SKU: 27384676012

SPL Director MK2 Preamplifier DAC

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Description

SPL Director MK2 Preamplifier DACSPL products are currently ordered on demand with an approx 2 week lead time. Director Mk2 THE DIRECTOR SETS THE TONE. The central unit of the HiFi system is the preamplifier. With remote source selection and volume control, tape monitor path, retro look VU meters, premium DA converter and the all superior VOLTAiR technology, the Director Mk2 caters for musical blockbusters. Milled from solid The massive 45mm volume control knob milled from aluminum

SPL products are currently ordered on demand with an approx 2 week lead time.

Director Mk2

THE DIRECTOR SETS THE TONE.

The central unit of the HiFi system is the preamplifier. With remote source selection and volume control, tape monitor path, retro-look-VU-meters, premium DA-converter and the all superior VOLTAiR technology, the Director Mk2 caters for musical blockbusters.

Milled from solid

The massive 45mm volume control knob milled from aluminum is a haptic highlight. Its mass together with the motorized Alps RK27 “Big Blue” potentiometer enhances the “spoon in the honey” feeling even further.

The red marker LED ensures good visibility of the volume parameter even in darkened environments.

Remote control

The volume control can be remotely controlled with any infrared remote control.

The Director Mk2 learns to communicate with it with the simple push of a button.

 

 

Learning made easy

This video explains how you can use any infrared remote control to remotely control the volume and the source selection.

Reviews

“With its 120 Voltair technology, SPL offers a perfect nest for one of the best DA converter chips currently available. This results in excellent dynamic characteristics, but especially in a highly precise, finely staggered sound stage.”

Nick Mavridis
Fair Audio

“Director Mk2 controls, takes nothing away, adds nothing, doesn't gloss over anything. An honest contemporary in the role of asset manager, blindly trusted.”

Falk Visarius
HiFi-IFAs

“Frankly, the sound of the SPL even startled me. Because it replaced the ... preamplifier and my... Directstream DAC... and I liked it better at first sight than this almost ten-thousand-euro duo. The Director Mk2 impressed from the first bar.”

Wolfgang Kemper
HiFi Statement

“The SPL Director Mk2 in its double function as DAC and preamplifier is an excellent director in the sound chain and proves to be a high-end conductor for the HiRes orchestra.”

Volker Frech
Lite Magazin

“The Director offers a very smooth sound image throughout with lightness and variety in textures. It is far from dry and hyper-defined electronic aspects.”

Bruno Castelluzzo
Haute Fidelity

Source of joy

Up to ten (10!) stereo sources can be connected to the Director Mk2. Six of them are for analog and four for digital input signals.
The source selection is shown in the dot matrix LED display: IN 1 through IN 6 for the analog inputs.

 AES, USB, COAX, OPTIC for the digital inputs, where the detected sample rate is displayed after about two seconds. For example U768 = USB input with 768 kHz sampling rate.

The source selection can also be operated remotely if the rotary switch is set to the “Remote” position.

The Director Mk2 offers two pairs of balanced inputs with XLR connectors and four standard inputs with gold-plated RCA connectors.

On the digital side there are four additional inputs. PCM audio is received in S/P-DIF format via coaxial Cinch, optical Toslink and balanced XLR (AES). Both PCM audio and DSD audio can be converted via USB.

Well informed

The DAC automatically picks up the sampling rate and resolution of the digital playback source. No matter if a streamer, computer or CD player is connected. No further settings on the Director Mk2 are necessary.

The detected sampling rate is shown in the dot matrix LED display. For example, U768 is an acronym for the source “USB” with a sampling rate of 768 kHz.

 

 

The DAC768

The highly acclaimed AKM AK4490 Velvet Sound™ premium DAC chip is used as the converter chip in the digital-to-analogue converter, which thanks to its architecture reproduces the finest sound details.

It converts PCM audio with a resolution of 32 bits and a sampling rate of up to 768 kHz, which is equivalent to 16 times CD resolution. Direct Stream Digital is also supported up to a resolution of DSD4 or DSD256. In contrast to the DAC 768xs, the DAC768 not only offers an AES/EBU digital input, but also the SPL DLP120 with VOLTAiR technology.

The DLP120 (Dual Low-Pass)

The analog output of the DAC chip must be filtered by a low pass filter. Phonitor xe has two of them: One for PCM audio and one for DSD audio, since different roll-off frequencies are required.

In contrast to all other DACs in the world, the low pass filters here are built using VOLTAiR technology, which provides a plus in dynamics and headroom and sound.

Good ol' times

Two mechanical VU meters visualize the input levels for the left and right audio channel.

With the VU switch you can optimize the display for different signal levels.

Tape Monitor

A tape monitor circuitry is quite retro.
Who still owns a cassette recorder or a tape machine?
Who else loops in an equalizer?

To put it another way:
Who would like to do it and cannot do it because no manufacturer offers a tape monitor circuit anymore?

Well, those who want can again.

Today’s audio levels are much higher than in the past and many recorders will be overloaded by them.
In that case simply press the switch and the level to the recorder is lowered by 10 dB.

To compensate, the level from the recorder is increased by 10 dB. Et voilà.

All variable – or Slave Thru?

The Director Mk2 provides two stereo output pairs for connecting power amplifiers or active loudspeakers.

One pair of outputs with XLR, the other with RCA outputs. Both have the same output signal, which is controlled by the big volume control. Thus, a pair of speakers can be fed via one stereo output and a subwoofer via the second stereo output. The playback volume for both stereo outputs is adjusted together via the volume control on the Director Mk2.

With a DIP switch on the back of the device, the volume control for the RCA and XLR outputs can separately be switched out of the signal path – this makes the respective output a “Slave Thru” output to e.g. connect a headphone amplifier with its own volume control. The volume control of the Director Mk2 no longer affects the playback volume of the connected headphone amplifier when a stereo output’s Slave Thru mode is active.

Home Theater Bypass

Since the hardware revision 2.2, the Director Mk2 features a Home Theater Bypass function. This allows the Director Mk2 to be used in combination with a multi-channel home theater system. The L and R channels of the home theater system can be simply connected to Input 6 of Director Mk2. When the Home Theater Bypass is active (DIP 4), Input 6 is no longer affected by the volume control of the Director Mk2.

Everything under control – AMP CTL

The standby mode of devices with 12V trigger input, can be switched on and off via AMP CTL, together with the Director Mk2. This allows, for example, the SPL Performer s800, Performer m1000 or Performer s1200 power amplifiers to be ideally integrated into the set-up.

Sounds good

With all devices of the Professional Fidelity series we develop not only according to plan, but also by ear. Many important components are installed on the circuit boards using Through-hole technology. This way we can ensure that we can use the best sounding components.

The VOLTAiR Technology

The 120V technology is our reference technology. The 120V technology is unique in the world. It operates at a DC voltage of 120 volts. This is four times that of IC-based semiconductor op-amps. In our Professional Fidelity series, we refer to this unsurpassed technology as VOLTAiR technology.

THE HIGHEST POSSIBLE AUDIO QUALITY REQUIRES THE HIGHEST POSSIBLE AUDIO OPERATING VOLTAGE.

The 120V technology works with +/-60 V. To be able to handle such a high voltage, we have developed special proprietary operational amplifiers that can operate with a DC voltage of +/-60 V: the SPL 120V SUPRA operational amplifiers. This high voltage would destroy conventional components and operational amplifiers.

The 120V technology achieves exceptional technical specifications and sonic benefits. Technically, in terms of dynamic range, signal-to-noise ratio and headroom. Sonically, in terms of richness of detail and an absolutely relaxed listening experience.

By the way, the “120V” in the name of the technology has nothing to do with the local mains voltage from the mains power socket. This is about the operating voltage inside the device with which the audio signals are processed.

The mains voltage from the mains power socket is transformed to the required secondary voltage in the device’s internal linear power supply with toroidal transformer. Rectifiers convert this AC voltage into DC voltage required in the audio device.

Specifications

Analog Inputs & Outputs: XLR (balanced), RCA

  • Maximum input & output gain: 32.5 dBu
  • Input impedance (RCA): 47 kΩ
  • Input impedance (XLR): 20 kΩ
  • Output impedance: 75 Ω
  • Common mode rejection (XLR): -82 dBu
  • Frequency range (-3 dB): 4 Hz – 300
  • Crosstalk (1 kHz): -108 dBu
  • THD (0 dBu, 1 kHz): 0.000992 %
  • Noise (A-weighted): -102.5 dBu
  • Dynamic range: 135 dB

Digital Inputs, DAC768

  • AES/EBU (XLR), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz
  • Coaxial SPDIF (RCA), PCM sample rates: 44.1/48/88.2/96/176.4/192 kHz
  • Optical SPDIF (Toslink F06), PCM sample rates: 44.1/48/88.2/96/with Glass fibre <1m: 176.4/192 kHz
  • USB (B), PCM sample rates: 44.1/48/88.2/96/176.4/192/352.8/384/705.6/768 kHz
  • USB (B), DSD over PCM (DoP), sample rates: 2.8 (DSD64), 5.6 (DSD128), 11.2 (DSD256) MHz
  • 0 dBFS calibrated to: 15 dBu

Internal Linear Power Supply with Shielded Toroidal Transformer

  • Operating voltage for analog audio: +/- 60V
  • Operating voltage for relays and LEDs: + 12V
  • Operating voltage for DAC768: +7V, + 3.3V

Mains Power Supply

  • Mains voltage (selectable, see fuse chamber): 230 V AC / 50; 115 V AC / 60 Hz
  • Fuse for 230 V: T 500 mA
  • Fuse for 115 V: T 1 A
  • Power consumption: max. 40VA _
  • Stand-by power consumption: < 0,3 W

Dimensions & Weight

  • W x H x D (width x height incl. feet x depth)
    • 278 x 100 x 300 mm
    • 11 x 4 x 11.81 inch
  • Unit weight
    • 4.55 kg
    • 10 lbs
  • Shipping weight (incl. packaging)
    • 5.9 kg
    • 13.01 lbs
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 27384676012

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4.6 ★★★★★
Based on 19 reviews
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Product Reviews
B
Verified Purchase
Blake Ray
Whiting, US
★★★★★ 5
Outstanding edition of important and thrilling novel
Format: Kindle
This review is for the novel "The Master and Margarita" in the Kindle edition translated by Diana Burgin and Katherine Tiernan O'Connor. I just finished reading this novel for the third time. Ages ago I read it for a college 20th Century Russian Literature class in the Mirra Ginsburg translation, and loved it so much that as soon as I finished it I started over at the beginning without even getting up from my chair to read it a second time. Somehow this edition got lost; probably I loaned it to a friend and never got it back. In subsequent years I tried to read it again, in the P&V translation and in another that is no longer available, but I just couldn't make any headway, and abandoned these after two chapters. I have not sat down to compare line by line this translation with a Russian version, which I also have, but the translation in the version under discussion seems to me to be stellar. It read smoothly and vividly, and captured the movement and extravagant energy of the original. This is a tough novel to translate since the writing style changes drastically in some chapters. Tone and topic are intimately intertwined, and the stylistic virtuosity of Bulgakov is one of the book's primary charms. (Read it and you will find out why.) This edition also has extensive notes at the end, general guidance for making sense of references and allusions, and these are very helpful and beautifully written by Ellendea Proffer. These notes are followed by an outstanding essay on the novel, as well as a brief biographical sketch of the author, and these are likewise very helpful, thoughtful, well-written and not overly long. (These are also by Ellendea Proffer. She really hits a home run with her essay, in my humble opinion.) I am hooked now, and am sure I will be returning to this novel many times. Although I enjoyed immensely my first two readings of this novel, I feel now that three readings is not enough to grasp it. I will have to go back to it, but it's worth it! This is a novel for those who can keep an open mind and who are not bothered by satire or surrealist elements, and who can accept puzzling ambiguities and deep philosophical and moral questions for which there are no easy answers. I am so glad I decided to take a chance on this wonderful translation.
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Reviewed in the United States on April 5, 2023
D
Verified Purchase
D. Mikels
Lake Worth, US
★★★★★ 3
"The devil knows why. . ."
I have mentioned before in a distant review of the past that each book has a "moment of truth," that shimmering macrosecond where the reader either becomes hooked (and therefore can't wait to finish the work), or disappointed (whereby the book is either put aside, or finished grudgingly). For me, alas, Bulgakov's THE MASTER AND MARGARITA evoked the latter, although I finished the book and readily appreciated the author's rather fantastic and satirical story of Satan and his pesky retinue wreaking havoc in 1930s Moscow. That Mikhail Bulgakov is an exceptional writer is a given; if only I was fluid in Russian where I could read his words as written I would no doubt be even more impressed with his prose and style. This Vintage Press edition (translated by Diana Burgin and Katherine Tiernan O'Connor) certainly pays homage to this classic with a meticulous eye for detail, followed by notes on each chapter that I found to be invaluable. So then, what's the problem? Well, I enjoy humor and satire as much as the next guy (I suppose), but a story depicting Satan as some sort of instrument of salvation--an instrument in alliance with Yeshua--for the book's two protagonists was just. . .too much. The Master, a writer who cannot endure the pain of rejection, is one-dimensional and sullen, while Margarita, his love, becomes a willing pawn of the devil. And the story blithely suggests that death through its mortal release is preferable to life (which is understandable, given Bulgakov's failing health as he finished the book). The fantastic notion of the story--of illusion, madness, a huge talking cat, flying through the air, and a Satanic ball--is a clever device, but eventually it wears thin. As a playwright, Bulgakov uses an abundance of theater officers, bureaucrats, and authors as unhappy victims of Satan's antics (no doubt the author was settling countless scores); unfortunately, the names of these characters are in Russian, and many of the names vary by a vowel or a letter, making it very difficult for the reader to keep track of "who's who." And the parallel story of Pontius Pilate and the crucifixion--told from a political, not spiritual, perspective--was interesting, yet bizarre. In fact, "bizarre" is a good word to describe THE MASTER AND MARGARITA in its entirety; it's an interesting, fantastic, metaphysical tale, yet requires too much suspension of disbelief. --D. Mikels
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Reviewed in the United States on May 24, 2004
D
Verified Purchase
Dr. Mike
Cuba, US
★★★★★ 5
If you read rarely, or all the time, don't miss this! (It's easy to do)
This is simply one of the best works of literature, allegory, and even poetry, ever put together. It took decades for Mikhail Bulgakov to write this actually, and over the past century, his Faustian flavored tale about the nature of people and the power religion vs. the state vs. the devil knows.... has become a cult classic in Russia. Note that this is pure Bulgakov (as author) and this listing names one of the 2 wonderful translators who collaborated on getting the flavor of the language just right. They make it clear that this was a total collaboration of expert translators. At the end they offer additional notes about some of the details and finer points of history or the Russian language. There are also some additional passages included for the first time, which the earlier translation omitted. I read this when it was first translated (80s?) and a college friend who had escaped from Communism insisted I read this. It was great then, as literature, human drama, and superb writing. Bulgakov amassed a huge following once his work was actually published, after his death. Some of his work is only now being published and read. I recently found myself in front of Flat #50, near Patriarchs Ponds (Moscow), the setting where the first part of this addictive novel begins. Berlioz (in the guise of literary czar, not the famous composer) is arguing with a poet about the existence of G-d when interrupted by, who the devil knows, but soon it is clear that literary and bureaucratic Moscow have become friends to the devil. Mr. Woland and his interesting entourage are about to put on a show at the theater, promising to be magical. Great book. Like other great Russian *stories*, this captures human nature, anguish, curiosity and the variations in the rules of right/wrong, possible/impossible. It's quite a ride through the supernatural as well as theological and even medical., If you immerse yourself in it, you'll see many foreshadows of Harry Potter magic. Serious must read, for the adventure, mystery, the Faustian morality play, which takes pokes at both religion and "civil" humankind. A#1 recommend - and it may help to understand Russian (and human) psychology, and how we use words to invent smoke, mirrors, and fables which mirror life and death and love.
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Reviewed in the United States on July 16, 2014
C
Verified Purchase
C. Collins
San Leandro, US
★★★★★ 5
A masterpiece at several levels
This amazing book can be interpreted at several levels or just read for the sheer enjoyment of the bazaar antics of all the characters. I found it to be full of profound concepts wrapped in a chaotic and fantastic romp of a good story. First, I thought the story was a tale of revenge. Bulgakov was highly discriminated against and his work suppressed throughout his career and life. A genius' work is smothered by Soviet brainless censors while a literaray elite develops composed of talentless writers and editors who only push the Communist Party line. Bulgakov has these nit-wits become the play-toys of the Devil in a story of hilarious dark comedy. Bulgakov never got revenge against the system that impoverished him until after his death when readers laugh at the incredible uncomfortable situations the Devil creates for the Moscow talentless literary elite. Second, the tale is a satiric critique of the Soviet system under Stalin. Many Soviet methods of social control, such as apartment assignments by the state, set the stage for wild adventures for Soviet citizens caught in this overly centralized society. The chapter on the Soviet authorities trying to take over the apartment of the be-headed editor from the Devil and his assistants is some of the most clever satire ever written. The magic shows performed by the Devil in a state-owned theater was a perfect commentary on the weaknesses of the Soviet system. Third, the novel is a superb essay on the killing of God as a political act. The Devil is delighted to come to the Soviet Union where belief in God is under attack and atheists rise to positions of power and status. The Soviets tried to kill God to better control their citizens. The genius of this book is that Bulgakov tells us the tale of Pontius Pilot and the High Priest of Jerusalem playing a careful came of strategy with the life of Jesus Christ. Both men had reasons to kill Jesus so that they could both maintain political power. But these two men are wise and they wish for the other party to take the blame for the crucifiction. Since Jewish law did not allow for the death penalty, the High Priest must manipulate Pilot to give the orders. However Pilot uses spys and murderers to cast blame back on the Jewish leadership by murdering Judas and throwing thirty silver pieces into the home of the High Priest. God must always be killed/maimed/distorted for a totalitarian government to maintain control. Suppression of God doesn't simultaneously suppress the Devil. Fourth, the events related in the story are extremely fun to read. The encounter with the Devil in the public park, the scenes in the dead editor's apartment, the magic show, the insane assylum, the Devil's ball, the flashbacks to Jerusalem, all will stick in your mind for days after you finish the book. This novel was finally released after Bulgakov had been dead for 30 years. The Devil in the story predicts this future when he says: "Manuscripts don't burn."
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 5, 2005
K
Verified Purchase
KB2187
Los Angeles, US
★★★★★ 5
I Really Enjoyed This
Format: Paperback
I really enjoyed this book. The story is coordinated with Star Wars Vol. 8 Mutiny on Mon Cala and Star Wars Vol. 9 Hope Dies. It is not necessary, but to get a more rich, fuller story, you'll want to read this book first then switch over to those two Star Wars main series volumes. I'm giving this review 5 Stars, but I have to say that I wavered on docking it by one star. I'm not crazy about the art. And, although the story is excellent (and as much as I love a good Vader story), I didn't enjoy it as much as I did those two Star Wars volumes I mentioned above; Volumes 8 & 9, Mutiny at Mon Cala and Hope Dies. Those books are top notch excellent. This book, I'd say, is a notch down, at very, very good. Read it and see what you think. As a whole, I like how Marvel is filling out the years between the original trilogy movies with these stories. This story about the Battle of Mon Cala, over two different series, is fantastic.
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Reviewed in the United States on April 27, 2019

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