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V/A -MOGADISCO - Dancing Mogadishu (Somalia 1972 - 1991)SUPER FUNKY COMP on ANALOG AFRICA!!! After being blown away by a few tunes probably just as you will be after listening to this Samy Ben Redjeb travelled to the infamous capital city of Somalia in November of 2016, making Analog Africa the first music label to set foot in Mogadishu. On his arrival in Somalia Samy began rifling through piles of cassettes and listening to reel to reel tapes in the dusty archives of Radio Mogadishu, looking for music
SUPER FUNKY COMP on ANALOG AFRICA!!!
After being blown away by a few tunes – probably just as you will be after listening to this - Samy Ben Redjeb travelled to the infamous capital city of Somalia in November of 2016, making Analog Africa the first music label to set foot in Mogadishu.
On his arrival in Somalia Samy began rifling through piles of cassettes and listening to reel-to-reel tapes in the dusty archives of Radio Mogadishu, looking for music that "swam against the current".
The stars were aligned: an uncovered and unmarked pile of discarded recordings was discovered in a cluttered corner of the building. Colonel Abshir - the senior employee and protector of Radio Mogadishu's archives - clarified that the pile consisted mostly of music nobody had manage to identify, or music he described as being "mainly instrumental and strange music". At the words "strange music" Samy was hooked, the return flight to Tunisia was cancelled.
The pile turned out to be a cornucopia of different sounds: radio jingles, background music, interludes for radio programmes, television shows and theatre plays. There were also a good number of disco tunes, some had been stripped of their lyrics, the interesting parts had been recorded multiple times then cut, taped together and spliced into a long groovy instrumental loop. Over the next three weeks, often in watermelon, grapefruit juice and shisha-fuelled night-time sessions behind the fortified walls of Radio Mogadishu, Samy and the archive staff put together "Mogadisco: Dancing Mogadishu, 1974–1991".
Like everywhere in Africa during the 1970s, both men and women sported huge afros, bell-bottom trousers and platform shoes. James Brown, Stevie Wonder, Marvin Gaye and The Temptations' funk were the talk of the town.
In 1977, Iftin Band were invited to perform at the Festac festival in Lagos where they represented Somalia at the Second World Black and African Festival of Arts and Culture. Not only did they come back with an award but they also returned with Afrobeat. While Fela Kuti's 'Shakara' had taken over the continent and was spreading like wildfire throughout Latin America, it was the track 'Lady' that would become the hit in Mogadishu.
At the same time Bob Marley was busy kick-starting reggae-mania in Somalia, which became such a phenomenon that even the police and military bands began playing it. Some say that it was adopted so quickly because of the strong similarities with the traditional beat from the western region of Somalia, called Dhaanto.
But then suddenly the trousers got tighter as the disco tsunami hit the country. Michael Jackson appeared with a new sound that would revolutionise Somalia's live music scene. You couldn't walk the streets of Mogadishu without seeing kids trying to moonwalk.
"Somalia had several nightclubs and although most use DJs to play records, some hotels like Jubba, Al-Uruba and Al Jazeera showcased live bands such as Iftin and Shareero" - so ran a quote from a 1981 article about the explosion of Mogadishu's live music scene. The venues mentioned in that article were the luxury hotels that had been built to cover the growing demands of the tourist industry. The state-of-the-art hotel Al-Uruba, with its oriental ornaments and white plastered walls, was a wonder of modern architecture. All of Mogadishu's top bands performed there at some point or another, and many of the songs presented in this compilation were created in such venues.
On his arrival in Somalia Samy began rifling through piles of cassettes and listening to reel-to-reel tapes in the dusty archives of Radio Mogadishu, looking for music that "swam against the current".
The stars were aligned: an uncovered and unmarked pile of discarded recordings was discovered in a cluttered corner of the building. Colonel Abshir - the senior employee and protector of Radio Mogadishu's archives - clarified that the pile consisted mostly of music nobody had manage to identify, or music he described as being "mainly instrumental and strange music". At the words "strange music" Samy was hooked, the return flight to Tunisia was cancelled.
The pile turned out to be a cornucopia of different sounds: radio jingles, background music, interludes for radio programmes, television shows and theatre plays. There were also a good number of disco tunes, some had been stripped of their lyrics, the interesting parts had been recorded multiple times then cut, taped together and spliced into a long groovy instrumental loop. Over the next three weeks, often in watermelon, grapefruit juice and shisha-fuelled night-time sessions behind the fortified walls of Radio Mogadishu, Samy and the archive staff put together "Mogadisco: Dancing Mogadishu, 1974–1991".
Like everywhere in Africa during the 1970s, both men and women sported huge afros, bell-bottom trousers and platform shoes. James Brown, Stevie Wonder, Marvin Gaye and The Temptations' funk were the talk of the town.
In 1977, Iftin Band were invited to perform at the Festac festival in Lagos where they represented Somalia at the Second World Black and African Festival of Arts and Culture. Not only did they come back with an award but they also returned with Afrobeat. While Fela Kuti's 'Shakara' had taken over the continent and was spreading like wildfire throughout Latin America, it was the track 'Lady' that would become the hit in Mogadishu.
At the same time Bob Marley was busy kick-starting reggae-mania in Somalia, which became such a phenomenon that even the police and military bands began playing it. Some say that it was adopted so quickly because of the strong similarities with the traditional beat from the western region of Somalia, called Dhaanto.
But then suddenly the trousers got tighter as the disco tsunami hit the country. Michael Jackson appeared with a new sound that would revolutionise Somalia's live music scene. You couldn't walk the streets of Mogadishu without seeing kids trying to moonwalk.
"Somalia had several nightclubs and although most use DJs to play records, some hotels like Jubba, Al-Uruba and Al Jazeera showcased live bands such as Iftin and Shareero" - so ran a quote from a 1981 article about the explosion of Mogadishu's live music scene. The venues mentioned in that article were the luxury hotels that had been built to cover the growing demands of the tourist industry. The state-of-the-art hotel Al-Uruba, with its oriental ornaments and white plastered walls, was a wonder of modern architecture. All of Mogadishu's top bands performed there at some point or another, and many of the songs presented in this compilation were created in such venues.
Mogadisco was not Analog Africa's easiest project. Tracking down the musicians - often in exile in the diaspora - to interview them and gather anecdotes of golden-era Mogadishu has been an undertaking that took three years. Tales of Dur-Dur Band's kidnapping, movie soundtracks recorded in the basements of hotels, musicians getting electrocuted on stage, others jumping from one band to another under dramatic circumstances, and soul singers competing against each other, are all stories included in the massive booklet that accompanies the compilation - adorned with no less then 50 pictures from the '70s and '80s.
As Colonel Abshir Hashi Ali, chief don at the Radio Mogadishu archive - someone who once wrestled a bomber wielding an unpinned hand-grenade to the floor - put it: "I have dedicated my life to this place. I'm doing this so it can get to the next generation; so that the culture, the heritage and the songs of Somalia don't disappear."
credits
released December 13, 2019
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4.4 ★★★★★
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Fast Delivery
Style: Ink
Fast delivery. Easy to install.
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Reviewed in the United States on April 12, 2026
★★★★★ 5
Our Standard Cartridges.
Style: Ink
These cartridges are the only ones that work for our Epson printer. in the past, I have tried 3rd party units with various degrees of success. Sometimes they will work and sometimes not. They are less expensive up front but, in the long run, I am going to stick with the genuine Epson product. They are the same price everywhere that I have shopped, so we purchase them from Amazon because of the free shipping. The Epson cartridges just work in our printer.
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Reviewed in the United States on January 4, 2026
★★★★★ 5
Cover yourself!
My HP printer just stopped printing. Spent over 4 1/2 with HP Support doing all kinds of technical experiments with even the most complex Factory Restarts, this printer kept saying everything was working but it wouldn't print. HP finally declared it a hardware defective; told I needed a new printer and to recycle this one (less than 1 1/2 years old - don't make like they used to!). Called Asurion, who immediately processed a claim and arranged for a pickup of the defective printer since I can't drive. Fast quality service worth every penny if you're buying any kind of devices in today's world.
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Reviewed in the United States on May 20, 2026
★★★★★ 5
Asurion is a great protection plan.
Asurion is a great product. I purchased a 3-piece cordless phones in 2022 and added the Asurion protection. Just recently the phones went out. I contacted Asurion and within 2 hours I had a gift card deposited in my Amazon account. I purchased new phones with the gift card and of course added the Asurion protection. I highly recommend Asurion protection plan.
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Reviewed in the United States on May 9, 2025
★★★★★ 5
Glad we got it! And will most definitely buy it for our future products!
Great experience! We always bought Asurion Protection on a lot of our electronics to be on the cautious side. We recently had one of those electronics give out on its 3rd year, and we luckily had purchased the Asurion Protection Plan. The claims process was easy, took less than 5 minutes. I packaged the electronic the following day and dropped it off with the shipping label they gave me. I received a full refund of my product within hours of having the returned item dropped off. I am glad we bought Asurion Protection for our other electronics, and will continue to buy it for our future products (not just electronics). Very pleased with how fast and reliable they were, and enjoying the comfort of knowing our products are protected.
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Reviewed in the United States on June 7, 2026
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