three reward careful amplifier selection and dedicated stand use.

What is the Spendor BC3, and why does it matter to the Classic 100?

The Spendor BC3 was a 3-way professional monitor loudspeaker launched in 1973, developed as the larger companion to the celebrated BC1. Designed for studio environments that required more dynamic authority and deeper bass extension than the BC1 could provide, the BC3 was built around a large-diameter woofer, a dedicated midrange driver, and Spendor's BBC-derived approach to cabinet panel behaviour. It became a reference monitor in professional recording facilities and a sought-after audiophile loudspeaker in its own right. The Classic 100 continues this tradition with new driver materials, modern motor systems, updated crossover components, and Spendor's current Dynamic Damping cabinet technology, while preserving the fundamental engineering priorities that made the BC3 distinctive.

What stands does the Spendor Classic 100 require?

The Spendor Classic 100 is a standmount loudspeaker and must be used on dedicated stands to perform correctly. Spendor's matching Classic Stand is specifically engineered to complement the Classic Series cabinet dimensions and damping philosophy, providing stable mechanical coupling between the heavy 36kg cabinet and the floor at the correct listening height. Standard bookshelf speaker stands of typical height are generally too tall for the Classic 100. Vinyl Sound in Toronto stocks and can advise on the appropriate Spendor Classic Stand configuration for the Classic 100.

What amplifier works best with the Spendor Classic 100?

The Classic 100 has a sensitivity of 89dB and an 8-ohm nominal impedance, making it compatible with amplification from 25 to 250 watts and well-suited to valve amplifiers from 25 watts upward. Its stable impedance load and high sensitivity mean it does not place demanding requirements on the amplifier's output stage, a characteristic shared across Spendor's Classic range. Integrated amplifiers and separates from manufacturers including Naim, Luxman, McIntosh, Pass Labs, and Line Magnetic are frequently paired with Classic Series loudspeakers. Higher-powered solid-state designs from 100 to 250 watts allow the Classic 100 to reach its full dynamic capability and bass authority at higher listening levels.

Where can I buy the Spendor Classic 100 in Toronto or Canada?

The Spendor Classic 100 is available at Vinyl Sound, an authorised Spendor dealer located in Toronto, Canada, sold individually. Vinyl Sound can arrange in-store demonstrations of the Classic 100 on appropriate stands with compatible high-end amplification and source components. Purchasing from an authorised Canadian Spendor dealer ensures full manufacturer warranty coverage, factory-backed service support, and expert guidance on stand selection and system pairing.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 37429241559

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.6 ★★★★★
Based on 15 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
P
Verified Purchase
Pablo
Dallas, US
★★★★★ 5
A good one, albeit not a perfect one
It is a comprehensive look into the series with lots of wonderful art. I felt that it was thinner than the previous book from the Avatar series but I'm not talking about the length of the book (I know this one has less pages an only covers one season) but rather about the "insights" into the creative process. While the previous book felt full to the seams and you could feel that there was a lot of important material that didn't fit, you also felt that all the material that did was included was the best. In this one for Korra, you feel that there were many important things left out that should have been included and there are some things that were included that doesn't feel as important...
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 5, 2013
D
Verified Purchase
Diwen
Los Angeles, US
★★★★★ 5
Everything you wanted put into a art book
I loved this art book. It showed me basically everything I wanted to see from back drops used and unused, old character designs and how some things came to be or what they were inspired by. The commentary is great though rarely confusing (Ex: at one point they commentary refers to a picture in the top right but says "As you can see by the design in the middle" the middle being something completely different) I feel like this book is a must for fans and people interested in the art of the series alike.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 19, 2015
B
Verified Purchase
Bunny Wolf
Lake Worth, US
★★★★★ 5
This is how you make an artbook!!
It's so awesome to open an artbook and see every stage of the character and how it all came together. It's always fun and interesting to know how Korra was made, and why whe looks the way it looks. It's really cool to read the different ideas that came up for a certain character and why they decided that a certain design worked better than the previous ones! It's also really interesting and delicious to read about how they inspired themselves in known architecture to create the environment in this tv series. I simply loved it and I'm excited to know that I'll be buying the other Korra artbooks!!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 23, 2014
N
Verified Purchase
Nicolas Calderon Eader
Dallas, US
★★★★★ 4
Great artwork for a great series!! Recommended to artists, animators and fans of the series
It's been a while since the Avatar: The Last Airbender series ran on TV. I really loved that series because it dealt with a lot of eastern cultures themes and it was not the average children TV show. Despite its children characters the show runners manged to find a balance between drama and comedy. Now about the art book: that series (Avatar) had its own book (all seasons in one single book) but this time we are getting one book entirely dedicated to the first season, which makes it great. Why? Because we are getting more artwork per episode, most of it in full-color. I would have liked to see more of the character design, I mean how they got to the final version. Most of the characters are shown in their final version with some costume variants but that's it, no development. One thing missing this time (both from the series and this book) is the animal designs. They had a lot 2-animal-fusion designs on the previous show but this time we get to see almost nothing. I know it is because the series is takes place mainly in Republic City. And wow! what a nice city it is. All the artwork dedicated to set Republic City's mood, the 1920s, the steam-punk influence, the fashion, everything just fits perfectly! There is a couple of aerial views (day & night) which are my favorite from the book. This new guy they hired to do the background paintings has done a great job! Every background and every building design have so much detail that they will make your jaw just drop. I like the fact they are paintings with no pencil lines, just paint brushed over the design, which makes it look richer! Now, I am giving this book a 4-star rating because of the reasons I have already explained and the fact that we are not getting that much in-depth information like we got from the Avatar art book . I must say this is not an animation book, this is an art book that depicts backgrounds, characters and vehicles. You will get to see a few storyboarded sequences but this book is not intended to teach you about animation. I seriously recommend this book to any person interested in art and animation. The artwork is so well achieved that you will be left wanting to see more.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 3, 2014
F
Verified Purchase
Fred C
Fort Morgan, US
★★★★★ 5
Inspirational for Concepts and Illustration
I am learning to be a Concept Designer and Illustrator and this art book is inspirational. This art book has well presented examples for most every part of the conception and finishing process for characters, environments, costumes, props, and story. It has a good amount of design concepts from everything about the series first season: character designs, character sheets, building and city designs, costumes, vehicles, etc. I only wish is was longer/bigger. They could put all 4 seasons into one large encompassing volume.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 22, 2016

recommand products