SKU: 2532276136

Majestic UFO X Ultra High Gain 30dB Digital TV Antenna - 12V [UFO X]

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Description

Majestic UFO X Ultra High Gain 30dB Digital TV Antenna - 12V [UFO X]TV Antenna UFO X 12V Extremely High Gain Omni Directional TV Antenna The UFO X is the latest in digital technology and high performance for TV Reception in any mobile environment. It has the highest gain of any TV antenna for its tiny 24cm Diameter. It might be small but its packed with powerful technology. Designed for Analog and Digital Signals World Wide The Majestic UFO X is the predecessor to the famous UFO which is over 10 years old in

TV Antenna UFO X

12V - Extremely High Gain Omni Directional TV Antenna

The UFO X is the latest in digital technology and high performance for TV Reception in any mobile environment. It has the highest gain of any TV antenna for its tiny 24cm Diameter. It might be small but its packed with powerful technology.

Designed for Analog and Digital Signals World Wide
The Majestic UFO X is the predecessor to the famous UFO which is over 10 years old in technology. The Majestic UFO X has had serious engineering upgrades which has allowed us to develop the latest in high performance. It has the highest gain of any TV antenna for its tiny 24cm Diameter. It might be small but its packed with powerful technology.

The UFO X has a 30dB High Gain Amplifier built into the Antenna which is a 58% increase in signal performance on the UFO. (For every 3dB Gain the signal level doubles). This gives you a huge advantage over other TV antennas because now you have a very strong signal in the antenna that has not had any interference being induced when it received the signal, and with a very strong signal being sent down the cable the electrical interference is insignificant compared to the strong signal. Once the signal is sent down to the junction we do not need to do much filtering or cleaning to give you excellent reception.

The UFO X is also designed to be ground independent (does not need a ground plane or be grounded) to amplify the TV signal. Therefore is makes this antenna perfect for boats or any non-metal roof.

We have also improved using state-of-the-art components the signal processing of the Antenna to give you both Vertical and Horizontal performance, which is needed when travelling around Australia.

When the TV antenna is powered up through the junction box which has it's own power indicated LED and the Antenna has a Bright Blue light which shines through the case giving you easy identification that the UFO is powered up.

For those wishing to upgrade, the Junctions boxes are fully interchangeable between the Majestic UFO and the Majestic UFO X.

So if you are looking for a high performing TV antenna then the UFO X will give you the eXtreme performance you are looking for.

Weight: 300 grams
Voltage Range: 10.9V to 24V DC
Reception: 360°
Polarization: Horizontal & Vertical
Gain: 30dB
Formats: Digital - UHF/VHF and FM
Current Draw @ 12Volts: 0.1 Amp
Color: White
Accessories Supplied: Junction Box, Power Lead, Connectors, Manual, 10M CableThis product may not be returned to the original point of purchase. Please contact the manufacturer directly with any issues or concerns.

Specifications:

  • Antenna Band: TV
  • Color: White
  • Box Dimensions: 6"H x 9"W x 9"L WT: 4 lbs
  • UPC: 854273002595

Quick Guide (pdf)
Owner's Manual (pdf)
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SKU: 2532276136

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4.3 ★★★★★
Based on 23 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Waukegan, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Cuba, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Lake Worth, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
San Leandro, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
San Leandro, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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