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Description
DP51032NDX - Zestaw klocków hamulcowych seria BLUESTUFF NDX EBC Brakes BMW | 7 Series (E38)(725) | 7 Series (E38)(728) | 7 SerieKlocki hamulcowe samochodowe BLUESTUFF, s wykonane z niezwykle wytrzymaej mieszanki do rozlegych zastosowa rajdowych. Wspczynnik tarcia oscyluje na poziomie 0,4 do temperatury 900 stopni C, mieszanka w klockach Bluestuff ma od 2 do 3 razy wikszy czas zuycia w stosunku do serii Yellowstuff i podobnie jak serie Yellow oraz Red nie powoduje niszczenia tarcz hamulcowych. Jako jedyne z oferty EBC wymagaj wczeniejszego rozgrzania aby zaczy skutecznie
Klocki hamulcowe samochodowe BLUESTUFF, są wykonane z niezwykle wytrzymałej mieszanki do rozległych zastosowań rajdowych. Współczynnik tarcia oscyluje na poziomie 0,4 do temperatury 900 stopni C, mieszanka w klockach Bluestuff ma od 2 do 3 razy większy czas zużycia w stosunku do serii Yellowstuff i podobnie jak serie Yellow oraz Red nie powoduje niszczenia tarcz hamulcowych. Jako jedyne z oferty EBC wymagają wcześniejszego rozgrzania aby zaczęły skutecznie hamować.
DANE TECHICZNE
- Wymiary Klocka A: 120 x 71 x 17mm
- Homologacja ECE R90: ❌
- Przeznaczony na Tor wyścigowy: ✅
- Zastosowanie na oś: Przód
| Marka | Model | Silnik | Wartość | Moc (KM) | Rocznik | |
|---|---|---|---|---|---|---|
| BMW | 7 SERIES(E38) 725 | 2.5 TD | 96-2002 | |||
| BMW | 7 SERIES(E38) 728 | 2.8 | 95-2001 | |||
| BMW | 7 SERIES(E38) 730 | 3.0 | 94-2002 | |||
| BMW | 7 SERIES(E38) 730 | 3.0 TD | 98-2002 | |||
| BMW | 7 SERIES(E38) 735 | 3.5 | 96-2002 | |||
| BMW | 8 SERIES (E31) 840 | 4.0 | 94-96 | |||
| BMW | 8 SERIES (E31) 840 | 4.4 | 96-2000 | |||
| BMW | 8 SERIES (E31) 850 | 5.0 | 93-94 | |||
| BMW | 8 SERIES (E31) 850 | 5.4 | 94-2000 | |||
| LAMBORGHINI | DIABLO | 5.7 SV | 510 | 95-98 | ||
| LAMBORGHINI | DIABLO | 5.7 VT | 492 | 93-98 | ||
| MASERATI | 3200 GT | 3.2 | 99-2007 | |||
| MASERATI | 4200 COUPE | 4.2 | 2002-2007 | |||
| MASERATI | COUPE | 3.2 | 98-2007 | |||
| MASERATI | GHIBLI (AM336) | 2.0 TWIN TURBO | 306 | 93-99 | ||
| MASERATI | GHIBLI (AM336) | 2.0 TWIN TURBO | 306 | 93-99 | ||
| MASERATI | GHIBLI (AM336) | 2.8 TWIN TURBO | 284 | 93-99 | ||
| MASERATI | GHIBLI (AM336) | 2.8 TWIN TURBO | 284 | 93-99 | ||
| MASERATI | GRANSPORT | 4.2 | 2004-2007 | |||
| MASERATI | GRANTURISMO | 4.2 | 2007- | |||
| MASERATI | GRANTURISMO | 4.2 | 2008- | |||
| MASERATI | QUATTROPORTE (AM337) | 2.8 TWIN TURBO | 284 | 94-2001 | ||
| MASERATI | QUATTROPORTE (AM337) | 3.2 TWIN TURBO | 336 | 96-2001 | ||
| MASERATI | QUATTROPORTE (M139) | 4.2 | 400 | 2004-2007 | ||
| MASERATI | QUATTROPORTE (M139) | 4.2 | 400 | 2007-2012 | ||
| MASERATI | SPYDER | 4.2 | 2002-2007 | |||
| NISSAN | SKYLINE (R32) V SPEC | 2.6 TWIN TURBO GT-R | 92-95 | |||
| NISSAN | SKYLINE (R33) | 2.6 TWIN TURBO GT-R | 95-98 | |||
| NISSAN | SKYLINE (R34) | 2.6 TWIN TURBO GT-R | 99-2003 | |||
| NISSAN (AUST/NZ) | SKYLINE R33 | 2.5 TURBO | 95-98 | |||
| NISSAN (AUST/NZ) | SKYLINE R32 | 2.6 GTR TWIN TURBO | 92-95 | |||
| NISSAN (AUST/NZ) | SKYLINE R34 | 2.6 GTR TWIN TURBO | 97-2002 |
Rzeczywisty wygląd towaru może różnić się od tego, który widnieje na zdjęciach.
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4.2 ★★★★★
Based on 7 reviews
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Product Reviews
★★★★★ 5
Great fragrance
Scent: Original Citrus + Eucalyptus
On time and exactly what I was expecting
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Reviewed in the United States on March 18, 2026
★★★★★ 5
Great fragrance
Scent: Original Citrus + Eucalyptus
Took a chance and ordered this cologne for my husband without smelling it first. We both liked it (It's all used up- gotta order more:-) A light fragrance that lasts all day.
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Reviewed in the United States on June 21, 2025
★★★★★ 2
Every cologne certainly lasts differently….. just be aware
Scent: Original Citrus + Eucalyptus
Smells very nice like Harry’s Shower jell but doesn’t last very long at all on me , hopefully others so definitely not worth the money as far as I’m concerned
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Reviewed in the United States on July 17, 2025
★★★★★ 5
A well-rhymed book of poems
Format: Paperback
Thomas Hardy is a superb poet, a master rhymer, one of the main features of his poetry. These poems here are well-written and a delight to read. It is quite amazing to think why his poetry was so ignored and for the most part did not get much attention in his lifetime after one finishes reading the book. It tells more about the ignorance of man than Hardy as a poet that in some ways is getting the praise that he so much deserves, finally.
Numerous are the poems that show mastery of diction and subject matter. They are carefully crafted to make them a jewel of poetry. Read them for what they bring which is magnificent poetry seen in their lines.
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Reviewed in the United States on December 26, 2024
★★★★★ 5
A Great Novelist's Wonderfully Liberating Indulgences with Poetry
Format: Paperback
While a prolific novelist, Thomas Hardy is a first-rate poet whose verse seems to get lost between attempts at poet canonization among those between late-Victorianism and early Modernism. Perhaps this narrow way of looking at the history of poetry is why Hardy's legacy as a poet is often overlooked. He doesn't neatly fit in with categories like realism, symbolism, naturalism, aestheticism, modernism, etc., because he grapples with both major and minor themes addressed and techniques used by the big names of the numerous movements that were ending, beginning, or in their prime state at the turn of the century. It's very interesting how his poems shine a light on his expertly crafted novels (especially the more provincial narratives), but I get the impression that Hardy viewed his identity as prose and verse stylist as separate personal facets. Such a self-evaluation is almost unfair to him. While undoubtedly what we might call a formalist novelist in the vein of Flaubert--one with intense philosophical interests like Austen (and Dostoevsky for a non-English example)--the formalism and philosophical bend certainly appears in his poetry, and Hardy almost seems like a freer artist when you read his verse works. This great collection proves to be curiously wonderful and will appeal to poetry lovers, Hardy enthusiasts, students and scholars of the many different art movements of the late 19th and early 20th centuries, and those of readers with a deeply philosophical approach to reading. That said, he's wonderfully and surprisingly accessible to laypeople as well, though always provides a great challenge to his readers without pretension or esoteric persuasions (if that's a factor that you might find frustrating in poetry).
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Reviewed in the United States on August 28, 2016