SKU: 95721421858

King Engine Bearings Subaru EJ20/EJ22/EJ25 Tri-Metal Perf Main Bearing Set - Size +.002mm

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Description

King Engine Bearings Subaru EJ20/EJ22/EJ25 Tri-Metal Perf Main Bearing Set - Size +.002mmKing Engine Bearings Subaru EJ20 EJ22 EJ25 Tri Metal Perf Main Bearing Set Size +. 002mmThis Part Fits: Year Make Model Submodel 2006 Saab 9 2X 2. 5i 2005 2006 Saab 9 2X Aero 2005 Saab 9 2X Linear 2003 Subaru Baja Base 2003 2006 Subaru Baja Sport 2004 2006 Subaru Baja Turbo 1998 2002 Subaru Forester Base 1998 2002 Subaru Forester L 1998 2002 Subaru Forester S 2008 Subaru Forester Sports 2. 5 X 2008 Subaru Forester Sports 2. 5 XT 2003 2010 Subaru

King Engine Bearings Subaru EJ20/EJ22/EJ25 Tri-Metal Perf Main Bearing Set - Size +.002mm

This Part Fits:

Year Make Model Submodel
2006 Saab 9-2X 2.5i
2005-2006 Saab 9-2X Aero
2005 Saab 9-2X Linear
2003 Subaru Baja Base
2003-2006 Subaru Baja Sport
2004-2006 Subaru Baja Turbo
1998-2002 Subaru Forester Base
1998-2002 Subaru Forester L
1998-2002 Subaru Forester S
2008 Subaru Forester Sports 2.5 X
2008 Subaru Forester Sports 2.5 XT
2003-2010 Subaru Forester X
2006-2008 Subaru Forester X L.L. Bean Edition
2009-2010 Subaru Forester X Limited
2009-2010 Subaru Forester X Premium
2003-2005 Subaru Forester XS
2005 Subaru Forester XS L.L. Bean Edition
2004-2005,2009 Subaru Forester XT
2006-2010 Subaru Forester XT Limited
2005,2010-2013 Subaru Forester XT Premium
2011-2013 Subaru Forester XT Touring
2009-2010 Subaru Impreza 2.5 GT
2006-2011 Subaru Impreza 2.5i
2010-2011 Subaru Impreza 2.5i Premium
1997 Subaru Impreza Brighton
1995-2001 Subaru Impreza L
1995-1996 Subaru Impreza LX
1995-2004 Subaru Impreza Outback
2005-2011 Subaru Impreza Outback Sport
1998-2005 Subaru Impreza RS
2002-2004 Subaru Impreza TS
2002-2014 Subaru Impreza WRX
2006-2007,2010-2014 Subaru Impreza WRX Limited
2009-2014 Subaru Impreza WRX Premium
2004-2014 Subaru Impreza WRX STI
2007,2011-2014 Subaru Impreza WRX STI Limited
2010 Subaru Impreza WRX STI Special Edition
2006-2007 Subaru Impreza WRX TR
2010-2012 Subaru Legacy 2.5GT
2006-2012 Subaru Legacy 2.5i
2007-2012 Subaru Legacy 2.5i Limited
2010-2012 Subaru Legacy 2.5i Premium
2007-2009 Subaru Legacy 2.5i Special Edition
1994 Subaru Legacy Alpine Sport
1990,1995 Subaru Legacy Base
1995-2000 Subaru Legacy Brighton
1994,1996-2006 Subaru Legacy GT
1998,2000-2002,2005,2007-2009 Subaru Legacy GT Limited
2006-2009 Subaru Legacy GT spec.B
2005 Subaru Legacy i
1990-2004 Subaru Legacy L
1999 Subaru Legacy L 30th Anniversary
2004 Subaru Legacy L 35th Anniversary
2003 Subaru Legacy L SE
2005 Subaru Legacy Limited
1999 Subaru Legacy Limited 30th Anniversary
1990-1996 Subaru Legacy LS
1991-1997 Subaru Legacy LSi
1995-1999 Subaru Legacy Outback
1997,1999 Subaru Legacy Outback Limited
1994 Subaru Legacy Outdoor
1995-1998 Subaru Legacy Postal
1991-1994 Subaru Legacy Sport
1994 Subaru Legacy Sun Sport
1999 Subaru Legacy SUS 30th Anniversary
1994 Subaru Legacy Touring
2006-2012 Subaru Outback 2.5i
2007 Subaru Outback 2.5i Basic
2008 Subaru Outback 2.5i L.L. Bean Edition
2006-2012 Subaru Outback 2.5i Limited
2008 Subaru Outback 2.5i Limited L.L. Bean Edition
2010-2012 Subaru Outback 2.5i Premium
2009 Subaru Outback 2.5i Special Edition
2000-2004,2008 Subaru Outback Base
2005 Subaru Outback i
2000-2005 Subaru Outback Limited
2005-2006 Subaru Outback XT
2005-2009 Subaru Outback XT Limited
2015-2019 Subaru WRX STI Base
2015 Subaru WRX STI Launch Edition
2015-2019 Subaru WRX STI Limited
2019 Subaru WRX STI S209
2016 Subaru WRX STI Series.HyperBlue
2018 Subaru WRX STI Type RA
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SKU: 95721421858

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4.5 ★★★★★
Based on 7 reviews
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Product Reviews
J
Verified Purchase
Joel Bradford
Grantham, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
M
Verified Purchase
Mr. Watkins
Louisville, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
Battle Creek, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
W
Verified Purchase
W.P.
Omaha, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
B
Verified Purchase
Basket Case
Grantham, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012

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