SKU: 36720904109

Netline Home Green Khaki Vintage Machine Washable Chenille Rug Design NH7086

$63.00 $70.00
Save 10%
No.2 Bestseller on lamcf.fr >

Pay in installments of $17.50 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Sep 2 - Sep 7

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Netline Home Green Khaki Vintage Machine Washable Chenille Rug Design NH7086Netline Home Machine washable chenille rug Made to order Netline Home Green Khaki Vintage Machine Washable Chenille Rug Design NH7086 Netline Home Green Khaki Vintage Machine Washable Chenille Rug Design NH7086 is a made to order rug listing from Netline Home, created for customers who want a refined machine washable chenille rug with a warm kilim character, practical everyday comfort, and a polished interior design look. This design belongs to the

Netline Home · Machine washable chenille rug · Made to order

Netline Home Green Khaki Vintage Machine Washable Chenille Rug Design NH7086

Netline Home Green Khaki Vintage Machine Washable Chenille Rug Design NH7086 is a made-to-order rug listing from Netline Home, created for customers who want a refined machine washable chenille rug with a warm kilim character, practical everyday comfort, and a polished interior-design look. This design belongs to the Netline Lacasa collection and is prepared as a flexible Shopify product listing with size variants, searchable product data, image-based content, and clear room-use language. The product is presented as a Vintage style in Green Khaki colors, with a clean design code for easier ordering and after-sales support.

DesignNH7086
StyleVintage
ColoursGreen Khaki

Clean, practical rug design

Netline Home Green Khaki Vintage Machine Washable Chenille Rug Design NH7086 is designed for calm, modern homes that need a rug with texture, pattern and everyday usability. The chenille surface gives a soft feel underfoot, while the low-profile kilim character keeps the design neat beneath furniture. It works well in living rooms, bedrooms, dining areas, kitchens, hallways and compact apartments where a rug needs to add warmth without making the room feel crowded.

  • Machine washable construction for easier care in active homes.
  • Soft chenille texture with a low-profile kilim look.
  • Curated for the Netline Lacasa collection by Netline Home.
  • Available sizes: 100x200 cm, 120x180 cm, 155x230 cm, 200x300 cm, 60x90 cm, 80x150 cm, 80x300 cm.
  • Design code: NH7086.

Sizes, packing and weight

Size, packing volume and weight

Size Packing volume Weight
60x90 cm 31x31x4 cm 0.86 kg
80x150 cm 41x41x6 cm 1.86 kg
80x300 cm 41x41x8 cm 3.8 kg
100x200 cm 50x34x7 cm 3 kg
120x180 cm 41x46x6 cm 3.36 kg
155x230 cm 55x52x6 cm 5.6 kg
200x300 cm 53x58x10 cm 9 kg

How to use it

This rug is a versatile foundation piece for UK interiors. In a living room, it can sit beneath the front legs of a sofa to connect the seating area. In a bedroom, it adds softness around the bed and helps the room feel finished. In a hallway or kitchen, the washable construction and slim profile make it suitable for spaces that need comfort, pattern and easier care. The Green Khaki palette gives the design a clear visual identity, while the Vintage styling makes it easy to coordinate with wood, linen, stone, metal, neutral upholstery and layered lighting.

Care and ordering notes

All rugs in this listing are machine washable. Use a gentle cycle where suitable for your machine capacity, avoid harsh bleach, and allow the rug to dry fully before placing it back on the floor. For daily care, shake out loose dust, vacuum gently, and treat spills promptly. Each size variant includes packing volume and weight information to make storage, handling and fulfilment easier.

Producer reference: 2239-02. This reference is for production organization only.

Netline Home Green Khaki Vintage Machine Washable Chenille Rug Design NH7086 can be styled as a quiet anchor or as the patterned focus of the room. Choose smaller sizes for bedside areas, compact seating corners and layered entries. Choose larger sizes when you want to connect sofas, coffee tables, dining furniture or open-plan spaces. The boxed information above is designed to keep the buying decision simple: design code, style, colours, sizes, packing volume and weight are all visible without clutter.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 36720904109

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.7 ★★★★★
Based on 5 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
S
Verified Purchase
Sarah Pettingill
Natrona Heights, US
★★★★★ 5
🫶🏻
Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 18, 2026
J
Verified Purchase
Jessica Martin
Carnegie, US
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 4, 2026
Z
Verified Purchase
Zachary Bednar
Louisville, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 17, 2014
T
Verified Purchase
Terry Seale
Alexandria, US
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 21, 2016
S
Verified Purchase
Smrz
Birmingham, US
★★★★★ 5
Quintessential 50's Kubrick Noir!
Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 15, 2011

recommand products

White Kitchen Island with Open Shelves & 2 Stools – Modern Farmhouse Style KI001W
134.97
13ft Hexagon Walk-in Chicken Run with Roof Cover – Heavy Duty Outdoor Poultry Cage – 150631
114.97
Heavy Duty 30" Aluminum Truck Bed Tool Box – Silver Storage Chest with 2 Keys – AB03013
119.95
New Self Stick Flooring Tiles – Easy Peel & Stick Vinyl Floor Tiles for DIY Home Renovation
22.95
Vanity Desk with Mirror, LED Lights, Power Outlet – 7 Drawers, 6 Shelves Makeup Vanity Table for Bedroom – MH24598
114.97