SKU: 5525128037

Akiharu Mizuno "Tantetsu Goma" Shirogami #2 Honyaki Double-Side Mirror Ripple 360mm Yanagiba

Sale price$1189.32 Regular price$1321.47
Save 10%

Pay in installments of $330.37 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Jul 22 - Jul 27

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Akiharu Mizuno "Tantetsu Goma" Shirogami #2 Honyaki Double-Side Mirror Ripple 360mm YanagibaThis "Tantetsu Goma" () mizu honyaki yanagiba was made in 1995 (the 7th year of the Heisei era) to celebrate the 123th anniversary of Mizuno Tanrenjo. The knife was forged by Mizuno's 3rd generation master, late Akiharu Mizuno, and mirror polished and hand sharpened by legendary sharpener Tsutomu Minamiura. This knife has an exquisite honyaki ripple hamon line that is both unique and aesthetically amazing. The beautiful thin grind and thinness behind

This "Tantetsu Goma" (鍛鉄降魔) mizu-honyaki yanagiba was made in 1995 (the 7th year of the Heisei era) to celebrate the 123th anniversary of Mizuno Tanrenjo. The knife was forged by Mizuno's 3rd generation master, late Akiharu Mizuno, and mirror-polished and hand-sharpened by legendary sharpener Tsutomu Minamiura. This knife has an exquisite honyaki ripple hamon line that is both unique and aesthetically amazing. The beautiful thin grind and thinness behind-edge supported by Shirogami #2 make this blade a winner of cutting performance. Paired with a premium custom triple ginmaki rosewood wa-handle with marble buffalo horn kuchiwa.

Comes with a wooden box and a certificate of authenticity. Only one available.

Spec:

  • Origin (Made in): Sakai, Osaka Prefecture, Japan
  • Brand: Minamoto Akitada 源昭忠
  • Workshop: Mizuno Tanrenjo 
  • Craftsman: Akiharu Mizuno 水野 昭治 (Sadaaki Mizuno 水野 貞昭)
  • Sharpener: Tsutomu Minamiura 南浦 力
  • Knife Type: Yanagiba
  • Blade
    • Construction: Mizu-Honyaki
    • Grind: Single Bevel (Right-handed)
    • Steel Type: Shirogami #2 (White #2)
    • Hardness: 64-65 HRC
    • Hand-forged, hand-grinded, hand-sharpened
  • Blade Finishes:
    • Ripple
    • Kyomen (Mirror)
  • Blade Length: 360mm (14.2")
  • Blade Height (at heel): 41mm
  • Spine Thickness
    • Above heel: 4.3mm
    • Middle: 3.3mm
  • Handle
    • Premium Luxury Custom Handle
    • Shape: Hachikaku (Octagonal)
    • Material: Rosewood (Dalbergia Odorifera)
    • Kuchiwa / Tsukajiri: Marble Buffalo Horn
    • Divider: Rosewood (Dalbergia Odorifera)
    • Ginmaki: Nickel Copper (x3)
    • Length: 160mm
  • Overall Length: 533mm
  • Weight: 342g (12.06oz)
  • Engraved Mark: In Japanese Kanji "Tantetsu Goma" (鍛鉄降魔) ; "Sadaaki Mizuno Made" (水野 貞昭作)
  • Comes with a Decorative Wooden Box (Paulownia Box) and Certificate

About Mizuno Tanrenjo 水野鍛錬所 / Minamoto Akitada 源昭忠

Established in 1872, the Mizuno Tanrenjo workshop is one of the most prestigious blacksmith workshops in Japan. Five generations of Mizuno blacksmiths have worked on projects of cultural significance and won accolades for their craftsmanship. The works of 2nd generation blacksmith Masanori Mizuno still hangs on top of the pagoda at Japan's first UNESCO site, and the 3rd generation Akiharu Mizuno - a portage of Japan's national treasure blacksmith Teiichi Tsukiyama - has won a prestigious award for his honyaki yanagiba. The Mizuno family workshop has received two royal visits by Prince Mikasa of Japan, who is personally a fan of their craftsmanship. Today Mizuno Tanrenjo is led by 5th generation master blacksmith - Jun Mizuno (a.k.a. Noritada Mizuno) whose superior craftsmanship and extraordinary honyaki works have been recognized by two of Japan’s top Ichinomiyas (shrines) which have commissioned his katanas to become the shrines’ permanent collections.

About Mizu-Honyaki 水本焼

Mizu-Honyaki is the highest level of Japanese knife making, involving a differential heat treatment achieved by applying clay mud on spine and hira of the blade before heating and water quenching. Very few blacksmiths have the skills of making quality mizu-honyaki, and the failure rate is very high as any tiny crack during the heat treatment forfeits the entire blade. A fine mizu-honyaki is always costly due to the scarcity of blacksmiths and high failure rate.

Care:

Shirogami #2 (white #2) steel is one of the most popular types of high carbon steel found in Japanese kitchen knives (Wa Knives). It is not stainless, therefore you must wipe your knife dry after each use. Patina will develop over time. Rust may develop if left in prolonged contact with water or acidic food. Use a rust eraser to clean if rusts develop. Avoid cutting into bones, frozen foods, hard fruit pits.

Cutting Surface:

Recommended cutting surface: wood, rubberized boards and high-end composites, and quality plastics such as polyethene make acceptable cutting surfaces, and will help protect and prolong knife’s edge. AVOID glass, metal, countertops, and other rigid, non-forgiving surfaces.

Sharpening:

We recommend sharpening all quality Japanese knives on whetstones, as we believe they yield the best results for your knives. 

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 5525128037

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.3 ★★★★★
Based on 9 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
T
Thomas A. Holmes
Lake Worth, US
★★★★★ 5
Fine Contemporary Poetry--Just Happens to Be Appalachian
Format: Paperback
The poems in Jesse Graves' TENNESSEE LANDSCAPE WITH BLIGHTED PINE express an indebtedness to a way of life that we contemporary Appalachians have watched transform at an accelerated pace over the past few decades, as we see the beloved old ways of our culture adapt to the demands of a society marked with the pervasiveness of media, the incursion of corporate demands, and the poignant recognition that as much as family prepares us to face the world outside our community, the impact of that world can blur the impressions our homes have made on us. Graves' work approaches these themes from various directions, as a son looking to the legacy of his family, as a youth and young man balancing education--both formal and that gleaned from personal experience--and as a family man weighing what he shares and offers in embodying those values. In this consistently fine volume, it is difficult to select favorites, but there are "River Gods," where an inebriated student and his companion cross the high railway trestle over the Tennessee River in Knoxville, Tennessee, "Deep Corner," where the speaker contemplates how his life has turned out differently than his brother's, "Mother's Milk," where the speaker weighs how much his mother has contributed to his life (including, sweetly, "an ear for slightly off-pitch singing"), and "Digging the Pond," where the speaker and his father silently acknowledge that the son will not preserve all his father's values: . . . I stood off to the side too often to learn what he was born knowing. The doing and the undoing. I can find in his face what he reads about the future in the tea-colored water, his eyes and mine trying to avoid it. Graves' love for these gifts, those accepted and those only acknowledged, resonates throughout TENNESSEE LANDSCAPE WITH BLIGHTED PINE. Graves' appreciation for lyric poetry, his talent for finding the expressiveness of everyday language, and his offering scenes with great depth of meaning and feeling make this collection memorable, worthy of high recommendation.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 30, 2011
J
jwriter
Carnegie, US
★★★★★ 5
Extraordinary Journey
Format: Paperback
Jesse Graves conducts the reader on an intimate journey from childhood to manhood. Rooted deep in the rich red clay of East Tennessee, the narrative provides fresh insights about the ties of land and family. "Johnson's Ground" describes an annual homecoming at the family cemetery: "they never let us go, even the ones/Laid under before our births continue to make their claims." The poems express both nostalgia for the past as well as forward-looking hopes for a fresh life in the future. Daughter, Chloe often becomes a bridge from present to past as in "Water Washing Away": "A fair price for the vision of a girl/ who has warped the ancient spell of time,/ who has turned back my eyes." Tennessee Landscape with Blighted Pine is an enchanting read for poet and non-poet alike.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2013
A
Verified Purchase
Austin Duck
Carnegie, US
★★★★★ 1
Go Read Art Smith or Charles Wright
Format: Paperback
This book is clearly the case of someone steeped in a lyric tradition, but, rather than engaging in the self-reflexive structure of the tradition, is interested in describing ad nauseum, his southern experience. While there are moments in the book that tend toward the sublime, it rests largely as self-indulgent in a way antithetical to the form it chooses.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 5, 2013
A
Angels Among Us
Birmingham, US
★★★★★ 5
Dr. G.
Format: Paperback
Jesse Graves (a.k.a. "Dr. G.") is one of my professors at East Tennessee State University. Not only is he a great teacher, he is a very talented poet. I would recommend his work to anyone! Anyone that does not like his work probably just failed his class. :p
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 25, 2014
B
Verified Purchase
Brooks Dyroff
New York, US
★★★★★ 5
Incredibly Prescient -- Touches On The Major Trends Of Our Times
Format: Hardcover
I was blown away by the fact that the author started writing this book a couple of years ago, before artificial intelligence was in the news, and before the topic and trend of loneliness became so prevalent. The clairvoyance is uncanny and the storyline, while fictional, is totally believable given what's going on in our world today. This is why the novel almost reads like nonfiction, but the plotline carries you forward like a fictional thriller. I audibly gasped, "Holy crap" during the plot twist at the end of the book. Truly a work of art, there is no doubt that this will be adapted for either a movie or a series.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 14, 2024

recommand products