SKU: 38804208658

"L'Hotel De Choiseul=Praslin" 1912 SAUNIER, Charles (SOLD)

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"L'Hotel De Choiseul=Praslin" 1912 SAUNIER, Charles (SOLD)[60] pp. Charles SaunierLibraire de la Ville de Paris1912 10" x 6 3 4"Ex Libris Ogden Codman VGOgden Codman Jr. (January 19, 1863 January 8, 1951) was an American architect and interior decorator in the Beaux Arts styles, and co author with Edith Wharton of The Decoration of Houses (1897), which became a standard in American interior design. Early lifeCodman was born on January 19, 1863 in Boston, Massachusetts. He was the eldest of six children born

[60] pp.

Charles Saunier

Libraire de la Ville de Paris

1912

10" x 6 3/4"

Ex Libris Ogden Codman

VG

Ogden Codman Jr. (January 19, 1863 – January 8, 1951) was an American architect and interior decorator in the Beaux-Arts styles, and co-author with Edith Wharton of The Decoration of Houses (1897), which became a standard in American interior design.

Early life
Codman was born on January 19, 1863 in Boston, Massachusetts. He was the eldest of six children born to Boston native Ogden Codman Sr. (1839–1904) and the former Sarah Fletcher Bradlee.

His paternal grandparents were Charles Russell Codman and Sarah (née Ogden) Codman. His paternal aunt, Frances Anne Codman, was married to noted architect and builder John Hubbard Sturgis, who designed his parents' home, Codman House in Lincoln, Massachusetts, and the Boston Museum of Fine Arts, along with Charles Brigham. His maternal grandparents were James Bowdoin Bradlee and Mary (née May) Bradlee. His maternal aunt, Katherine May Bradlee, was married to Benjamin W. Crowninshield and was the mother of Bowdoin Bradlee Crowninshield, Codman's first cousin.

Codman spent much of his youth from 1875 to 1884 at Dinard, an American resort colony in France, and on returning to America in 1884, studied at the Massachusetts Institute of Technology.

Career
He was influenced in his career by two uncles, John Hubbard Sturgis, an architect, and Richard Ogden, a decorator. He greatly admired Italian and French architecture of the sixteenth, seventeenth, and eighteenth centuries, as well as English Georgian architecture and the colonial architecture of Boston.

After brief apprenticeships with Boston architectural firms, Codman started his own practice in Boston, where he kept offices from 1891 to 1893, after which time he relocated his main practice from Boston to New York City. Codman also opened offices in Newport, Rhode Island as early as 1891, and it was in Newport that he first met novelist Edith Wharton. She became one of his first Newport clients for her home there, Land's End. In her autobiography, A Backward Glance, Wharton wrote:

We asked him to alter and decorate the house—a somewhat new departure, since the architects of that day looked down on house-decoration as a branch of dress-making, and left the field up to the upholsterers, who crammed every room with curtains, lambrequins, jardinières of artificial plants, wobbly velvet-covered tables littered with silver gew-gaws, and festoons of lace on mantelpieces and dressing tables.

Codman viewed interior design as "a branch of architecture".

Architectural works

Wharton subsequently introduced Codman to Cornelius Vanderbilt II, who hired Codman in 1894 to design the second and third floor rooms of his Newport summer home, The Breakers, which he did in a clean eighteenth-century French and Italian classical style. Codman was not a draftsman, and it is said that in Paris he hired a talented group of students from the École des Beaux-Arts to draw up the sketches for Vanderbilt.

In 1907, Codman built what was later to be known at the Codman–Davis House in Washington, D.C. for his cousin Martha Codman Karolik. It is currently the official residence of the Ambassador of Thailand, and one of the few intact homes that he designed. This included a carriage house that was the Apex Night Club before it closed in 2011.

Codman's New York clients included John D. Rockefeller Jr., for whom he designed the interiors of the Rockefeller family mansion of Kykuit in 1913, and Frederick William Vanderbilt, for whom he designed the interiors for his mansion in Hyde Park, New York, and his house on Fifth Avenue. He also collaborated with Wharton on the redesign of her townhouse at 882–884 Park Avenue as well as on the design of The Mount, her house in Lenox, Massachusetts. His suave and idiomatic suite of Régence and Georgian parade rooms for entertaining are preserved in the townhouse at 991 Fifth Avenue, now occupied by the American Irish Historical Society. His French townhouse in the manner of Gabriel at 18 East 79th Street, for J. Woodward Haven (1908–09) is now occupied by Acquavella Galleries.

All told, Codman designed 22 houses to completion, as well as the East Wing of the Metropolitan Club in New York. He also began the trend of lowering the townhouse entrance door from elevated stairways to the basement level. He designed a series of three houses in Louis XIV style at 7 (his own residence), 12, and 15 East 96th Street from 1912 to 1916. The New York City Landmarks Preservation Commission later described the facade of number 7 as being "full of gaiety and frivolous vitality" and further, "on approaching the house, Paris and the Champs-Élysées immediately come to mind."

In 1920, Codman left New York to return to France, where he spent the last thirty-one years of his life at the Château de Grégy, wintering at Villa Leopolda in Villefranche-sur-Mer, which he created by assembling a number of vernacular structures and their sites: it is his masterpiece, the fullest surviving expression of his esthetic.

Personal life
Codman was homosexual and pursued attractive young men throughout his life, but on October 8, 1904 he married Leila Griswold Webb (1856-1910), who was six years older than him and was the widow of railroad magnate H. Walter Webb and the mother of New York State Senator J. Griswold Webb. Leila was the sister-in-law of Dr. William Seward Webb, who was married to the former Eliza Vanderbilt, and Alexander S. Webb, the longstanding President of City College of New York. His wife died in 1910, leaving him a fortune. After her death, he sold their house on 15 East 51st Street (which he had designed for Leila while she was still married to her first husband) and built himself another home at 7 East 96th Street in 1912.

In 1918, Codman leased the former Newport cottage of society leader James Vanderburgh Parker, known as "Sans Souci" and located on Merton Road, for the summer.

Codman died at age 87 in 1951 at the Château de Grégy in Évry-Grégy-sur-Yerre, France. His architectural drawings and papers are collected at the Avery Architectural and Fine Arts Library at Columbia University; the Codman Family papers are also held by Historic New England and the Boston Athenaeum.

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SKU: 38804208658

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Jason
Bozeman, US
★★★★★ 5
Very good read. Depend upon it!
Format: Kindle
After reading Pride and Prejudice, I figured that I ought to read Austin's "Emma", too. It was a very good read and quite long. However one thing that kept sticking out to me was Emma's use of "Depend upon it!!". Unfortunately I must confess that as an anime fan, all I kept hearing in my head was Uzumaki Naruto's "Believe it!"—The English translation of his Japanese quirk, "~datte ba yo!"—and I would have a good chuckle. Now I picture Emma wearing a ninja headband and and I'm noxiously orange jumpsuit. Sorry. Now you can't unhear it either.
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Reviewed in the United States on May 4, 2026
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NenetteU
Omaha, US
★★★★★ 3
Good, but had to labor through this...
Emma was such a character who in my opinion, was a little bit too conceited - she had thought to know of the feelings of other people that made her feel very confident of her match-making skills; and yet, when these matches failed to be, she thought the failures were all her doing too! Just the same, as in any chick-lit novels, everything was well and as it should be towards the end. It took me almost three weeks to finish this book, and I questioned myself why. It just didn't have that pull on me that I sometimes found myself browsing the net rather than reading the book. It's always a struggle for me to read 18th century writings; I always have to go back and reread for a more thorough understanding of what's being said. This is my second book by Jane Austen, and I'm probably getting tired of all the ceremonious ways of her period. Still, I could not fault the writing, being from a long ago era and true to it; it also elicited `hate and like' feelings towards the characters which is a sure indication of good literature...But still, I labored through it...so three stars to be fair to Ms. Austen and to myself.
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Reviewed in the United States on June 10, 2011
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Ame82
Lake Worth, US
★★★★★ 5
A timeless, elegant delight
Emma is one of those rare classics that still feels alive in your hands. Jane Austen’s wit shines through every page, giving us a heroine who is flawed, charming, and endlessly human. The world she builds is warm and vivid, full of gentle humor, sharp insight, and the kind of slow‑blooming romance that lingers long after you finish. It’s a beautiful reminder of why Austen remains brilliant centuries later.
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Reviewed in the United States on February 26, 2026
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D. Blankenship
Omaha, US
★★★★★ 5
AND MY WIFE THINKS SHE KNOWS HER AUSTEN! HA!
Jane Austen has a lot of fans. I am one of them. My wife is another. People have been arguing the merits of Austen's novels for quite a number of years now; some people love her work, others do not. This is as it should be. We can take this premise of love/hate Austen a step further though. It has been my experience over the years that there is conflict even among those who love this writer's work and that everyone seems to have their favorite novel. This is also only right. The problem is though that I have found people who read Jane Austen are also a very opinionated lot and quite often harsh words are spoken when discussing the strengths, merits, flaws, dislikes, etc. of Austen's various works. Alas, I have to report to you that this is the case in our household; a normally peaceful place filled with tranquility and marital bliss...about 49 years of it...thank you very much! Yes, we are a family torn asunder. My wife (silly girl) feels that Emma is Austen's best work, while I, who am far more knowledgeable of such matters, prefer her novel, Pride and Prejudice...of which I am sure most of you will agree....me, not her, i.e. my mistaken wife. (Emma, bless her heart, is such an aggravating little twit). Anyway, this is really not a review of Emma, the work (I will admit that it is a very fine read worthy of multiple readings ever few years), but rather that of the actual book edition on sale here. I felt sorry for my wife when I saw her ragged copy stuffed into one of her already overly stuffed bookshelves and felt a new edition was in order. I bought this one for her. For the asking price of this book, including S&H, I cannot for the life of me figure out why people are disgruntled and unhappy with it. It is very well bound, the font is extremely readable, the quality of paper is quite good, the dust jacket is extremely attractive and all the pages were present. I check the binding very closely when the book arrived, and again, for what I paid for this thing, it was excellent! Trust me...I know about such things. Hey folks, this is not advertized nor is it a leather bound first edition! This is a workable, useful book for everyday use. Now I have both this work and P&P down loaded to my Kindle. The chances of my wife ever using one of these reading machines are as about as likely as pigs flying next mayday. It ain't going to happen. Therefore, she now has a new hardback book; one that will quite likely outlast both of us; It did not cost me a fortune. She can read her copy; I can read mine and the war between us that has been going on since we were in our early teens can continue. Bottom line...this is a good buy. And I must tell you, my wife was delighted with it. Don Blankenship The Ozarks
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Reviewed in the United States on May 19, 2011
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Donna Hill
Bozeman, US
★★★★★ 4
Timeless Classic With Lots of Surprises
I read Emma for an English class many years ago. I remembered that I'd enjoyed it and as I approach the big 7-0, I thought that I would read it again. Surprisingly, I found it to be more ponderous than I'd remembered it. Lots of beating a topic to death. Endless sentences (but then that's Jane Austen!). There were many days and nights when I'd fall asleep while reading. But, all in all, Emma kept me coming back to the story. Never wanted to give up on it. Emma has her flaws, but in my opinion she isn't half as bad as many reviewers make her out to be. She's manipulative but in the spirit of wanting the best for a friend. She enjoys matchmaking as she believes that this is the closest she will get to romantic love, that her duties to her elderly father preclude any romance for herself. Much of the joy of this book for me was that there is more to it than just the typical characteristics of an Austen novel--finding romance in a world of rigid class distinctions and wealth disparities. This book contains all of this, but also plays up the idiosyncrasies of people which have nothing to do with class or wealth--such things as food preferences, desire for home life over social life, aversion to certain types of weather, and a tendency to talk almost continuously about virtually nothing. These parts of the novel are some of my favorites because some of the characters with their phobias and addictions remind me of people in my family so it's a truly entertaining aspect for me. I was very pleased with the ending. Jane Austen ties things up neatly. She's not like so many of our modern writers today who are in love with the ambiguous ending (I've read many such books and have enjoyed them), but it's so nice to read an old-fashioned story occasionally and to know that it's all going to work out and that you may even cry as I did at some of the touching, romantic parts at the end (even though there was not so much as a kiss!), Austen has a way of communicating deep emotion. The couple can deeply move the reader, just in the way they look at one another or join hands. Even though the ending is satisfying, the book keeps us on edge and makes us wonder how it will all work out to everyone's satisfaction. Lots of plot twists and surprises. You'll feel for the characters and long for them to find love.
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Reviewed in the United States on July 12, 2016

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