SKU: 23699363879

SQÜRL: The Dead Don't Die (Original Score) - VINYL LP

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SQÜRL: The Dead Don't Die (Original Score) - VINYL LPTitle: The Dead Don't Die (Original Score) Artist: SQRL Label: Sacred Bones Product Type: VINYL LP UPC: 843563119112 Genre: Soundtrack Release Date: 2019 10 04 Number of Discs: 1 The Dead Don't Die is writer director Jim Jarmusch's unique, semi comic take on the zombie apocalypse genre. As with his recent efforts Only Lovers Left Alive and Paterson, the lm's score was composed and performed by SQRL, the band Jarmusch and producer Carter Logan founded

Title: The Dead Don't Die (Original Score)
Artist: SQÜRL
Label: Sacred Bones
Product Type: VINYL LP
UPC: 843563119112
Genre: Soundtrack
Release Date: 2019-10-04
Number of Discs: 1

The Dead Don't Die is writer/director Jim Jarmusch's unique, semi-comic take on the zombie apocalypse genre. As with his recent efforts Only Lovers Left Alive and Paterson, the lm's score was composed and performed by SQÜRL, the band Jarmusch and producer Carter Logan founded in 2009. Sacred Bones Records, the same label that released the band's EP #260 in 2017, is releasing the LP edition of the score. The score to the The Dead Don't Die is a true expression of where SQÜRL stand at the center of a decade of sonic exploration. It is the culmination of their pas- sion for analog synths, with guitar violence reverberating from the darker corners of Americana. It is at once a tribute to the classic sounds of horror and sci-fi, as well as a decapitation of traditional film scores. It is naturally supernatural. From their arsenal of tools, Jarmusch and Logan pulled electric guitars and basses made by Rick Kelly and Cindy Hulej at Carmine Street Guitars, an acoustic resonator, Moog Minitaur and Theremini synthesizers, Fender Rhodes electric piano, an old Ludwig drum kit, cheap vintage Casio and Yamaha keyboards and new synths from Critter and Guitari - all sculpted through a collection of effects pedals, notably from Earthquaker Devices. The inspiration for SQÜRL's score for The Dead Don't Die came from some of the most iconic soundtracks of the past half-century of genre cinema - Tangerine Dream's Sorcerer, Bebe and Louis Barron's Forbidden Planet, Ennio Morricone's The Thing and Once Upon a Time in the West, Goblin's Dawn of the Dead, and all things John Carpenter. The singular Theremin work of Samuel J. Homan on films like Spellbound and The Day the Earth Stood Still also made it's way into Jarmusch and Logan's consciousness. The result is a new horror soundtrack that stands shoulder to shoulder with the great works of it's genre.

Tracks:
1.1 Dialogue 1 (Adam Driver, Bill Murray, Chloë Sevigny)
1.2 The Dead Just Don't Wanna Die Today
1.3 Dialogue 2 (Larry Fessenden)
1.4 Replacement Sky
1.5 Dialogue 3 (Chloë Sevigny, Adam Driver)
1.6 This Is All Gonna End Badly
1.7 Dialogue 4 (Selena Gomez, Rosie Perez, Austin Butler, Luka Sabbat)
1.8 Malignant Wave of Doom
1.9 Dialogue 5 (Caleb Landry Jones)
1.10 Toxic Moon
1.11 Dialogue 6 (Tilda Swinton, Bill Murray)
1.12 Pulsating Elevator of Light
1.13 Dialogue 7 (Chloë Sevigny, Bill Murray, Adam Driver)
1.14 The Dead Don't Die
1.15 Dialogue 8 (Tom Waits)
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SKU: 23699363879

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New York, US
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I read this book in two days. I was eager to read it once I read the description in a Facebook post. I am a theologically conservative Christian frustrated with the tradition culture that has co-opted the faith. I see this in my social and social media circles quite a bit, and I was intrigued by a novel that took this movement to task. Furthermore, I truly enjoy well done satire and farce. I have had a hard time finding these works written well in the past, so I was bracing myself to be disappointed. I am thankful to say, I wasn’t. I didn’t expect the novel to go the way it did (and no, I won’t post spoilers), but I literally laughed out loud a several points. Let me compliment the author for one particular point: She doesn’t just blast the “tradwife” movement. Plenty of cultural movements and groups of people have their sins exploited. Rather than shooting a 12-gauge at religious conservatives, she takes a Tommy gun and hits a wide range of systems. I do want to warn squeamish readers about another issue: The novel can be quite graphic at times, explicitly detailing the intimacy struggles with the main couple. It borders on the pornographic side, but not for titillation. It’s meant to show the dysfunction in the supposedly happy couple. There were quite a few humorous moments, such as the protagonist enjoying the sounds of the chickens, only to grow wistful about their impending deaths so she can taste chicken broth. Or the protagonist’s evangelical mother reacting to her son-in-law’s purchase of a yoga mat.  I was a little disappointed in the resolution of the central issue, i.e., the time travel. But overall, the novel was an enjoyable read and worth your time.
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