SKU: 74529065504

Red Panda Context 2 Reverb

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Description

Red Panda Context 2 ReverbBrand: Red Panda Color: Random Features: Room, hall, cathedral, plate, gated, reverse, spring, and granular reverb algorithms. Delay and reverb in all modes, with modulation and ducking. Dual reverb engines. Stereo input output (TRS). MIDI via USB or 1 4" TRS. PartNumber: RPL 102V2 Details: The Context is a reverb pedal inspired by 1980s rack mount reverbs. It has 8 algorithms, including room, hall, cathedral, gated reverb, reverse reverb, plate,

Brand: Red Panda

Color: Random

Features:

  • Room, hall, cathedral, plate, gated, reverse, spring, and granular reverb algorithms.
  • Delay and reverb in all modes, with modulation and ducking.
  • Dual reverb engines.
  • Stereo input/output (TRS).
  • MIDI via USB or 1/4" TRS.

PartNumber: RPL-102V2

Details: The Context is a reverb pedal inspired by 1980’s rack mount reverbs. It has 8 algorithms, including room, hall, cathedral, gated reverb, reverse reverb, plate, spring, and a granular reverb. Each algorithm features separate high and low frequency damping controls, pre-delay, modulation, dynamics (duck/expand), and infinite hold. In addition, delay is always available, along with tremolo in spring mode. The modulation knob changes the amount and character of the internal reverb modulation, specific to each algorithm. It gives you a mix of different modulation types from 1980’s and early 90’s reverbs, including chorus modulation, random modulation that keeps the pitch stable, and deep modulated reverbs. Holding down the shift button adjusts the modulation rate. Reverse reverb fades in louder and brighter over time, giving the impression of playing backwards. Modulation adds a wash of normal reverb. The spring reverb was designed using the techniques and algorithms that were used in 1980’s reverbs, but with enough DSP power to drip and feel like a spring tank. You can adjust the length of the decay, high and low frequency damping. The modulation is tremolo with adjustable intensity and speed. Grain mode is a granular reverb inspired by the Ursa Major SST-282 Space Station. The SST-282 was released in 1978 and used multiple delay taps with modulation to create reverb effects. The Context can create ghostly reverb effects, slowly sweeping resonances, and at higher modulation settings is a multi-voice granular processor that creates clouds of detuned sound fragments for entirely new reverb sounds. When the shift button is held down, the top row of knobs adjust delay parameters. The low and high damping knobs adjust dynamics for ducking reverb or an expander for more reverb on louder notes, with adjustable threshold and recovery time. Holding down the foot switches gives you two different types of infinite sustain. One preset available on the left footswitch, 4 using a remote footswitch, and 127 via MIDI. The expression pedal can be assigned to any combination of parameters. We also have a web-based editor for tweaking and managing your presets. Algorithms ROOM - fast buildup, good for thickening sounds HALL - slower buildup with longer initial delay CATH(edral) - emulates a large, reflective space GATE(d) - gated reverb with non-linear decay REV(erse) - reverse reverb PLATE - bright, dense studio plate reverb SPRING - spring reverb GRAIN - granular reverb Controls BLEND - wet/dry blend (to 100% wet) PRE - predelay DECAY - reverb decay HI - high-frequency damping LO - low-frequency damping MOD - modulation amount and character Controls (shift) BAL - reverb/delay balance DELAY - delay time FDBK - delay feedback v-o-^ - dynamics ducking/off/expander and recovery time /\-_-_ - dynamics threshold RATE - modulation rate Designed and assembled in USA. The Context 2 requires a 9 V 250 mA center negative power supply (not included). New in version 2 The Room, Hall, Cathedral, Gated, and Plate reverb algorithms are updated versions of the Context version 1 reverbs, but now delay is available in all modes. They also have separate low and high damping controls with more range, modulation, dynamics, and infinite hold. The update also adds stereo input/output, TRS and USB MIDI, fully assignable expression pedal._Current Stock: SKU: RPL-102V2 Shipping: Calculated at Checkout Size: 3.05" x 4.75" x 2.5" Input impedance: 1 MΩ Output impedance: <1 kΩ Bypass: Analog buffered Power: 9 VDC, center negative Current: 250 mA

UPC: 665760908463

EAN: 0665760908463

Model: RPL-102V2

Item Condition: New

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SKU: 74529065504

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Paul Stevenson
Massapequa, US
★★★★★ 5
A careful, scholarly work
Format: Hardcover
The introduction to this book does a great job of laying out the challenges of translating an ancient translation. It is not, however, aimed at people without a significant background in Hebrew, Greek and translation theory. I give credit to the authors of the introduction, Albert Pietersma and Benjamin G. Wright, for specifying the nature of the translation and its audience. Taken from Nida and Taber, _The Theory and Practice of Translation_ (Leiden: Brill, 1982), p. 31: "a translation in the present-day literary language, so as to communicate to the well-educated constituency." The translators chose this group "on the assumption that it is most probably this audience that has a more than passing interest in traditions of biblical literature other than their own" (p. xiv). I think they are right about this. "Translating an ancient text can only be described as a profoundly difficult undertaking.... "The difficulties of the undertaking are certainly not decreased when one attempts to translate an ancient translation into a modern language. If translating is an act of interpreting, as linguists suggest it is, rather than a simple transfer of meaning, a Greek interpretation of a Hebrew original can be expected to reflect what the translator understood the Hebrew text to mean. The end result is therefore inevitably to some degree a commentary written at a specific historical time and place by an individual person, whose understanding of the Hebrew will often have been at variance with our own, though at times perhaps equally viable." (p. xvi) Indeed, back when I was a linguist- and translator-in-training at the Summer Institute of Linguistics (early 1980s), I was taught the rather simplistic model of translation as a mere transfer of meaning. Experience, though, has taught me that this is virtually impossible. A text of any level of sophistication above that of a stop sign is full of cultural assumptions, lexical polysemy, syntactic ambiguity, and so forth. Any translation is perforce an interpretation. The only way to even begin to compensate for this, if the readers of the translations are not scholars trained in the relevant fields, is to include a massive set of footnotes. The average reader is just not going to take the time to read such a set of notes, even if they are included. The majority of traditional religious readers of a Bible translation are not prepared to deal with the challenges that such footnotes would present to their existing understanding of the text. The New English Translation of the Septuagint is aimed at those who already have at least some of the relevant scholarly background and are not averse to acquiring more.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 8, 2019
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Verified Purchase
Kim
Charlottesville, US
★★★★★ 5
Best Bible Ever!
Format: Leather Bound
This Bible is my new favorite. The leather is so soft. Best purchase , best Bible
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Reviewed in the United States on April 24, 2026
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Verified Purchase
Todd Heminger
Louisville, US
★★★★★ 5
Great size.
Format: Leather Bound
We bought this for our son in college. He loves the size. He brings it to church and studies from it at school. Great Bible. He enjoys taking notes in it.
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Reviewed in the United States on December 1, 2024
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Amanda Jackson
Massapequa, US
★★★★★ 4
Pages are a little thin but nice Bible.
Format: Leather Bound
This Bible is a great option for someone with good eyesight, as the print is on the smaller side. I personally prefer larger print, but the smaller text does make it more compact and convenient to carry. I got this for my daughter in college, and it’s perfect for her since she likes to take notes during sermons. The leather cover is very nice and adds a quality feel. I do wish the pages were a bit thicker, as there is some show-through from writing on the other side—something to keep in mind for a journaling Bible. Overall, it’s a nice, basic option for jotting down notes and reflections.
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Reviewed in the United States on March 31, 2026
K
Verified Purchase
Krissy Kilwein
Belleville, US
★★★★★ 5
Great for my expectations!
This is not the Bible that I read from during my daily quiet time, nor the Bible that I take to worship with me at church - but also not my originial intentions, which was to have a small compact (but complete) Bible to have with me at all times. It is small and lightweight, and easy to carry in my purse; available any time I need to reference it.
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Reviewed in the United States on September 26, 2017

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