SKU: 19257787834

Toro 30 in. High-Lift Mower Blade For Walk-Behind Mowers 2 pk

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Description

Toro 30 in. High-Lift Mower Blade For Walk-Behind Mowers 2 pkThis Toro High Lift Replacement Blade Kit provides 2 blades for your 2014 and newer 30 inch timemaster. Model years 2012 and 2013 mowers that have been converted with the High lift conversion kits can also use this kit. Genuine Toro blades are designed specifically for your Toro mower and will provide the best performance and quality of cut. 15. 4 in. high lift blades for Timemasters 2014 and newer Fits timemaster models 20199 and 20200 Also for use

This Toro High-Lift Replacement Blade Kit provides 2 blades for your 2014 and newer 30 inch timemaster. Model years 2012 and 2013 mowers that have been converted with the High-lift conversion kits can also use this kit. Genuine Toro blades are designed specifically for your Toro mower and will provide the best performance and quality of cut.
  • 15.4 in. high-lift blades for Timemasters 2014 and newer
  • Fits timemaster models 20199 and 20200
  • Also for use with 2012 and 2013 model year timemaster that have been converted with high-lift blade conversion kits - part 127-6879 (2012) or part 127-6818 (2013)


Features
Country Of Origin US
Department Number 7
Feature 10 Text
Feature 1 Text 15.4 in. high-lift blades for Timemasters 2014 and
Feature 2 Text Fits timemaster models 20199 and 20200
Feature 3 Text Also for use with 2012 and 2013 model year timemas
Feature 4 Text
Feature 5 Text
Feature 6 Text
Feature 7 Text
Feature 8 Text
Feature 9 Text
Item Restriction Flag N
Product Source Code B
Product Type Mower Blade
Sub-category Lawn Mower Blades
Shipping Code Y
Vendor Name TORO COMPANY THE
Vendor Number 80361
Web Order Multiple 1
ISPU Only Item Flag N
Category Lawn Mowers
Merchandise Class Description POWER EQUIPMENT REPAIR
Product Group Description MOWER BLADES
Product Type Noun Blade
Search Field Toro 30 in. High-Lift Mower Blade For Walk-Behind
Sales Rank 020
Assembly Code N
Delivery Offered Y
Display Only Item N
Dollar Velocity Code C
Product Type Code 009011001009
Proposition 65 Flag Y
Retail Velocity Code C
Store Availability Rank 09
Unit Velocity Code C
Proposition 65 Warning WARNING: Cancer and Reproductive Harm - www.P65War
What's Included
DIFM Service Code N
Warranty Code N
Old Default Base SKU
Paint Code N
Default Base SKU
Accessory SKUs
Replacement Part SKUs
Brand Name Toro
Local SKU Available Stores ALL
Local SKU Store SKUs 7402712
Blade Length 15-inch
Blade Type high-lift
Fits Deck Size 30-inch
Model Compatibility timemaster-models-20199-and-20200
Number in Package 2-pack
Use with Mower Type walk-behind-mowers

Shipping Notes
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SKU: 19257787834

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4.9 ★★★★★
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Trendy Chic
Draper, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 8, 2024
M
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Matthew
New York, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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T
Draper, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
A
Verified Purchase
AMD
Houston, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Carnegie, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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