SKU: 24127989606

close lamb white walls twenty four hours

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close lamb white walls twenty four hoursCLOSE LAMB WHITE WALLS (CVLD303) Twenty Four Hours (2 CD FILE) CD FILE n. 1 1) 77 (Words Paolo Lippe Antonio Paparelli, Music Antonio Paparelli Paolo Lippe Marco Lippe Paolo Sorcinelli): 7: 34 2) Broken Song (Words and Music Paolo Lippe): 6: 18 3) Embryo (Words and Music Roger Waters): 5: 44 4) What Use (Words and Music Steven Brown Blaine L. Reininger Peter Principle): 3: 50 5) All The World Needs is Love (Words and music Paolo Lippe Elena Lippe): 6:

CLOSE-LAMB-WHITE-WALLS (CVLD303)

Twenty Four Hours

(2 CD/FILE)

CD/FILE n. 1
1) 77 (Words Paolo Lippe-Antonio Paparelli, Music Antonio Paparelli-Paolo Lippe-Marco Lippe- Paolo Sorcinelli): 7:34
2) Broken Song (Words and Music Paolo Lippe): 6:18
3) Embryo (Words and Music Roger Waters): 5:44
4) What Use (Words and Music Steven Brown-Blaine L. Reininger-Peter Principle): 3:50
5) All The World Needs is Love (Words and music Paolo Lippe-Elena Lippe): 6:41
6) Intertwined (Words Elena Lippe, Music Paolo Lippe-blaine L. Reininger): 7:05
7) Urban Sinkhole (Words Elena Lippe, Music Paolo Lippe- Antonio Paparelli-Marco Lippe): 10:01

CD/FILE n. 2
1) Adrian (Words Paolo Lippe-Antonio Paparelli, Music Antonio Paparelli-Paolo Lippe-Marco Lippe-Paolo Sorcinelli): 6:18
2) Supper’s Rotten (Words Paolo Lippe, Music Antonio Paparelli-Paolo Lippe-Marco Lippe): 15:25
3) The Tale of The Holy Frog (Words Elena Lippe, Music Paolo Lippe-Antonio Paparelli-Marco Lippe-Paolo Sorcinelli): 4:34
4) She’s Our Sister (Words Elena Lippe, Music Paolo Lippe-E.Lippe- Antonio Paparelli-Marco Lippe): 6:49


Digital and Analog recording and mix made at Areamagister Studios by Andrea Valfrè on December 2017 - April 2018 - Analog and Digital Mastering made at Velut Luna Studios by Marco Lincetto on May 2018

One of the relevant aspects of this sixth official album by Twenty Four Hours is the collaboration, for the band's sixth album, of Tuxedomoon founding members Blaine L. Reininger and Steven Brown. Blaine plays violin and sings, while Steven plays saxophone respectively on the tracks "Intertwined" and "All The World Needs is Love". Furthermore, two covers of the mythical Tuxedomoon track "What Use" are included, in both electronic and acoustic versions. 

The new double album is deliberately inspired, in form and substance, by the four most important white albums in rock history: Closer by Joy Division, The Lamb Lies Down On Broadway by Genesis, The White Album by The Beatles and The Wall by Pink Floyd. Unlike the previous Left-To-Live, it is not a concept album, but a collection of tracks that embrace many phases of the band's creative life, including ambient veins ("Intertwined"), a long suite inspired by Supper's Ready by Genesis ("Supper's Rotten"), where the profound change in values compared to those of the past is exacerbated, rock tracks ("The Tale of The Holy Frog") and punk (77). In the latter, which opens the album, aggressive PUNK atmospheres meet echoes of King Crimson, with a spectacular no-holds-barred final battle between Hammond organ and Hendrixian guitar. 
The production was handled by Paolo Lippe and Andrea Valfrè, while the mixing and mastering in a totally analog domain were entrusted to the now consolidated duo Valfrè/Lincetto, who worked in synergy to offer extraordinary sound quality. 
Full biography: 
https://it.wikipedia.org/wiki/Twenty_Four_Hours

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SKU: 24127989606

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4.6 ★★★★★
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J
Verified Purchase
John Hall
Draper, US
★★★★★ 5
The Robin Origin Tale We Needed
Format: Paperback
Hot off The Long Halloween Jeph Loeb and Tim Sale return for another murder mystery. This is a direct sequel and follows the aftermath of The Long Halloween. The art is stellar and the story is deep and dark. The trinity of Batman, Dent and Gordon is gone and the isolation is real. At the heart of it, life goes on. Sofia Falcone is back and ready to get revenge. Meanwhile, Dick Grayson's about to go through the darkest chapter of his life. There's a surprise villain who makes a chilling introduction and much more. If you wanted more after Batman: Year One and The Long Halloween, this is the book for you.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 22, 2025
Y
Verified Purchase
YanFamdom
Whiting, US
★★★★★ 5
If Batman #666 is canon, then this collection is important.
I just read this Batman collection again and found a much greater appreciation for these stories than I did the first time around (not that they were all that bad to begin with). Of course, Grant Morrison's run on Batman has gone on another two years since Batman & Son, so reading this now allows you to put some added perspective on what's going on here. First of all, you have the introduction of Batman's son, Damien (this is not a spoiler, isn't it pretty obvious from the title?), who has since already gone on to a larger role in the DC Universe. I think some important take-aways from these initial issues of Grant Morrison's run are Damien's origins and his character/attitude. I believe that Damien's character is going to have a big impact on what happens with Batman (and Dick Grayson) in the near future. You also get a pretty unique Joker story, primarily told in text form. I really think Morrison shines in this kind of story-telling medium. Additionally, if you pay attention, there are definitely some clues in Batman & Son that foreshadow the next events in Morrison's saga. Lastly, there is issue #666. I don't want to give anything away about the story, but I have heard that Grant Morrison considers this to be part of the Batman canon (meaning that it is authentic to the whole Batman universe). If so, then in addition to the story, there are some particular frames that I think are going to be meaningful down the road For example, the one with Damien mourning over a Batman body and also the one from Damien's memory, showing three Bat-folk fighting crime together in the future. Overall, I have become very pleased with Grant Morrison's work on this title. Of the comics that I currently follow, he is surpassing them all in excellence, even beyond what Ed Brubaker is doing with Captain America. Once you read this collection, you will certainly want to go on to the next one.. Batman: The Black Glove.
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Reviewed in the United States on January 27, 2010
T
Verified Purchase
T. Gilligan
New York, US
★★★★★ 5
A comic pro weighs in
Everything was crisp about this story arc, and it certainly was a twist over others in the series... Batman had a son ! Who knew ?! The art was great (even though I don't go in for the computerized age LOL), and they characterizations were bold. I do think that 1 more story or additional pages were needed to set up this story a slight bit better, as I hate flashbacks that add history that are 'made up' on the spot. DC should've have authorized a new story, exclusive to this volume, with background detail with forethought to the plot. Overall A+ (but for Batman, anything less than A++ is suspicious).
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Reviewed in the United States on September 8, 2009
N
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N. Kunka
Belleville, US
★★★★★ 4
Seriously? His name is Damien?
Morrison redeems himself in his Batman writing. I was a huge fan of All Star Superman, and thought his take on the Man of Steel was pure genius and very heart-warming, but his other work has been a bit of a disappointment to me. Final Crisis was pure drivel, and maybe there was a lot lost in the editing and compiling of such a massive cross-title story, but the dialogue left much to be desired as well. Batman and Son certainly has an intriguing premise. Set before the "death" of Bruce Wayne and his nearly two year disappearance after Final Crisis, Batman and Son initiates a series of changes in the Bat-world that no doubt frustrated and angered die-hard fans. Bruce, has a son, Damian, who has been raised by his mother, the daughter of Ras Al'Ghul, who is plopped right back into his life at a time when Bruce is suffering a bit of an identity crisis, and boy does this complicate things. Damian is a 10 year old terror that matches his genetic and symbolic legacy. What's brilliant: Morrison absolutely delivers in several key panels, especially toward the beginning of the book and some of the best dialogue is between Bruce and Alfred, especially over Alfred's concern that Bruce has forgotten to be anything, but Batman. In his words, "The growl and edge to your voice that you used to rehearse to put fear into criminals while wearing your costume never leaves when you take off the mask. It's like you've forgotten how to be anything but Batman." Part of what makes Bruce such an interesting character even after all of these years is that you're not really sure who he really is deep down inside. Is he really Batman pretending to be Bruce Wayne, or is he Bruce Wayne pretending to be Batman. You don't get that conflict with any other character in comics. Morrison also delivers on comedic relief with some hilarious scenes of Bruce, half-dressed as Batman learning to be a father and yelling at Damian (one imagines in the Batman growl) to go to his room. Anywho, much, much better writing from Morrison, which I know he's capable of.
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Reviewed in the United States on July 24, 2011
B
Verified Purchase
B. S. Barker
New York, US
★★★★★ 5
Where it all starts
If you buy this you are about to start reading the greatest Batman run since... let's just say this is the greatest run on Batman. I may be over hyping this, the story arcs collected here are good on their own, but until you read the next volume and return to this one, your not getting the whole story. So it's hard to say how great this story is, and how great it gets. I would only get this if you plan on buying the other 7 Morriosn Batman books that follow this. Black Glove, RIP, Batman Reborn, Batman vs Robin, Time and the Batman, Return of Bruce Wayne, and Batman Must Die!. In that order. You'll have fun reading this run.
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Reviewed in the United States on September 21, 2010

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