Pay in installments of $787.50 with
,
and
Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Jul 18 - Jul 23
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
Panasonic 樂聲 CS-LU12ZKA 1.5匹 Smaller系列 Wi-Fi智能 變頻淨冷 掛牆分體式冷氣機 (附無線遙控器)nanoeX Mark 3 nanoeX Mark 3 99. 99% (SARS CoV 2) Smaller 420mm 289mm Wi Fi Panasonic Comfort Cloud AEROWINGS R32 R32 : CS LZ12ZKA : CU LZ12ZKA 1. 5 11,100 Btu h 14,400 Btu h 220V : 4. 4A : 5. 6A : 920W : 1200W 15A : 6. 35 mm 1 4" : 12. 70 mm 1 2" : 9 : 27 ( x x ) : 290 x 779 x 209 : 420 x 765 x 289 1 5
產品主要特點
- nanoe®X Mark 3 空氣淨化系統：內置最新 nanoe®X Mark 3 技術，能有效抑制高達 99.99% 新型冠狀病毒 (SARS-CoV-2) 及多種病毒、細菌、致敏原，同時去除異味，全天候守護室內空氣質素。
- 變頻式技術：透過調節壓縮機運行速度，精確維持舒適室溫，避免溫度大幅波動，同時大幅節省耗電量，達至慳電效果。
- 纖巧室外機設計：屬於「Smaller」系列，室外機高度及深度僅為 420mm 及 289mm，體積小巧慳位，輕鬆對應香港普遍的冷氣機窗台安裝需求。
- 內置 Wi-Fi 智能操控：支援 Panasonic Comfort Cloud 應用程式，讓您可透過智能手機隨時隨地遙距開關、調校溫度及設定模式，方便省心。
- AEROWINGS 嶄新送風：室內機配備雙重導風板，能夠將冷氣或暖氣更均勻、更廣泛地吹送到房間每個角落，提升舒適度。
- R32 環保雪種：採用對臭氧層破壞較小及全球暖化潛能較低的 R32 雪種，在享受舒適的同時，亦為保護環境出一分力。
- 一級能源標籤：製冷及製暖均達到一級能源效益，確保高效節能。
產品規格
-
型號：
- 室內機: CS-LZ12ZKA
- 室外機: CU-LZ12ZKA
- 匹數： 1.5 匹
- 製冷能力： 11,100 Btu/h
- 製暖能力： 14,400 Btu/h
- 電力資料： 220V
-
耗電量：
- 製冷: 4.4A
- 製暖: 5.6A
-
電量輸入：
- 製冷: 920W
- 製暖: 1200W
- 電源插頭： 15A 三圓腳插頭
- 供電來源： 室內機
-
配管管徑：
- 液體側: 6.35 mm / 1/4"
- 氣體側: 12.70 mm / 1/2"
-
淨重：
- 室內機: 9 公斤
- 室外機: 27 公斤
-
體積 (高 x 闊 x 深)：
- 室內機: 290 x 779 x 209 毫米
- 室外機: 420 x 765 x 289 毫米
- 產地：馬來西亞
-
保養：1 年全機保用，5 年壓縮機保用
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.9 ★★★★★
Based on 6 reviews
Sort
Product Reviews
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future.
Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless.
Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar!
The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co.
And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today?
I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society.
The film can be a bit 'heavy' at times, though. Not everyone's cup of tea.
Watch it first, before sharing with friends or family.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 19, 2012
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things.
The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring.
The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world.
If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 31, 2016
★★★★★ 5
My favorite movie musical
The Umbrellas of Cherbourg (1964, Jacques Demy, Director) is a very straightforward love story that’s fairly predictable, but that doesn’t take away from its absorbing allure. In fact, I love this film so much that I’m willing to overlook some of the minor flaws in the blu ray transfer from Criterion. This transfer is somewhat grainy/hazy in picture quality, and the sound isn’t exactly clear; in fact, it can be slightly muffled at times. However, I’m not going to dwell on these few minor imperfections. Now, for the heart of the review: The Umbrellas of Cherbourg is so unique in that all of the dialogue is sung. This is definitely an acquired taste, but about 15-20 minutes in, I was used to it and all-in. The next thing that becomes obvious is its rich color; it’s sort of pastel-like, with some backgrounds that are quite striking. Finally, the last thing that jumps out is the continuous upbeat music in the film, with the exception of the main theme, which is an emotionally-charged melancholy number by Michel Legrand that is the heartbeat of the film. This film is really a heartfelt love story where fate is the prevailing narrative and force. It’s a film about important decisions and their outcomes. Along the way, there are familial issues, death, rebuilding with emotional crutches, and some humor injected at just the right times. Some of the dialogue is cliched, but I guess that’s par for the course in a love story? Finally, while watching this film, I could definitely see where the 2016 film, La La Land took so much inspiration from, especially the ending sequence and the upbeat musical numbers. Overall, The Umbrellas of Cherbourg is a masterpiece of a film that’s essential to your blu ray collection. The Criterion Collection usually does a stellar job with resorting older films, but for some reason this isn’t their best work. I was expecting better quality. The blu ray also contains some nice special features.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 22, 2025
★★★★★ 5
Gorgeous Legrand music in a superb film
One of the lovliest films ever made! It's a "jazz opera" with superb Michel Legrand music and more. And the finale will melt the hearts of any "family" person who experiences it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 26, 2025
★★★★★ 5
Excellent disc and movie
This is one of the great films of the last century. If you haven’t seen it, buying this expensive blu ray is still a bargain. Love Criterion’s high quality publication and bonus materials!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 10, 2025