SKU: 89877884505

NASTASIA,NINA – RUN TO RUIN (DARK BLUE) - LP •

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NASTASIA,NINA – RUN TO RUIN (DARK BLUE) - LP •UPC: 036172094134 Label: TOUCH & GO RECORDS Format: LP Release Date: May 30, 2025 In stock items ship within 48 hours Nina Nastasia's rare gift of a voice is an intimate, winged presence that is able to either freeze or melt your heart; that can powerfully soar and twist, or brush ultra gently against you, suddenly summoning goose bumps. Released in 2003 by Touch and Go Records (and out of print for almost two decades), Run to Ruin is the third album

UPC: 036172094134
Label: TOUCH & GO RECORDS
Format: LP
Release Date: May 30, 2025
In stock items ship within 48 hours

Nina Nastasia's rare gift of a voice is an intimate, winged presence that is able to either freeze or melt your heart; that can powerfully soar and twist, or brush ultra-gently against you, suddenly summoning goose bumps. Released in 2003 by Touch and Go Records (and out of print for almost two decades), Run to Ruin is the third album by Nina Nastasia. It was recorded by Steve Albini at Black Box studio in Noyant-la-Gravoyère, France and at Looking Glass studio in New York. Combined with the prodigious talents of her backing band and the sparse but lush arrangements of the instruments, the songs on Run to Ruin evoke haunting scenes of heartache, passion and a slightly seedy world. Nina's voice is at once delicate and intense, neither sweet nor harsh, it conveys an array of emotion moving between joy and sadness with just a moment's pause.


TRACK LIST:

 1. We Never Talked
 2. I Say That I Will Go
 3. Regrets
 4. You Her and Me
 5. Superstar
 6. Body, The
 7. On Teasing
 8. While We Talk

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SKU: 89877884505

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T
The Art and Making of
Battle Creek, US
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review. (For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 10, 2018
R
Reverend Skull
Fort Morgan, US
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2009
M
Max
Houston, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
M
M. J. Smith
Bozeman, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Boise, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003

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