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Description
Bookbinding I and II IntensiveCourse Code: 25MBB150I This five day, in person workshop takes place at CBA on Monday through Friday, June 23rd 27th, 2025, from 11: 00 am to 5: 00 pm. Monday, June 23rd, from 11: 00 AM 5: 00 PM ET Tuesday, June 24th, from 11: 00 AM 5: 00 PM ET Wednesday, June 25th, from 11: 00 AM 5: 00 PM ET Thursday, June 26th, from 11: 00 AM 5: 00 PM ET Friday, June 27th, from 11: 00 AM 5: 00 PM ET Please Note: Registration for this workshop closes on June 9th, at
Course Code: 25MBB150I
This five-day, in-person workshop takes place at CBA on Monday through Friday, June 23rd-27th, 2025, from 11:00 am to 5:00 pm.
- Monday, June 23rd, from 11:00 AM - 5:00 PM ET
- Tuesday, June 24th, from 11:00 AM - 5:00 PM ET
- Wednesday, June 25th, from 11:00 AM - 5:00 PM ET
- Thursday, June 26th, from 11:00 AM - 5:00 PM ET
- Friday, June 27th, from 11:00 AM - 5:00 PM ET
Please Note: Registration for this workshop closes on June 9th, at 11:59 pm.
About the Workshop:
In this introductory yet comprehensive in-person intensive workshop taught by CBA instructor Maria Verónica San Martín, students will have the opportunity to deep-dive into both softcover binding and hardcover binding. Students will learn about non-adhesive structures, bindings for single sheets, and other bindings that can be made with little specialized equipment. Accordions, pamphlets, drum leaf books, and a variety of softcover bindings will be taught during the course. Students will also gain a foundational understanding of hardcover bookbinding including how the structure beneath the cover can affect the final result. Students will develop the skills needed to create a variety of hardcover books that will prepare them for building more complex hardcover designs such as the inboard cloth-bound book.
Don't miss this chance to dive into the world of bookbinding with this specialized intensive!
Required Materials:
- Pencil and paper for note-taking
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Bookbinding awl
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Bone folder
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Snap-off knife, or exact-o knife
All other materials will be provided by Center for Book Arts at no additional cost.
About the Instructor
Maria Verónica San Martín (she/her), born in Chile in 1981, is a New York-based multidisciplinary artist, printmaker, and educator. A Whitney Museum ISP fellow, she is part-time faculty at Parsons, The New School, and an instructor at the Center for Book Arts and Mixteca. San Martín has also been a visiting professor at Miami University (OH), an instructor at Penland School of Craft (NC), and has led workshops at The MET, Bard College, Trinity College, Veralist, Interference Archive, and The Weeksville Heritage Center. She is a board member of Booklyn, an artist collective and nonprofit.
San Martín’s work engages with the cultural impacts of history, memory, and trauma through archives, artist books, installations, sculptures, and performances. Her work is held in over 80 collections, including the Metropolitan Museum of Art, the Pompidou Center, the Walker Art Center, the National Museum of Women in the Arts, the Whitney Museum, Harvard University, Yale University, Columbia University, the Museum of Memory and Human Rights, and the Contemporary Art Center, both in Chile.
She has exhibited nationally and internationally at The Print Center, Philadelphia; Goethe Institute, Montreal; Un Lugar, Madrid; Fordham University, New York; Trinity College, Connecticut; NAC Gallery, Santiago, Chile; Museum Meermanno, The Hague, Netherlands; Animal Gallery, Santiago, Chile; Center for Book Arts, New York; National Archive of Chile, Santiago, Chile; BRIC Arts Media, Brooklyn, New York; Cultural Center of Antofagasta, Chile; and the Museum of Memory and Human Rights, Santiago, Chile. Her work has also been featured at the Triennial of Poli/Grafica de Puerto Rico: Latin America and the Caribbean; Lincoln Center, New York; Public Art at Rockefeller Center in collaboration with the Climate Museum, New York; the LA Art Fair with the Museum of the Americas, California; the Immigrant Artist Biennial, New York; the International Printmaking Biennial of Douro, Portugal; and the National Museum of Women in the Arts, Washington, DC. San Martin has received four times the Fondart Chilean Government grants; a Sustainable Arts Grant; two New York Foundation for the Arts grants. San Martin has been performing and talking about her projects “Moving Memorials,” “Dignidad,” and “The Javelin Project,” in museums, public spaces, and cultural centers since 2016.
All images courtesy of the instructor.
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