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Description
Home Decorators Collection Collette 30" Single Sink Vanity in Cinnamon Oak with Carrara Marble TopCollette 30" Single Sink Vanity The Collette Vanity combines timeless design with modern functionality, featuring a cinnamon oak finish, Carrara marble top, and soft close doors. Perfect for elevating your bathroom's style. Key Features: Elegant Design: Features a cinnamon oak finish and a white Carrara marble top for a sophisticated look. Soft Close Doors: Equipped with soft close hinges for smooth and quiet operation. Versatile Installation: Can be
Collette 30" Single Sink Vanity
The Collette Vanity combines timeless design with modern functionality, featuring a cinnamon oak finish, Carrara marble top, and soft-close doors. Perfect for elevating your bathroom's style.
Key Features:
- Elegant Design: Features a cinnamon oak finish and a white Carrara marble top for a sophisticated look.
- Soft-Close Doors: Equipped with soft-close hinges for smooth and quiet operation.
- Versatile Installation: Can be installed as freestanding or wall-mounted to suit your space.
- Premium Hardware: Includes gold finish hardware and additional brushed nickel hardware for customization.
- Functional Features: Comes with a backsplash and adjustable height levelers for convenience.
Specifications Table:
| Specification | Details |
|---|---|
| Backsplash Height (in.) | 4 |
| Basin Depth (in.) | 7.7 |
| Basin Length (in.) | 20 |
| Basin Width (in.) | 15 |
| Cabinet Depth (in.) | 21.50 |
| Cabinet Height (in.) | 34.00 |
| Cabinet Width (in.) | 29.00 |
| Product Depth (in.) | 22 |
| Product Height (in.) | 35 |
| Product Width (in.) | 30 |
| Vanity Top Thickness (in.) | 0.7 |
| Assembly Required | Yes |
| Backsplash Included | Backsplash Included |
| Cabinet & Top Assembled weight (lbs) | 108 |
| Cabinet Color | Cinnamon Oak |
| Cabinet Color Family | Brown |
| Cabinet Material | Wood |
| Cabinet Shade | Medium |
| Faucet Hole Spacing (in.) | 8 |
| Faucet Included | Faucet Not Included |
| Hardware Finish Family | Gold |
| Included | No Additional Included Components |
| Medicine Cabinet Included | Medicine Cabinet Not Included |
| Mirror Included | Mirror Not Included |
| Number of Drawers | 0 |
| Number of Shelves Included in Cabinet | 0 |
| Number of Sinks | Single Sink |
| Returnable | 90-Day |
| Sidesplash Included | Sidesplash Not Included |
| Sink Color | White |
| Sink Color Family | White |
| Sink Location | Center |
| Sink Material | Vitreous China |
| Sink Shape | Rectangular |
| Sink Type | Undermount |
| Top Color | Carrara Marble |
| Top Color Family | White |
| Top Material | Marble |
| Top weight (lb.) | 45 |
| Vanity Features | Soft Close Doors |
| Vanity Top Edge Type | Straight |
| Vanity Type | Freestanding |
Frequently Asked Questions (FAQ):
Q: Is the faucet included?
A: No, the faucet is not included with the vanity.
Q: What is the faucet hole spacing?
A: The faucet hole spacing is 8 inches.
Q: Can this vanity be wall-mounted?
A: Yes, the vanity can be installed as freestanding or wall-mounted.
Q: What material is the sink made of?
A: The sink is made of vitreous china.
Q: Does the vanity include a sidesplash?
A: No, the sidesplash is not included.
Timeless Elegance for Your Bathroom
Transform your bathroom into a sanctuary of style with the Collette Vanity. Its cinnamon oak finish exudes warmth and sophistication, while the Carrara marble top adds a touch of luxury. The soft-close doors and premium hardware ensure functionality meets elegance. Pair it with gold accents and plush towels to create a spa-like retreat in your own home.
Elevate your bathroom's style and functionality with the Collette Vanity today.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
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4.6 ★★★★★
Based on 6 reviews
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Product Reviews
★★★★★ 5
Beautifully written book! This book is the way leading to utmost and absolute Happiness!
Imam Abu Hamid Al-Ghazali (God be pleased with him) has composed a magnificient book which is, in my point of view, one of the outmost and greatest spiritual book that ever existed in the chronicles of time!
The real way for the mankind to attain ultimate happiness is to read, understand and apply what this book is revealing! Verily, as Imam Al-Guazali declares, the ultimate happiness is to know God Almighty in order to truly love him and He who truly loves God, God loves Him too!
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Reviewed in the United States on May 16, 2013
★★★★★ 5
A must read for all believers!
Practical advice on developing the higher self to command the lower self to achieve internal happiness that is not dependent on worldly outcomes. If you are an atheist then you might only benefit from the first couple chapters, some of the later chapters are more theoretical supported by logic based on holy scriptures like the Quran, Hadith, or Psalms. This is a must-read for all believers, especially Muslims! Many blessings to Al-Ghazzali, this book is one of my all-time favorites!
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Reviewed in the United States on February 1, 2018
★★★★★ 5
is a great scholar if Islam who consolidated the tenets of the ...
Imam Gazali, also known as Hujjatul Islam, is a great scholar if Islam who consolidated the tenets of the religion against corruption. The Alchemy of Happiness is a must read for anyone who wishes to take the journey for self explotation, to better understand the self; and by doing so, establish a solid relationship with Allah, the lord of the heavens and the earth and everything in between. The true happiness will only come through such a relationship.
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Reviewed in the United States on March 9, 2016
★★★★★ 3
Weird translation
Format: Paperback
Good content but the translation is a bit off. Dont know if I can trust the information in it completely. Still okay for the price i guess
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Reviewed in the United States on June 19, 2025
★★★★★ 5
A letter of Gratitude to Irv Yalom for Creatures of a Day.
Format: Hardcover
Dear Irv Yalom,
This letter is a declaration of gratitude for your newly published book, Creatures of a Day, and the artful legacy you’ve bestowed upon the field of psychotherapy. In the era of fast technology and mass production, your attention to relationship and the handcrafted nature of therapy is a life line. In all of your 50 years as a psychotherapist, you didn’t sell out for clinical blueprints and formulaic approaches. Instead, you opted to stay true to what you knew--the here and now, the importance of the therapeutic relationship, and your own internal thoughts and experiences as essential elements for your work with clients. Creatures of a Day waves a flag and asks us to take notice. It invites us back into the mystery of our work and reminds us to celebrate our humanness. Your masterful story telling allows us to see you and your clients in action, mistakes and vulnerabilities included, and shares pivotal moments that will provoke thoughtful learning for generations of therapists. So thank you for this.
You show us your mistakes
You see, your books (especially Love’s Executioner and Creatures of a Day) let us into your thoughts and experiences. We get to hear you talk to yourself and occasionally grapple with doubt. We get to know your own vulnerabilities and how they influence your therapeutic relationships. This is such a rare view. And I am hungry for it. There are too few books, too few videos, and fewer workshops or trainings that offer this kind of perspective for therapists. We don’t get to see masters make mistakes. We don’t get to hear supervisors or consultants narrate their doubts. So, I consider your book an invitation to write about my own similar encounters in my work. And to continue to make this kind of conversation central to my trainings and retreats for therapists. Thank you for the inspiration and the permission.
You offer central themes and an individualized perspective
As a collection of psychotherapy tales, I think of Creatures of a Day as a series. Like a series of paintings that are created around central themes, your tales invite us to look at the existential themes of aging, death, and connectedness. And, just like a painting series, each reader will take with them a message that is individualized and of unique importance to him/her. In this way, you are truly exhibiting your art as a writer and a psychotherapist. In Creatures of a Day, two patients read the same book and take from it a very different, but beautifully applicable, message. A nurse perceives the angry words she hissed to her dying patient completely opposite of the way in which they were received by the woman she was treating. And a case that you filed away as a blunder turns out to have been a life changer that is only revealed about a decade or so later. This is a reminder to me that while we can’t predict how our art is received, we can in fact commit to creating and collaborating in the very best way we can.
You invite humanness and the art of relationship
I’d like to let you know that in addition to the invitation to write about my experience as a therapist, I welcome your permission to be human with my clients. And, with that comes a renewed dedication to knowing and experiencing what being human is for me. This means deepening my relationship with my art, continuing my work in therapy, and showing up with the same honesty and openness that you let us see in your book.
You make risk a good thing
You ask your patients to risk and use this in as a very important subject during the course of treatment. You take several risks in Creatures of a Day, and show us that risks are a vital part of being an authentic and real therapist. You show us that in your work you are just being honest and attending to your experience and the client’s experience. In fact it is more risky to be untruthful or hide than it is to show up and attend the the relationship.
You inspire me
I won’t stop practicing. You inspire me to continue to write about my own work. And in my own small way, carry your legacy forward.
Once again, thank you for your guidance, your influence, and your legacy.
Lisa Mitchell, MFT, ATR, LPC
www.innercanvas.com
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Reviewed in the United States on March 31, 2015