OperAria Bass - Volume 3 - Dramatic
SKU: 71568069575

OperAria Bass - Volume 3 - Dramatic

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Description

OperAria Bass - Volume 3 - DramaticComposers: Modest Mussorgsky (1839 1881), Mikhail Glinka (1804 1857), Giuseppe Verdi (1813 1901), Alexander Borodin (1833 1887), Giacomo Meyerbeer (1791 1864), Richard Wagner (1813 1883), Pyotr Ilyich Tchaikovsky (1840 1893), Amilcare Ponchielli (1834 1886), Nikolai Rimsky Korsakov (1844 1908) Editor: Peter Anton Ling Format: Vocal Score Instrumentation (this edition): Piano Reduction, Bass Originally for: Opera Binding: Work Languages: German,

  • Composers: Modest Mussorgsky (1839-1881), Mikhail Glinka (1804-1857), Giuseppe Verdi (1813-1901), Alexander Borodin (1833-1887), Giacomo Meyerbeer (1791-1864), Richard Wagner (1813-1883), Pyotr Ilyich Tchaikovsky (1840-1893), Amilcare Ponchielli (1834-1886), Nikolai Rimsky-Korsakov (1844-1908)
  • Editor: Peter Anton Ling
  • Format: Vocal Score
  • Instrumentation (this edition): Piano Reduction, Bass
  • Originally for: Opera
  • Work Languages: German, Italian, Russian
  • ISMN: 9790004184721
  • Size: 9.1 x 12.0 inches
  • Pages: 144

Description

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause.

"It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre." (Peter Anton Ling)

OperAria is the ideal "vocal coach" for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. in addition, through their careful selection, they offer valuable inspiration for opera recitals.

OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance). Includes comments on the arias, information on the composer, the librettist, the work, the range and of versions or casting, a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot, and an evaluation from the singer's point of view.

Works:

  • Meyerbeer: Voici donc les débris / Nonnes qui reposez from Robert le diable
  • Meyerbeer: Volontiers, un vieil air huguenot / Piff, paff from Les Huguenots
  • Glinka: Čujut pravdu! / Ty prijdëš’ moja zarja! from A Life for the Tsar (Жизнь за царя)
  • Wagner: Gar viel und schön from Tannhäuser, WWV 70
  • Wagner: Gott grüß euch from Lohengrin, WWV 75
  • Wagner: Mein Herr und Gott from Lohengrin, WWV 75
  • Wagner: Hoiho! Hoiho hoho! from Götterdämmerung, WWV 86D
  • Wagner: Tatest du’s wirklich from Tristan and Isolde, WWV 90
  • Wagner: Titurel, der fromme Held from Parsifal, WWV 111
  • Verdi: Vieni, o Levita! / Tu sul labbro de’ veggenti from Nabucco
  • Verdi: E ancor silenzio! / Ma quando un suon terribile from I Lombardi
  • Verdi: Che mai vegg’io! / Infelice! e tuo credevi from Ernani
  • Verdi: Mentre gonfiarsi l’anima from Attila
  • Verdi: Vous priez / Oh! dans l’ombre from Jérusalem
  • Verdi: Grâce, mon Dieu! / À ce front pâle from Jérusalem
  • Verdi: Ah! tutto m’arride / Il mio sangue from Luisa Miller
  • Verdi: O patria / O tu, Palermo from I vespri siciliani
  • Verdi: A te l’estremo addio / Il lacerato spirito from Simon Boccanegra
  • Borodin: Zdorov li, knjaz’? from Prince Igor
  • Ponchielli: Sì, morir ella de’! from La Gioconda
  • Mussorgsky: Eščë odno poslednee skazan’e from Boris Godunov (Борис Годунов), Op. 9
  • Tchaikovsky: Čto skažet on? / Gospod’ moj, esli grešen ja from Iolanta (Иоланта), ČW 11, Op. 69
  • Rimsky-Korsakov: O skaly groznye drobjatsja from Sadko (Садко)
  • Rimsky-Korsakov: Zabylasja / Ne dumal from The Tsar's Bride (Царская невеста)
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SKU: 71568069575

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Susan Goforth
Alexandria, US
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Best dog toy!!
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D. Gilbert
Phoenix, US
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Good contruction but needs a couple revisions
Size: Small, Number of Items: 1
Searching for an interactive toy to feed my beagle his meals from, I first tried the . It split open too easily in rough play and only had the capacity to hold half of a meal. Next I tried for it's larger capacity but it broke at the lid (to Premier's credit they replaced it but I feared it would simply break again). Now on to the Bob-A-Lot. This is a heavy, well made product. I was surprised by the weight. My dog can pick it up but can't carry it for very long. I feel it's not going to break like the others did. That said, the extra weight makes it a noisy toy especially on hard wood floors. The small Bob-A-Lot holds a little over 1 cup of food (large holds 3 cups) but there is a caveat. This is the capacity of the lower chamber. There is actually a separate chamber in the top of the toy that only holds about quarter cup. As a result I have to shake and shake the toy myself to get the food to drop into the lower chamber to load in a complete meal. It's either that or insert food 1 piece of kibble at a time. I wish this toy screwed apart like the IQ Treat Ball or Tug-A-Jug. Despite it's appearance, it does NOT screw apart in the middle. Also slightly annoying is the bottom door doesn't stay fixed into position well. The IQ Treat Ball smartly has several positions for the door to stay locked in. The Bob-A-Lot door is fully adjustable but has often come open more than I want during feeding. As a result the kibble will spill out faster which ruins the challenge. I inquired to Starmark support and they suggested that I use a bit of cardboard or some such to try and jam the door into a specific position. This right here tells me that some additional design could be used. I'd say that the Bob-A-Lot was designed with dogs in mind but not humans. It's a chore to load in the food. And then the door opens too much giving the dog an easy meal. I might even guess that it takes less time for my dog to empty it than it takes for me to fill it. Overall it's the best option I've found but I'm still searching for the perfect combination of all 3 of the toys.
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DrM
New York, US
★★★★★ 5
Aggressive chewer approved
Size: Large, Number of Items: 1, Size: Large, Number of Items: 1
Got this to help amuse my 90lb GSD while I was out of town for a month. He gets one meal a day in it, and really enjoys the work. It’s easy, not a puzzle, no frustration, just a “job.” He chewed on the yellow top pretty aggressively while I was gone, and it still works fine. This is a dog that destroys even the most durable chew toys in minutes to hours when he’s anxious, and I imagine he experienced some anxiety while I was gone especially during periods when he was alone. So, I’m quite pleased with the durability. This will definitely stay in the meal service rotation and I will replace it if necessary. One thing to note: the fill hole is pretty small. His kibble is small enough that one might think it would easily pour right in, but no. At some point I’ll get annoyed enough to pull out my drill and make that hole larger.
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Reviewed in the United States on March 22, 2026
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Amazon Customer
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