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Description
Quoizel Liberty Park 13.125-in Gold Casual/Transitional Semi-Flush Mount LightLiberty Park 13. 125 in Gold Semi Flush Mount Ceiling Light A geometric, open cage semi flush mount from Quoizels Liberty Park collection in a rich gold finish. It features three candelabra sockets for warm, ambient light and is damp rated for versatile indoor use. Key Features: Transitional Design: Open geometric metal cage delivers retro modern appeal Flexible Lighting: Dimmable with compatible switch to set the mood Three Light Output: Uses 3 x 60W
Liberty Park 13.125-in Gold Semi-Flush Mount Ceiling Light
A geometric, open-cage semi-flush mount from Quoizel’s Liberty Park collection in a rich gold finish. It features three candelabra sockets for warm, ambient light and is damp rated for versatile indoor use.
Key Features:
- Transitional Design: Open geometric metal cage delivers retro-modern appeal
- Flexible Lighting: Dimmable with compatible switch to set the mood
- Three-Light Output: Uses 3 x 60W candelabra (E12) bulbs, B10 recommended
- Durable Finish: Matte gold metal shade for a sophisticated look
- Indoor/Damp Rated: Ideal for kitchens, foyers, bedrooms, and living areas
Specifications Table:
| Specification | Details |
|---|---|
| Collection Name | Liberty Park |
| Type | Semi-flush mount light |
| Fixture Color Family | Gold |
| Fixture Finish | Matte |
| Manufacturer Color/Finish | Gold |
| Shade Color/Finish Family | Gold |
| Height (Inches) | 14.625 |
| Width (Inches) | 13.125 |
| Depth (Inches) | 13.125 |
| Size | Small |
| Bulb Type | Incandescent |
| Dimmable | Yes |
| Integrated LED Fixture | No |
| Light Bulb Base Type | Candelabra base (E-12) |
| Bulb(s) Included | No |
| Recommended Light Bulb Shape | B10 |
| Maximum Bulb Wattage | 60 |
| Maximum Fixture Wattage | 60 |
| Power Source | Hardwired |
| Number of Bulbs Required | 3 |
| Number of Lights | 3 |
| Package Quantity | 1 |
| Shade Material | Metal |
| Shade/Glass Type | None |
| Shape | Geometric |
| Style | Transitional |
| Usage Rating | Damp rated |
| Slope Ceiling Compatibility | No |
| For Use in Bathrooms | Yes |
| For Use in Bedrooms | Yes |
| For Use in Dining Rooms | Yes |
| For Use in Foyers | Yes |
| For Use in Kitchens | Yes |
| For Use in Living Rooms | Yes |
| Use Location | Indoor |
| ENERGY STAR Certified | No |
| Safety Listing | ETL safety listing |
| Warranty | 1-year limited |
| UNSPSC | 39111500 |
Frequently Asked Questions (FAQ):
Q: What bulbs does this fixture use?
A: It requires three candelabra-base (E12) bulbs up to 60W each; B10 shape is recommended and bulbs are not included.
Q: Is the light dimmable?
A: Yes, it is dimmable when used with compatible dimmable bulbs and a standard wall dimmer.
Q: Where can I install it?
A: It is damp rated for indoor use, suitable for kitchens, bathrooms, foyers, bedrooms, dining rooms, and living rooms.
Q: Does it work with sloped ceilings?
A: No, this semi-flush mount is not slope-ceiling compatible.
Q: What are the dimensions?
A: Approximately 13.125 inches wide and deep, with a height of 14.625 inches.
A Sculptural Glow in Matte Gold
Liberty Park is a jeweled geometry for the ceiling—its faceted, open cage creates a dynamic play of light and shadow. I love the matte gold finish; it feels refined yet inviting, pairing beautifully with warm woods and marble. Style it with vintage filament bulbs to accentuate its retro charm and let the structure become the room’s statement. Consider it the finishing touch that brings a luxurious polish to everyday spaces.
Elevate your space with Liberty Park’s sculptural gold glow—add it to your cart today.
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4.7 ★★★★★
Based on 16 reviews
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Product Reviews
★★★★★ 4
Good sequel but not as good as the original.
Format: Paperback
Pretty good read only down side is it doesn’t quite live up to Long Halloween.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 18, 2026
★★★★★ 5
Great Sequel to Long Halloween
Format: Paperback
This takes all of the great elements of the Long Halloween and keeps it going. The two of those books together is a great story telling. Ticks all the boxes of a great Batman book. If you like this and Long Halloween check out The Penguin show on HBO Max. and if you like The Penguin but haven't read these two books you should since the show pulls a lot of influence from them.
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Reviewed in the United States on November 22, 2024
★★★★★ 5
Worth the price!
Format: Paperback
Great set!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2025
★★★★★ 5
The Robin Origin Tale We Needed
Format: Paperback
Hot off The Long Halloween Jeph Loeb and Tim Sale return for another murder mystery. This is a direct sequel and follows the aftermath of The Long Halloween. The art is stellar and the story is deep and dark. The trinity of Batman, Dent and Gordon is gone and the isolation is real. At the heart of it, life goes on. Sofia Falcone is back and ready to get revenge. Meanwhile, Dick Grayson's about to go through the darkest chapter of his life. There's a surprise villain who makes a chilling introduction and much more. If you wanted more after Batman: Year One and The Long Halloween, this is the book for you.
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Reviewed in the United States on May 22, 2025
★★★★★ 5
The Best BATMAN Tale since YEAR ONE.
When I first started reading Scott Snyder's run on DETECTIVE COMICS, I was unfamiliar with his work. It seemed like they had just grabbed a new name after arcs done by distinguished writers such as Grant Morrison (which I actually thought was terrible during his RIP arc), Greg Rucka (who did a brilliant job with bringing the character of Batwoman into the fold), and Paul Dini (whose work ranged from not great to just about perfect). Snyder just seemed like a Johnny-Come-Lately, and the previous arc on DETECTIVE had been particularly disappointing, but alas I had faith that another solid arc was due for the Darkknight Detective, so I kept collecting.
Nothing could have made me happier, since Snyder and his partners in crime, artists Jock and Francesco Francavilla had crafted the most solid, unified and smartest Batman tale since Frank Miller and David Mazzucchelli's eponymous BATMAN: YEAR ONE.
Not to get too bogged down in plot detail, but essentially, the "Black Mirror" arc begins with Dick Grayson as The Batman (since Bruce Wayne was too busy fighting his way through time... argh...) and he's closing in on a secret auction where 'collectibles' of Gotham's most notorious villains are being sold to an elite crowd of wealthy degenerates, such as Scarecrow's fear gas and the crowbar actually used to beat Jason Todd almost to death. The main villain of the piece is hardly Batman's most powerful enemy, but it does leave some psychic scars on Dick. Next Dick is forced to deal with a dead woman found in an office building. Hardly worth Batman's specific attention, but what is is that the woman's body was found inside a dead killer whale's mouth in an office building. Making matters more complicated is that the woman this murder is sending a message to is actually the daughter of Tony Zucco, the gangster responsible for the death of Dick's parents.
While these stories are exciting, well-crafted and beautifully rendered by Jock, we enter a much more personal tale of Commissioner Gordon: the return of his son James Jr., who we haven't seen much of at all in his life. Apparently, James Jr. is a psychotic who is taking a new anti-psychotic medication and hopes to return back to society in some way. This becomes a very personal tale for the Gordon family, including Gordon's ex-wife Barbara and of course his daughter Barbara, formerly Batgirl and now the wheelchair-confined information gatherer Oracle. These interludes are illustrated by the brilliant Francavilla, whose every page looks like it's suitable for framing. Unfortunately for everyone involved, Jr. is not exactly what he seems to be and this leads to a small-scale but highly emotionally charged finale.
Scott Snyder did several things in this book that very few before him were able to do successfully. First and foremost, he captured the essence of Dick Grayson bearing the responsibility of being Batman. It's not something he shirks from, but he does feel out of place living in Bruce's penthouse and basically taking the mantle of Batman is no small matter. He is more emotional than Bruce and has more issues with his own fears. Second is that he's one of the few writers to really get the essence of Batman being a detective. While Dick is not as brilliant as Bruce, he was trained by the best, and Batman is not just a machine of brute force dispensing justice with his fists and cool gadgets; he's also considered the world's greatest detective and it's always exciting to see an author with a good handle on that aspect of Batman. Third is Snyder's awareness of Gotham not just being a city, but as being an integral character in the adventures of Batman. There's a darkness to the city that the good people strive to rise above, which is why the partnership of Batman and Jim Gordon has been the lifeline of Gotham's survival. Also on wonderful display here is Snyder's understanding of the supporting cast. He gives all of them equal and necessary life in the story, and has a superb handle on their individual characters.
In the few years since Snyder started in this business, first gaining prominence on AMERICAN VAMPIRE (which is another breath of fresh air to a dying genre) and then his work on DETECTIVE gaining him even greater accolades, he has become possibly the best writer currently at DC. Several people, including myself have heralded him as the next Alan Moore. He has an understanding of character, dialogue and structure that is unusual and continually striking. He's been the standout star of DC's "New 52", continuing his work on Batman with
as well as bringing back one of DC's greatest horror titles,
. He has also continued to establish himself as one of comic's premier horror writers by doing the best horror comic in years over at Image Comics called
(you can find my review of that book via that link), as well as doing a mini-event that explores the beginnings of Gotham City in
.
THE BLACK MIRROR is a Batman classic that people will still be discussing in years to come, as well as his other work in the field. I couldn't suggest more highly picking up any of his books. It doesn't get much better.
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Reviewed in the United States on May 12, 2012