SKU: 3370807124

Ford F-150 15-20 (Excluding Raptor) Ultra Bright 2-Function White LED Fog Lights w/ Amber Turn Signals (Replaces Factory Fog Lights) - Smoked Black

$202.47 $224.97
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Description

Ford F-150 15-20 (Excluding Raptor) Ultra Bright 2-Function White LED Fog Lights w/ Amber Turn Signals (Replaces Factory Fog Lights) - Smoked BlackRECON Part # 264520BK Ford F150 2015 2020 (Excluding Raptor Models) 2 Function LED Fog Light 2 Pc Kit Ultra Bright LED White Fog Lights & Amber Turn Signals (Replaces Factory Fog Lights) Smoked Lens ***ATTENTION*** THIS MODEL IS DESIGNED TO REPLACE YOUR FACTORY OEM FOG LIGHTS. RECON F150 LED FOG LIGHTS Fits 2015 2020 Ford F150 (Does NOT Fit Raptor Models) Also Fits 2017 2021 Ford Super Duty (F250, F350, F450, F550) Smoked Lens Black Finish Replaces

RECON Part # 264520BK - Ford F150 2015-2020 (Excluding Raptor Models) 2-Function LED Fog Light 2-Pc Kit - Ultra Bright LED White Fog Lights & Amber Turn Signals (Replaces Factory Fog Lights) - Smoked Lens

***ATTENTION*** THIS MODEL IS DESIGNED TO REPLACE YOUR FACTORY/OEM FOG LIGHTS.

RECON F150 LED FOG LIGHTS

  • Fits 2015-2020 Ford F150 (Does NOT Fit Raptor Models)
  • Also Fits 2017-2021 Ford Super Duty (F250, F350, F450, F550)
  • Smoked Lens / Black Finish
  • Replaces Your Factory/OEM Fog lights
  • Ultra High Power CREE White LED Fog Lights & Amber Turn Signals
  • Greatly Improves the Visibility & Style of Truck
  • Ditch the dull OEM look and make a bold statement that stands out
  • Made using Military-Grade reinforced ABS Plastic Lens
  • Impact Resistant housing for long lasting durability
  • IP67 Waterproof rating (Dust, Dirt, Water, Snow)
  • UV-Treated to Protect Against Direct Sunlight Exposure
  • SAE and DOT-Compliant
  • Easy Installation - Plug & Play
  • Sold as a 2-Piece Set

Light up your Ford F150 Truck

Improve visibility in poor visibility conditions on your 2015-2020 Ford F150 with RECON LED Fog Lights. Replace your Standard Dim OEM fog lights with RECON’s Ultra Bright White CREE LEDs with Amber Turn Signals are 165% brighter delivering superior clarity over OEM fog lights. A wide-angle lens enhances road and terrain visibility, ensuring safer navigation through fog, rain, and dust. Housed in a rugged casing designed to withstand heavy vibrations and off-road stress, this sleek two-piece set offers OEM fitment with easy "plug-and-play" wiring for hassle-free installation. NOTE: These RECON LED Fog Lights are also compatible with 2017-2021 Ford Super Duty Models.

Ultimate Visibility & Durability

RECON LED Fog Lights are built to last, these fog lights are built from military-grade reinforced ABS plastic with impact-resistant housing. Encased in a rugged housing to withstand heavy vibrations and off-road stress. They boast an IP67 waterproof rating, ensuring protection against dust, dirt, water, and snow, and are UV-treated to guard against direct sunlight exposure.

Easy Installation

Enjoy a hassle-free installation with our 2015-2020 Ford F150 RECON LED Fog lights. Designed to fit perfectly into the OEM factory-installed fog light housing, these fog lights are straightforward to install, saving you time and effort. Upgrade your truck’s lighting system quickly and easily, and start enjoying the enhanced performance and modern style right away.

WHAT’S INCLUDED

  • 2-PC RECON LED Fog Light Set - 2-Function Ultra Bright LED White Fog Lights & Amber Turn Signals (Replaces Factory/OEM Fog Lights) - Smoked Black


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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
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SKU: 3370807124

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4.9 ★★★★★
Based on 8 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Natrona Heights, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Birmingham, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
San Leandro, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Dallas, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Lake Worth, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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