SKU: 38368931622

Sirchie Pink Evidence Marking Flags - 100 Pack | EVFP100

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Description

Sirchie Pink Evidence Marking Flags - 100 Pack | EVFP100Overview of the Sirchie Pink Evidence Marking Flags EVFP100 Mark It Fast. Find It Every Time. At a busy scene, the last thing you need is to lose track of where a piece of evidence landed. The Sirchie Pink Evidence Marking Flags (EVFP100) solve that problem instantly. Push one into the ground beside a casing, a footprint, or any item of interest, and that bright pink flag is visible from across the scene, no matter the lighting or terrain. Built for

Overview of the Sirchie Pink Evidence Marking Flags | EVFP100

Mark It Fast. Find It Every Time.

At a busy scene, the last thing you need is to lose track of where a piece of evidence landed. The Sirchie Pink Evidence Marking Flags (EVFP100) solve that problem instantly. Push one into the ground beside a casing, a footprint, or any item of interest, and that bright pink flag is visible from across the scene, no matter the lighting or terrain.

Built for Professionals, Ready for Any Scene

Crime scene investigators, forensic technicians, and law enforcement officers trust EVFP100 flags because they work without fuss. Each flag is constructed from weather-resistant 4 mil polyethylene with a 21-inch steel wire staff that anchors firmly in grass, dirt, or gravel. Every flag bears the Sirchie name and part number, so there is no guessing what you grabbed from the supply cabinet. The pack of 100 gives your team enough coverage for large, complex scenes without running short.

Manufactured in Youngsville, NC, USA, these flags carry the quality you expect from Sirchie, a brand trusted by public safety professionals for decades.


Key Features

  • Color: Bright pink for maximum contrast against natural terrain and pavement
  • Flag Material: Weather-resistant 4 mil polyethylene, holds shape in rain and wind
  • Staff: 21-inch steel wire, pushes firmly into soft and semi-hard ground surfaces
  • Flag Size: 3 x 5 inches, large enough to spot at a distance without obstructing the scene
  • Pack Quantity: 100 flags per pack, ideal for large or multi-point scenes
  • Labeled: Each flag printed with “No. EVFP100” and the Sirchie brand name for easy inventory identification
  • Country of Origin: Made in the USA, manufactured in Youngsville, NC
  • Compatible Accessories: Flags insert directly into SIRCHMARK Evidence Marking Cones (sold separately) for combined ground-level and upright marking
  • Compatible Storage: Designed to work with the Sirchie Evidence Flag Quiver (EFQ100, sold separately) for hands-free carry on scene

Specifications

Specification Value
Brand Sirchie
Model / MPN EVFP100
SKU SIR-EVFP100
UPC No barcode on file
Color Bright Pink
Flag Material 4 mil polyethylene
Staff Material Steel wire
Flag Size 3 x 5 inches
Total Height 21 inches
Pack Quantity 100
Country of Origin USA (Youngsville, NC)

Compatibility

The EVFP100 flags are designed for outdoor field use on crime scenes, accident scenes, search and rescue operations, and forensic investigation sites. The 21-inch steel wire staff penetrates grass, loose soil, gravel, and packed dirt without bending.

These flags insert directly through the top opening of SIRCHMARK Evidence Marking Cones (sold separately by Sirchie), allowing you to pair ground-level cone markers with an upright colored flag for layered scene documentation.

For hands-free field carry, the flags are compatible with the Sirchie Evidence Flag Quiver (EFQ100), sold separately, which mounts to a belt or duty bag.

Limitations: The steel wire staff is not designed for asphalt, concrete, or frozen ground without a pre-drilled pilot hole or supplemental anchor. These flags are for outdoor and field use; they are not intended as permanent markers.


Intended Users

The Sirchie EVFP100 Pink Evidence Marking Flags are the go-to choice for anyone responsible for documenting and preserving a physical scene before evidence is collected or photographed.

Crime scene investigators and forensic technicians rely on these flags to mark shell casings, tire impressions, footwear evidence, and biological materials quickly and accurately so nothing gets missed during the documentation phase.

Law enforcement officers arriving first on scene use them to stake out a perimeter and identify items of interest before the forensic team arrives, keeping the documentation chain intact.

Search and rescue teams deploy these flags to mark found items, GPS waypoints, and grid boundaries during area searches, where clear color coding by flag color helps organize a complex search grid.

Fire and arson investigators use pink flags to distinguish between evidence categories when multiple flag colors are deployed simultaneously across a scene.

Training academies and forensic science programs purchase these in bulk for mock scene exercises, giving students hands-on practice with professional-grade marking tools.


What’s Included

  • 100 x Sirchie Pink Evidence Marking Flags (EVFP100), each with a 3 x 5-inch bright pink polyethylene flag and a 21-inch steel wire staff

Not included/sold separately:

  • Evidence Flag Quiver (Sirchie EFQ100) for hands-free field carry
  • SIRCHMARK Evidence Marking Cones for combined cone-and-flag scene marking

Available at WCUniforms

WCUniforms is a specialty retailer focused on uniforms, tactical gear, and public safety equipment, serving law enforcement agencies, forensic units, fire departments, and EMS teams across the United States. Unlike general office or safety supply stores, WCUniforms focuses exclusively on the tools professionals in the field actually rely on, so you get knowledgeable service and the right gear the first time. Shop with confidence at wcuniforms.com, where first responders and investigators find the gear they trust.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 38368931622

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4.3 ★★★★★
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M
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Marcella
Whiting, US
★★★★★ 4
Good product.
Color: Caviar PDRN
Good Product.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 7, 2026
S
Verified Purchase
Sarah Pettingill
Belleville, US
★★★★★ 5
🫶🏻
Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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Reviewed in the United States on May 18, 2026
J
Verified Purchase
Jessica Martin
Dallas, US
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
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Reviewed in the United States on June 4, 2026
Z
Verified Purchase
Zachary Bednar
Carnegie, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014
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Verified Purchase
Terry Seale
Charlottesville, US
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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Reviewed in the United States on February 21, 2016

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