SKU: 65402419627

ONTANG-ANTING

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Description

ONTANG-ANTINGTENTANG KARYA: Judul Karya: Ontang Anting, 2023 Ukuran: 120 x 80 cm Material: Acrylic on Canvas Deskripsi: Karya ini menggambarkan kesunyian yang sebenarnya tidak benar benar sepi, serta kondisi sendiri tetapi tidak sendiri. Ontang anting dimaknai sebagai simbol tekad, semangat, dan cita cita yang terus tumbuh dan diperjuangkan. Meski tampak hening, karya ini menunjukkan adanya kekuatan yang terus bergerak di dalamnya, seperti ide dan harapan yang

TENTANG KARYA:

Judul Karya: Ontang-Anting, 2023
Ukuran: 120 x 80 cm
Material: Acrylic on Canvas

Deskripsi:

Karya ini menggambarkan kesunyian yang sebenarnya tidak benar-benar sepi, serta kondisi “sendiri tetapi tidak sendiri”. “Ontang-anting” dimaknai sebagai simbol tekad, semangat, dan cita-cita yang terus tumbuh dan diperjuangkan. Meski tampak hening, karya ini menunjukkan adanya kekuatan yang terus bergerak di dalamnya, seperti ide dan harapan yang mengelilingi. Secara keseluruhan, karya ini merefleksikan bahwa kesendirian bukanlah kehampaan, melainkan ruang bagi pertumbuhan, mimpi, dan dorongan untuk terus melangkah.

Karya ini menghadirkan pendekatan Seni Ekspresionisme Figuratif yang mengeksplorasi makna kesunyian sebagai ruang penuh potensi dan kehidupan batin. Melalui bahasa visual yang ekspresif, Mujib Darjo menggambarkan bahwa kesendirian bukanlah kehampaan, melainkan tempat tumbuhnya harapan, tekad, dan imajinasi. Sebagai bagian dari perkembangan Seni Kontemporer Indonesia, karya ini juga mencerminkan dinamika emosional manusia dalam konteks Galeri Seni Jakarta, sekaligus menegaskan karakter seorang Seniman Pendatang Baru Indonesia yang menghadirkan narasi reflektif dan personal dalam karyanya.

Description:

This artwork depicts a silence that is not truly empty, as well as the condition of being “alone but not lonely.” “Ontang-anting” is interpreted as a symbol of determination, spirit, and aspirations that continue to grow and be pursued. Although it appears quiet, this artwork reveals an inner force that is constantly in motion, like surrounding ideas and hopes. Overall, this artwork reflects that solitude is not emptiness, but rather a space for growth, dreams, and the drive to keep moving forward.

This artwork presents a Figurative Expressionism Art approach that explores the meaning of silence as a space filled with inner potential and emotional life. Through expressive visual language, Mujib Darjo portrays solitude not as emptiness, but as a place where hope, determination, and imagination continue to grow. As part of the evolving landscape of Contemporary Art Indonesia, the work reflects human emotional dynamics within the context of an Art Gallery Jakarta, while also highlighting the artist’s identity as an Emerging Artist Indonesia with a reflective and personal artistic narrative.


TENTANG SENIMAN :

Mujib Darjo adalah seorang seniman lulusan Pendidikan Seni Rupa di Universitas Negeri Malang (UM). Ia kembali aktif berkesenian sejak tahun 2012, setelah bertemu dengan pelukis ekspresionis Aam Rahmansyah di Studio Lima, Surabaya. Selain berkarya, Mujib juga aktif mengajar di berbagai sekolah di Surabaya dan Gresik, dan terus menjaga keterlibatannya dalam dunia seni dan pendidikan. Pertemuan dengan seniman Jumaadi pada tahun 2018 turut memberikan pengaruh signifikan terhadap karya-karyanya. Dari Jumaadi, Mujib banyak belajar mengenai sejarah seni serta berbagai teknik melukis.

Lukisan-lukisan Mujib Darjo banyak mengeksplorasi ruang interior, khususnya ruang-ruang yang sarat nuansa psikologis. Ia tertarik pada berbagai elemen seperti perabotan, cahaya, dan pencahayaan dalam ruang pribadi, ruang tamu, hingga dapur. Ruang-ruang yang ia lukis sering kali berasal dari rumah sendiri, rumah tetangga, teman, atau kerabat yang menciptakan kedekatan emosional yang kuat dalam setiap karyanya.

Exhibition:

2025

  • Januari “Sebatas Mata Memandang” Pameran Tunggal ke-4, Malang

  • Juli “Oase” Kopijo Jombang

  • Agustus “String Of Dream” MAM Malang

  • September “Hantu Laut-Biennale XI” Jatim Gresik

  • September “80 Th HUT KAI Lintas Imaji” Surabaya

2024

  • Februari “Eureka” _GresArt_VinAutism Gallery Surabaya

  • Mei “Home Sweet Home “ MAM Malang

  • Mei “Undur-Undur Angon Kunang-Kunang” RSP Sidoarjo

  • Agustus “Bebas” Junrejo Batu Malang

  • Oktober Art Jakarta

  • Oktober 2Madison Jakarta

  • November “Drawing #1”_ Biennale_ Surabaya

  • Desember “Damar Kurung Eksplore” 6 Lentera DKJT Gresik

2023

  • Februari Grey art Gallery Bandung

  • Mei MAM Malang

  • Mei HDI Benteng Van de Burg Jogja

  • September "30 cm” DKS Surabaya

  • November Art Jakarta

  • Desember “Bebas” Seleksi Open Call  VinAutism Galery Surabaya

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SKU: 65402419627

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4.7 ★★★★★
Based on 12 reviews
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Chris Eldredge
Waukegan, US
★★★★★ 5
Five Stars
Format: Paperback
excellent sevice
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 23, 2015
L
Lee Hall
Houston, US
★★★★★ 5
Gem from a brilliant thinker.
Format: Paperback
This book will forever redefine feminism for its readers. There are two threads: one political, the other literary commentary. Fortunately, Witting pulls the former into the latter. The astute and radical political critique in Wittig's book is uniquely powerful. Wittig addresses the question of how a movement is comprised of both group energy and individual experience. The theory, legacy, and limits of Marx and Engels are discussed. Then, drawing on de Beauvoir and other iconoclasts, Wittig addresses our dominator culture in a way that goes directly to its core. Wittig deals efficiently yet persuasively with the argument over whether nature or culture is responsible for inequality, declaring that "there is no sex." This statement becomes the book's alpha and omega, and the lens through which Wittig shows us history, literature, and the future of activism. Like whiteness, maleness is a social category that can be renounced. Man (Homo) once meant everybody in the human community -- it was indeed generic, in the unifying sense. Unfortunately, the word has so frequently been used to describe a socially constructed group that expels half of itself in order to oppress it, "man" is now identified with those identified as male. In the essay "The Category of Sex" Wittig writes: "The perenniality of the sexes and the perenniality of slaves and masters proceed from the same belief, and, as there are no slaves without masters, there are no women without men. The ideology of sexual difference functions as censorship in our culture by masking, on the grounds of nature, the social opposition between man and women. Masculine/feminine, male/female are the categories which serve to conceal the fact that social differences always belong to an economic, political, ideological order. ...The masters explain and justify the established divisions as a result of natural differences." I understand that Wittig has recently passed away. If only I had discovered this book a little earlier, so that I could have met the author. That feeling, I suppose, is the sign of a truly good read. "A text by a minority author is only successful if it succeeds in making the minority point of view unviersal" writes Wittig --and to read this book from beginning to end is to find that the author has done just that.
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Reviewed in the United States on July 11, 2004
M
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monsieurw1
Lowell, US
★★★★★ 3
Partly still thought-provoking, partly dated
Format: Paperback
Dr. Wittig had so much anger, and had such a fight to fight. She seems excessive at times, or as though she is painting with such a broad brush, but writing such as this did win some important battles. No, things are not as dark as her wrath would suggest, or at least not anymore.
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Reviewed in the United States on October 4, 2013
K
Verified Purchase
Kindle Customer
Dallas, US
★★★★★ 5
You will laugh and cry
Format: Kindle
Luckily, I stumbled into a link to this book on Transfeminine Review. One warning: take your eye makeup off before reading. You will laugh till you cry and that is not a good look with mascara. The plot resembles the movie American Fiction. Pearl is an aspiring trans woman writer. Her first novel has sunk without a trace so now she is going to try something more commercial: a gay male romance with James Bond action marketed to straight women who love that kind of thing. She's even adopting a pen name as Paul Sisters, s gay man. For a time it works. She has a publisher, Muzzle And Escutcheon is selling well and "Paul" has a fan following. Still, it's getting harder and harder to maintain her fake identity and she's having to make ever more compromises with her own identity and relationships. One other caution. Pearl does have to deal with casual transphobia. One sequence of her doing an online chat as Paul with transphobic fans and trying not to let it get to her I foundto be particularly triggering Good, funny, recommended
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 19, 2025
A
Artsy Poets
Draper, US
★★★★★ 5
Brilliantly written
Format: Kindle
I read this in a single sitting, mesmerized. I cared about the protagonist even as she made increasingly bad and soul damaging decisions. I love love love her girlfriend and her roommate is also fun. One could argue that the humorous elements convey the dangers of being a trans woman in both publishing and life especially well. I also enjoyed the publishing scene aspects like in Yellowface. A great read. I’m now a fan!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 6, 2025

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