SKU: 44515655073

Harry's New York Bar Paris 3-Fold c1930 Cocktail Menu

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Description

Harry's New York Bar Paris 3-Fold c1930 Cocktail MenuA Few Suggestions Short And Long Drinks 1930 Sz (closed): 3 5 8" x 5 1 2" Sz (open): 5 1 2" x 10 5 8" Harry's New York Bar is a bar in Paris, France located at 5, Rue Daunou, between the Avenue de l'Opra and the Rue de la Paix. It was converted from a bistro by jockey Tod Sloan in 1911 and became a popular expatriate spot during World War I. It has been frequented by a number of international celebrities and is said to be the birthplace of several

A Few Suggestions Short And Long Drinks

1930

Sz (closed): 3 5/8" x 5 1/2"

Sz (open): 5 1/2" x 10 5/8"

Harry's New York Bar is a bar in Paris, France located at 5, Rue Daunou, between the Avenue de l'Opéra and the Rue de la Paix. It was converted from a bistro by jockey Tod Sloan in 1911 and became a popular expatriate spot during World War I. It has been frequented by a number of international celebrities and is said to be the birthplace of several classic cocktails.

History

The bar was acquired by former American star jockey Tod Sloan in 1911, who converted it from a bistro and renamed it the "New York Bar." Sloan had entered into a partnership with a New Yorker named Clancy (first name unknown) who owned a bar in Manhattan. That bar was dismantled and shipped to Paris. Sloan then hired Harry MacElhone, a barman from Dundee, Scotland, to run the bar.

At the time, American tourists and members of international artistic and literary communities were travelling or moving to Paris in ever-increasing numbers, and Sloan hoped to capitalize on his fame and make the place a place where expatriates would feel at home. His bar was successful with members of the American Field Service Ambulance Corps during World War I. However, financial problems from Sloan's overspending on his lavish personal lifestyle forced him to sell the bar.

In 1923, MacElhone, its former barman, bought the bar and added his name to it. He would be responsible for making it into a legendary Parisian landmark. When Harry died, in 1958, his son Andrew took over the bar and ran it until 1989. His son in turn, Duncan, took over the bar and ran it until his death in 1998, when his widow, Isabelle MacElhone, took it over.

Clientele

Over the years, Harry's New York Bar was frequented by a number of famous American expatriates and international celebrities such as Prince Serge Obolensky, Knute Rockne, Sinclair Lewis, Ernest Hemingway, Daft Punk, Bill Tilden, Coco Chanel, Jack Dempsey, Primo Carnera, Ramon Novarro, Aly Khan, Rita Hayworth, Humphrey Bogart, Brendan Behan (who worked there circa 1948–49 according to his memoirs Confessions of an Irish Rebel), and even, occasionally, the Duke of Windsor.

In the 1960 Ian Fleming short story "From a View to a Kill", James Bond recalls visiting Harry's Bar during his first visit to Paris at age 16. He followed the instructions in Harry's advertisement in the Continental Daily Mail, and told his taxi driver "Sank Roo Doe Noo". He recalls "That had started one of the memorable evenings of his life, culminating in the loss, almost simultaneous, of his virginity and his notecase".

In the first chapter of his novel Le Diable au corps Raymond Radiguet "gave the taxi driver the address of a bar in the rue Daunou" as Marthe "very much wanted to go to an American bar".

In his novel Le tour du Malheur, book 3, chapter VII, page 301, Joseph Kessel takes his characters to an American bar in rue Daunou. The action takes place in 1924.

Other notable details

Harry's conducts a straw poll before each US presidential election. Customers who provide proof of US citizenship can vote in the poll. The results have mirrored every election except those in 1976, 2004, and 2016 since the poll began in 1924.

Harry's New York Bar is said to be the birthplace of classic cocktails such as the Bloody Mary, French 75, Sidecar and Monkey Gland.

The "Ivories" Piano Bar at Harry's is where George Gershwin composed An American in Paris.

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SKU: 44515655073

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4.6 ★★★★★
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Diogenes
Waukegan, US
★★★★★ 3
Interesting read, but takes some getting used to
I heard about this book on a blog, and figured I'd check it out. It's the rambling tale of a man determined to give you every last detail of everything that might be important to the narrative of his life. Unfortunately, he goes on tangets so often that he doesn't even get to his birth for several chapters, let alone the story of the rest of his life. Along the way, you're introduced to lots of random characters who are (at best) loosely related to the protagonist, but as often as not these tangents are fairly amusing. The writing is pretty dense, and this along with the tangents had me putting the book down fairly often. It's probably ideal for a commuting book, but I never wanted to just sit down and blitz through big chunks of it. Overall it's a very different kind of experience than a novel reader typically gets. It's worth a read for a change of pace, but I can't say it's a life-altering read.
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Reviewed in the United States on March 21, 2013
J
Verified Purchase
J. W. Kennedy
Pawtucket, US
★★★★★ 4
Mixed Bag
Everyone should know, first off, that the Dover thrift edition is NOT a graphic adaptation. For some reason, Amazon has attached editorial reviews from the hardcover edition of the graphic novel version to this page. Now, the book itself offers a range of experiences from delightfully hilarious to annoyingly tedious. Lots of the "funny" parts depend on an understanding of 18th-century social mores. I'm sure some of it went over my head but I'm enough of a nerd to have enjoyed most of the drollery. I think... The story is whimsical, told all out of order by a scatterbrained, easily-distracted narrator. Tristram Shandy himself is hardly in the novel at all; aside from narrating it, he only appears momentarily as a newborn infant and then as a boy about 6 years old - and his role in both incidents seems peripheral to the carryings-on of the other characters. Each turn in the story reminds the author of something else, and he turns aside to tell stories inside of stories, each of which are necessary to give the reader some vital "background information" .. with the result that the main story hardly moves forward at all. It takes nearly 200 pages just for Tristram to be born! and even then the reader isn't quite sure it has happened since the conversations and minute actions of the other characters are magnified to such an importance that the narrator's own birth is hardly observed. For the most part this rambling comes across as "quirky and delightful" and the novel flows along quite pleasingly in spite (or perhaps because) of it. The digressions add layers to the story. Except when they don't. The "chapter upon noses" which is a translation of a fictitious(?) Latin work by the great Slwakenbergius, has little bearing on the story. Like most of the book, it builds up to a climax and then stops short of resolution, leaving you to wonder what was the point. It leads nowhere, but at least it was interesting. The same cannot be said of Book VII, which is a sort of travel diary of Tristram (in the novel's "present" time) touring France by post-chaise. Although this is the only significant appearance of Tristram himself as a character in the book, it has absolutely nothing to do with the story/stories he was telling, and it is neither very interesting nor very funny. It serves as nothing but a pointless interruption, delaying the reader for 50 pages before getting to the part we were waiting for: Toby's courtship of the widow Wadman. This last section goes along nicely for a while, and then the book stops. It doesn't end; it just stops right in the middle of a conversation, with the courtship unresolved and most of the reader's questions unanswered. This is perfectly in keeping with the spirit of the entire novel, but I have to admit it's frustrating. I had trouble deciding whether to give this book 3 or 4 stars but I think it entertained me more than it exasperated me, so I'll give it the benefit of the doubt ... and round up from 3.5. It's worth reading once, just for the experience - there's no other book quite like it - and the price of the Dover Thrift Edition can't be beat.
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Reviewed in the United States on September 23, 2010
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Lawrentius Verifer
Dallas, US
★★★★★ 5
An extraordinary tale of an 18th Century family
Have you wanted to read a book where the author decides to "rip out" one of the chapters, or leaves a blank page for you to 'draw' one of the characters? Would you enjoy a story which takes many chapters before the hero manages to be born? This 18th-Century tale is touchingly told. The characters are real, and fascinating. It's not their fault that their story is frequently and impishly interrupted by outlandish "digressions" on the part of an author so creative that his modern descendants are considered to be Joyce and Beckett, as well as many others. Would you enjoy a chapter on Chapters? About buttonholes? About whether parents and their children are kin to each other? A chapter on curses? Poor Laurence Sterne has so much trouble getting two of his characters down the stairs that he finally calls in a "critic" to help! Advice on reading such an unusual, even unique, book: read the first several chapters, then stop and reread them. Continue that process and soon the book will feel quite familiar, and that's when the fun really starts. The Oxford World's Classics edition follows the first edition of the book, and is preferred. Amazon also offers the fully-annotated edition, the "Florida" edition, in three volumes. A caution about the Everyman hardcover edition: they reprinted a later edition which groups Tristram Shandy into three volumes, not nine. And then they renumbered all the chapters! That's OK unless you read secondary sources that refer you to Book VII, Chap 4: good luck ever finding it.
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Reviewed in the United States on June 4, 2000
M
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Martin M. Bodek
Belleville, US
★★★★★ 1
A Total Sham-dy
What in the hell was this lunatic yammering about for all those 650 pages? What is the deal with his obession with noses, penises, and hobby-horses, hobby-horses, hobby-horses? Why does anyone consider it amusing when a writer keeps telling you he's going to get somewhere, but never does? Why is it entertaining at all to have blank chapters? Why is that cute? Why is that interesting? Who finds this funny? Who finds anything funny here at all? Why does this book of endless, mindless prattle, blabber, and piffle tickle anyone at all? Who finds digression to be enjoyable in literature? You? Why? Why? Tell me! I checked the ratings on Goodreads. This is what it showed: 5 stars: 33%, 4901 4 stars: 28%, 4064 3 stars: 22%, 3268 2 stars: 9%, 1414 1 star: 5%, 848 Meaning: 95% of these readers are flock-following, digression-loving, hobby-horse riding loonies who have swallowed the Kool-aid. There is nothing here but vacuous thundergunk. Pure, putrid unenertaining garbage. If I would have laughed once - just once - during the reading of this book, I would have given it a whole extra star, but it couldn't even do that. I give him one star for spelling Tristram's name right, and even then, it's a made-up name anyway, so I may have been hoodwinked as well.
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Reviewed in the United States on September 19, 2016
M
Verified Purchase
Michael Harold
Port Orchard, US
★★★★★ 5
Laurence Stern is still one of the most creative writers ever
This review is not about the words and images inside the book. This is about the fact that, when I removed the book from its packaging, the book's cover had too many creases and bends in it, both front and back, for my taste. Although I do think that Laurence Sterne might have smiled at my response, I don't think the creases were a type of samizdat (think Alexander Solzhenitsyn) added by a disgruntled/creative employee at Amazon. If this doesn't make any sense to you, or seems to be a silly mountain out of a molehill compliant, you will love the book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 21, 2025

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