SKU: 32869428284

"Vogue's First Reader" 1942 (INSCRIBED to Eleanor Lambert) (SOLD)

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"Vogue's First Reader" 1942 (INSCRIBED to Eleanor Lambert) (SOLD)Almost Everyone of Importance on Almost Everything of Importance! CROWNINSHIELD, Frank [Introduction by] Association copy inscribed: to Eleanor Lambert from Edna Woolman Chase Eleanor Lambert, a pioneering publicist, effectively shifted the fashion establishment away from the absolute dominance of long time Vogue Editor in Chief Edna Woolman Chase. While Chase firmly looked to Paris for sartorial authority, Lambert championed American designers,

Almost Everyone of Importance on Almost Everything of Importance!

CROWNINSHIELD, Frank [Introduction by]

Association copy inscribed: to Eleanor Lambert from Edna Woolman Chase

Eleanor Lambert, a pioneering publicist, effectively shifted the fashion establishment away from the absolute dominance of long-time Vogue Editor-in-Chief Edna Woolman Chase. While Chase firmly looked to Paris for sartorial authority, Lambert championed American designers, ultimately cementing New York as an equal global fashion capital.

Historical Tension

Edna Woolman Chase: As the legendary editor of Vogue from 1914 to 1952, Chase championed French haute couture and long believed American fashion was merely a derivative, secondary industry. Eleanor Lambert: Recognizing the isolation of American designers during World War II, Lambert launched Press Week (the precursor to New York Fashion Week) in 1943. This forced American journalists, who previously relied on Chase's Vogue for Parisian trends, to look directly at U.S. talent

[557] pp.

Julian Messner, Incorporated

1942

11" x 9"

VG

An anthology of essays that first appeared in Vogue Magazine

Contributors include Ernest Hemingway, Katherine Anne Porter, Thomas Wolfe, and others.

"All of these pieces were originally published in "Vogue." None of them has ever appeared in any other anthology." Contents: "Conversational kleptomania / G.B. Stein; Rather late for Christmas / Mary Ellen Chase; A prologue to America / Thomas Wolfe; My life is an open book / Clifton Fadiman; Home to Truro / Robert Nathan; The Clark's Fork Valley, Wyoming / Ernest Hemingway; The world within us / Andre Maurois; The weather of our soul / Irwin Edman; Four painters / Hendrik Willem Van Loon; You're on the air now / Ilka Chase; Souvenir / Ludwig Bemelmans; Brooklyn is my neighborhood / Carson McCullers; Happy Land / Katherine Anne Porter; The China you don't know / Helena Kuo; The old town / William Saroyan; The Mrs. Astor I remember / Frank Crowninshield; Churchill's favourite aunt / Oliver St. John Gogarty; Dinner with Turbot / Ford Madox Ford; Landscape, with figures / Frederic Prokosch; Nehru of India / Krishnalal Shridharani; The passing of the blops / M.F. Agha; I remember Christmas in Holland / Pierre Van Paassen; I remember Christmas in Austria / Leo Lania; I remember Christmas in France / Andre Maurois; I remember Christmas in Belgium / Robert Goffin; Humour, the bomb-proof kind / Virginia Cowles; "We have with us this evening ." / Frank Crowninshield; They're human after all / Katharine Brush; Chungking's broadway / Clare Boothe; Ten answers on Japan / Wilfrid Fleisher; This never got into my column / Major George Fielding Eliot; But where is Picasso? / Andre Gery; I love you, I love you, I love you / Ludwig Bemelmans; Something to remember you by / Sylvia Thompson; I like the circus / Paul Gallico; Embroidery / Ivy Low; The impossible glory / Rebecca West; The scars of London / Cecil Beaton; Gertrude Stein in France / Therese Bonney; Here we stand / Mary Ellen Chase; Five pretty little fables / William Saroyan; Chile can amore / Ludwig Bemelmans; Me and the French / Margaret Case Harriman; Murder in the music-room / Samuel Chotzinoff; Art and camouflage / Elliot Paul; Off stage noises / Aline Bernstein; "Sarah Bernhardt left them kneeling" / Laurette Taylor; File No.113 / Robert Simon; Do men like witty women? / Stephen Leacock; Clare Boothe, in a velvet glove / Allene Talmey; Now at last a house of my own / Katherine Anne Porter; Dry Tortugas / Archibald MacLeish; Red mountain / Irwin Edman; Southern exposure / Ralph McGill; "Waiter, bring me anything" / Edward R. Bosley, Junior; A wit with a whim of iron / Frank Crowninshield; "Fanny you fool!" / Marjorie Kinnan Rawlings; The lady is an engineer / Patricia Strauss; I saw the Moscow blitz / Margaret Bourke-White; The wine-diver / V. Shishkov; Now, twenty centuries later / James Hilton; The voice of Africa / Stuart Cloete; "There was no more sea" / Mary Ellen Chase; Bucks county auction / Josephine Herbst; Perennial immortality / Lee Simonson; No bed of roses / Isabel Paterson; Orson, the wizard, Welles / J.P McEvoy; Anything for a laugh / Max Eastman; Thanks to Casey Jones / John Mason Brown; Decor and the morons / Ilka Chase; American women . so pretty / Jules Romains; Fashions in painting / Frank Crowninshield; Renaissance profiles / Leo Lerman; No trouble at all / Ludwig Bemelmans; The infant gourmet / Sheila Hibben; etc."

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SKU: 32869428284

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Port Orchard, US
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Quality sound deadening that adheres to body panels well. You can easily hear the vibration reduction after just the first piece by tapping on the body panel before and after.
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Reviewed in the United States on November 21, 2025
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Nick Frazier
New York, US
★★★★★ 4
Good stuff at a good price
Model: NewSLS50_52
Works well and sticks well. I used a roller and it has been over a year and everything still sticking as good as day i put it everywhere. I didnt use any adhesive but I did wipe everything down with acetone before I applied. Good stuff at a good price
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Reviewed in the United States on November 23, 2025
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Darren Gray
Battle Creek, US
★★★★★ 5
Good value
Model: NewSLS50_52, Model: NewSLS50_52
Working perfectly. Install of stereo equipment and carpet left me wanting some heat and sound resistant materials.
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Reviewed in the United States on March 23, 2026
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Tharin
Battle Creek, US
★★★★★ 5
BUY THIS ONE!
Model: NewSLS50_52
This is one of the good ones. There are other brands just as good, and manny brands are worse, but this handles well, rolls down easily, doesn't come off at all easily, and adapts to dips and curves like a champ. Appropriately heavy and dead, I'm happy with the way it smothers panel resonances and even at muffling direct sound, like a big hand over my Uncle Harry's eternally noisy mouth. You can rip the foil but you have to work hard at doing that. Remember to buy a brayer; you can roll overlaps nice and thin. Also remember to pre-wipe the sheet metal with a decent solvent like acetone or Stoddard/Varsol. It should last forever.
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Harvey
Grantham, US
★★★★★ 5
Good stuff, but watch the temp
Model: NewSLS50_52
I used this in my single cab pickup truck (89 ford.) It only took half the box (10 sheets or 25 square feet) to do the floors, but I bought the big box because I plan to do the doors, back wall, and maybe the roof as well. One thing I learned is that the temperature matters when you’re doing the installation. It was around 55F when I started in the evening, and when it dipped down into the 40s the sheets would not stick to the metal, and were hard to compress with the roller. That’s why I ended up only doing the floors and not any vertical surfaces; i will have to wait for a nice hot day. The other thing is that the foil layer on top is razor sharp at the edges, definitely wear gloves! I didn’t notice until after but I have little papercuts all over my fingers. Aside from those things, the install was easy and straightforward. The sheets cut easily with scissors, and any goo that ends up on your hands or scissors can be cleaned up with acetone (nail polish remover), or lacquer thinner. I would use this stuff again.
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Reviewed in the United States on November 16, 2023

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