SKU: 66760607514

Tiffen 77mm Indie Pro Infrared/Neutral Density Filter Kit (0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1 IR/ND Filters)

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Description

Tiffen 77mm Indie Pro Infrared/Neutral Density Filter Kit (0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1 IR/ND Filters)Eliminates Infrared Bleed Above 700nm Allows Use of Higher Density ND Filters Use for Action, Nature Fast Objects Can Blur Your Subject w No Color Shift Allows High Speed Film in Bright Light Use for Film,Digital,Video Cine, iPhone High Quality Water White Glass Black Aluminum Filter Ring Made in the USA 10 Year Warranty The Tiffen 77mm Indie Pro Infrared Neutral Density Filter Kit is a more than complete filter outfit (7 filters) for the outdoor

  • Eliminates Infrared Bleed Above 700nm
  • Allows Use of Higher Density ND Filters
  • Use for Action, Nature - Fast Objects
  • Can Blur Your Subject w/No Color Shift
  • Allows High Speed Film in Bright Light
  • Use for Film,Digital,Video/Cine, iPhone
  • High Quality Water White Glass
  • Black Aluminum Filter Ring
  • Made in the USA
  • 10-Year Warranty

The Tiffen 77mm Indie Pro Infrared/Neutral Density Filter Kit is a more-than-complete filter outfit (7 filters) for the outdoor shooter who wishes to create special effects without having to put in any post-production time. This combination of neutral density filters gives you the freedom to make some unique and effective images that would ordinarily not be possible.

Color shift is a critical factor in digital photography. This color shift is directly affected by the infrared spectrum.  Specifically, in high definition photography, the sensitivity of imaging sensors to IR has become a challenge. This is particularly evident when using standard neutral density filters that absorb visible light but pass infrared.

Unlike many photographic films, the CCD or CMOS of a digital camera is inherently susceptible to infrared contamination, even when the manufacturer attempts to reduce this problem by adding an infrared absorbing filter on top of the image sensor. Because these filters do not have a sharp cutoff at the infrared wavelengths there has to be a compromise in order not to exclude visible red wavelengths. This results is some infrared wavelengths being allowed to pass.

While minor infrared contamination does not normally cause much of a problem for visible images, when using conventional neutral density filters especially denser grades, this issue is multiplied by the filter factor.

Tiffen has now addressed this problem with the introduction of its exclusive line of IR/ND filters. This is particularly important as it now allows for the use of the denser grades of Neutral Density filters needed for these light sensitive cameras while, at the same time, maintaining complete color balance.

The kit contains a 1-stop (0.3), 2-stop (0.6), 3-stop (0.9), 4-stop (1.2), 5-stop (1.5), 6-stop (1.8) and 7-stop (2.1) set of ND filters. Using these filters permits you to use slower shutter speeds that can produce blurred effects of nature, sports or any action you choose, i.e. flowing water, birds in flight, cars - just about anything you can think of. It also permits you to shoot on the beach or in bright light when using high speed ISO ratings by enabling slower shutter speeds to be employed.  Irrespective of the medium you are using such as film, digital, video or cine, neutral density filters are quite valuable and should be a part of any shooter's arsenal of tools.  

Often it is necessary or desirable to control the light intensity within a given frame. This is especially true in situations where you don't have total light control, as in bright contrasty landscapes. Exposing for the foreground will produce a washed-out, over-exposed sky while exposing for the sky will leave the foreground dark and under-exposed. A neutral density filter will allow you to retain exposure control but will not affect the color of the image.

Neutral Density filters allow you to shoot under conditions that would normally be impossible to shoot under - particularly outside in snow, beach or extreme bright light scenarios. For the landscape photographer, irrespective of the format you use (film, digital, video or cine), this filter is almost a necessity because it permits you to maintain creative control over a tough lighting venue while still maintaining proper exposure.

For those who like moody, soft creative looks to their images, this filter can produce blurred movement when used with waterfalls, fast moving objects (cars, etc) and even nature subjects such as birds in flight or running animals. There are people who even use them on their iPhone to capture interesting images when a traditional camera isn't handy.

Tiffen uses the highest quality Water White Glass that contains an anti-glare and anti-reflective coating. This glass reduces the greenish tint sometimes common in standard glass. Water White Glass permits accurate color transmission. It is clear to the eye and is characterized by an optically pure composition that delivers the highest caliber of image possible.

Tiffen, a leader in the filter industry, proudly makes its filters in the USA and backs up its products with a solid 10-year warranty.

Neutral Density Filters Have Four Main Uses

Enables slow shutter speeds to be used with high speed ISO ratings; create dramatic images with blurred movement in subjects such as waterfalls, clouds, or cars
Permits greater creative control by allowing wider apertures to be used which helps separate subjects from their background
Reduces the amount of light entering the lens - allows use of slower shutter speeds with higher ISO settings on digital cameras, high-speed films, video and cine cameras
It is always difficult to use film, digital or video cameras under bright light conditions such as snow, sand or other bright scenes since these conditions can easily cause overexposure. This filter removes the challenge of recording images under these conditions by permitting the photographer to control the proper exposure while still maintaining creative control

Superior Quality

Top Hollywood motion picture studios rely on Tiffen filters for their multi-million-dollar productions Superior quality and design make Tiffen the overwhelming choice of moviemakers, professional photographers and even NASA
Tiffen has also been awarded an Emmy, from the Academy of Television Arts and Sciences, for its engineering excellence
UPC: 884613006709
Type Indie Pro Filter Kit
Size 77mm
Grade Not Applicable
Filter Factor ND.3 (exposure adjustment = 1 stop, reduces ISO by 1/2)
ND.6 (exposure adjustment = 2 stops, reduces ISO by 1/4)
ND.9 (exposure adjustment = 3 stops, reduces ISO by 1/8)
ND1.2 (exposure adjustment = 4 stops, reduces ISO by 1/16)
ND1.5 (exposure adjustment = 5 stops, reduces ISO by 1/32)
ND1.8 (exposure adjustment = 6 stops, reduces ISO by 1/64)
ND2.1 (exposure adjustment = 7 stops, reduces ISO by 1/128)
Multi-Coated Not Applicable
Rotating Not Applicable
Effect Reduce the amount of light reaching the film
Application General outdoor photography, i.e. landscape, nature
Color Temperature Not Applicable
Construction Water White Glass
Front Filter Thread Size 77mm
Front Lens Cap Size 77mm
Packaging Info
Package Weight 1.3 lb
Box Dimensions (LxWxH) 10.9 x 5.4 x 3.4"
In the Box
Tiffen 77mm Indie Pro Infrared/Neutral Density Filter Kit (0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1 IR/ND Filters)
  • 77mm 0.3 Neutral Density Filter
  • 77mm 0.6 Neutral Density Filter
  • 77mm 0.9 Neutral Density Filter
  • 77mm 1.2 Neutral Density Filter
  • 77mm 1.5 Neutral Density Filter
  • 77mm 1.8 Neutral Density Filter
  • 77mm 2.1 Neutral Density Filter
  • Soft Storage Pouch
  • 10-Year Warranty
All product and company names are trademarks™ or registered® trademarks of their respective holders. Use of them does not imply any affiliation with or endorsement by them.
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 66760607514

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4.1 ★★★★★
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Maekar's Mark
Whiting, US
★★★★★ 5
Answers a lot of questions
Format: Kindle
I enjoyed this story. This fills in a lot of gaps left open from the sequel trilogy, and the artwork was pretty cool. Excellent coloring and layout.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 26, 2023
G
Verified Purchase
Gabriel Cruz
Lowell, US
★★★★★ 5
The perspective of Darth Vader between Star Wars and Empire Strikes Back.
Format: Paperback, Format: Paperback
So basically this tells the story of what is going on with Darth Vader after the first Death Star is blown up. He wants to know who it was. Emperor Palpatine is pretty ticked off as it is, and he hasn't said anything but he's already looking to replace Vader in case he fails. Along the way we see still that Vader has some decency still left inside of him, as we meet Doctor Aphra and her droids, and he has a chance to kill her off several times but spares her life for certain reasons. This book collects Star Wars: Darth Vader (2015 Marvel) #1-12, #1 Director's Cut, and Star Wars: Darth Vader (2015 Marvel) Annual #1. The story is written by Kieron Gillen. Art by Salvador Larroca and Leinil Francis Yu
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Reviewed in the United States on March 13, 2025
R
Verified Purchase
Ryan of the East Coast
Carnegie, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019
K
Verified Purchase
Kris
Los Angeles, US
★★★★★ 5
I love this comic book!
Format: Paperback, Format: Paperback
I love DC comics and obviously the Batfam are some of the most well known and loved characters within the DC universe. I love the art style and story in this comic. If you are debating whether or not to purchase this comic, DO IT!
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Reviewed in the United States on December 23, 2025
A
Verified Purchase
Alex Lamberd
Birmingham, US
★★★★★ 5
One of the best Bat stories that I've read.
Format: Paperback
Coming off from The Long Halloween, Jeff Loeb and Tim Sale give us the sequel to their popular story tale in which we see Batman go at it with another year long mystery, while also giving us an origin story for the first Robin, Dick Grayson. After reading this book, I have come away having with even more love of the Dark Knight's mythology, while coming to see this as my favorite Batman story that I have read, even if it doesn't stand as well on its own. ON the narrative side of things, Loeb delivers a story fairly similar to the one he gave in The Long Halloween, though I feel this one is a bit more polished than Halloween was. Some have said that the retreading of plot structure have limited the way Loeb's later works are read, but I myself have no problem with it (for the most part), Loeb manages to do enough differently that you don't feel like you're reading the exact same story. The real big negative I'd have to give this graphic novel is that it really doesn't stand as well by itself than if you had read The Long Halloween. While I myself read that story before coming in to this one, I did see many connections that I would assume would through off any newcomers who hadn't read the prior story. But I will say that this is the story that had me invested the most emotionally. Without giving away any spoilers, that last page in the novel gave me such a cathartic experience that I really came to appreciate certain aspects of the Dark Knight's mythology, and how themes of loneliness were touched upon in a very genuine way. Looking at the art for the novel, Sale's work has improved much from The Long Halloween. I always mention in reviews concerning Sale that I was originally not a fan of his art, but after going through his work, you can't help but admire the level skill he manages to put in his drawings. There is a very big noir feeling in this novel (a plus for ) that is just delivered so well that any preferences in art I may have against Sale are put away in admiring the way he plays with lighting in the story. My biggest complaint for the art, which is a more of a personal thing really, is that I do not like the "pixie" costume they gave Robin (which is his default costume that many would associate him with). I have never really liked this costume, probably never will, but again, this is just me. Overall, I would say I really enjoyed the novel and would have to recommend it to any fans of the Batman (although I'd make sure you have read The Long Halloween first). This has come to be one of my most favorited Batman stories I've read, and I hope others will receive the same level of satisfaction that I have.
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Reviewed in the United States on April 22, 2014

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