SKU: 43069507446

Libec 75mm ball and flat base video head, payload 4kg

Sale price$8740.58 Regular price$9711.75
Save 10%

Pay in installments of $2427.94 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Sep 2 - Sep 7

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Libec 75mm ball and flat base video head, payload 4kgLibec NH20 & NH10 Professional Fluid Heads: 75mm Dual Base Precision for Lightweight Camera Rigs In independent filmmaking, travel documentary production, and digital journalism, versatility is key. Camera operators frequently alternate between traditional stationary framing, dynamic tracking moves on a linear slider, or stylized shots on a crane. The Libec 75mm Ball and Flat Base Video Head with a payload capacity of 4kg (8. 8 lbs)specifically

Libec NH20 & NH10 Professional Fluid Heads: 75mm Dual-Base Precision for Lightweight Camera Rigs

In independent filmmaking, travel documentary production, and digital journalism, versatility is key. Camera operators frequently alternate between traditional stationary framing, dynamic tracking moves on a linear slider, or stylized shots on a crane. The Libec 75mm Ball and Flat Base Video Head with a payload capacity of 4kg (8.8 lbs)—specifically represented by the advanced NH20 and its predecessor, the NH10 (cores of Libec’s NX series)—is engineered precisely to handle this hybrid workflow.

Optimized to be suitable for mirrorless cameras and lenses, lightweight cinema setups (like the Sony FX3, Canon C70, or Blackmagic Pocket series), and modular DSLRs, this head delivers smooth, broadcast-tier motion in a travel-weight form factor.

The Genius of the Hybrid Dual-Base Platform

Traditional fluid heads restrict your options: you must buy a ball base for a tripod or a flat base for support rigs. Libec eliminates this workflow bottleneck via its innovative Dual-Head mechanism, which integrates a 75mm half-ball base with a flat-bottom bottom.

  • On the Tripod Legs: Drop the 75mm half-ball natively into standard 75mm bowl tripod legs for traditional, instant horizontal leveling on uneven outdoor terrain.

  • On Alternative Rigs: Unscrew the lower bowl clamp to reveal standard 3/8"-16 flat-mount threads. The head can then be bolted directly onto flat-base linear sliders (like the Libec ALX series), skater dollies, monopods, or production jibs.

  • Extended Insertion Thread: Removing the modular spacer from the bowl clamp extends the usable thread length, ensuring wide compatibility with various third-party grip gear and slider carriages.

Multilayered Metal Structure Drag Unit

Low-cost plastic drag modules often struggle under uneven loads, causing micro-stutters. The Libec 4kg heads feature an advanced multilayered metal structure drag unit that uses premium internal silicone grease to deliver distinct engineering advantages:

  • 3-Step Selective Drag (NH20): Operators can toggle across three steps of pan and tilt friction resistance (plus a zero "free" mode for rapid whip-pans) to smoothly match the speed of the action.

  • Jitter-Free Sweeps: The internal metal laminations isolate friction evenly, completely eliminating sudden jerky resistance when starting or stopping a camera tilt.

  • Extreme Weather Resilience: The drag grease behaves identically in severe environmental conditions ranging from -40°C to +60°C (-40°F to +140°F), meaning the head will not stiffen up in freezing climates or slip under intense desert heat.

5-Step Variable Counterbalance System

To manage varying equipment profiles up to 4kg, these fluid heads incorporate a highly accurate 5-step variable counterbalance system (plus a zero "free" mode). Turning the selector dial increments the internal spring tension to match the exact center-of-gravity height of your camera package (balancing rigs perfectly from 0 to 2.5kg / 5.5 lbs). When properly dialed in, the camera rig floats at zero gravity—remaining completely stationary at any tilt angle (+90° to -70°) the moment you release the pan bar.

One-Touch Sideload Quick Release Action

Speed on set is a finite resource. The head utilizes a one-touch snap-in quick-release plate mechanism. Instead of carefully threading a camera package through rear tracking grooves, operators can drop the setup straight down into the head from above, locking it automatically. The sliding plate provides +/-30mm (1.2") of fore/aft adjustment range, making it effortless to re-balance front-heavy macro lenses or rear-heavy video accessories. Best of all, the sideload architecture is fully cross-compatible with select industry-standard Manfrotto and Sachtler heads.

Thoughtful Premium Field Ergonomics

  • LED-Illuminated Bubble Level: A integrated push-button blue LED clearly illuminates the level bubble, allowing for level horizons even in pitch-black theatrical venues or night-time exterior environments.

  • Dual Side Accessory Ports: Built-in 1/4"-20 and 3/8"-16 female thread ports on the left side of the casting let you rigidly attach articulated arms, external monitors, or wireless video transmitters directly to the head without cluttering your camera cage.

  • Dual Pan Handle Rosettes: High-strength steel rosettes are positioned on both the right and left sides of the head casting, allowing you to position the high-grip pan handle for left-handed use or configure dual handles for studio operations.

Key Technical Specifications:

  • Model Class: Libec NX Series (NH20 / NH10)

  • Fitting Type: Dual-Base (75mm Half-Ball and 3/8"-16 Threaded Flat Base)

  • Maximum Payload Capacity: 4 kg / 8.8 lbs

  • Counterbalance Control: 5-Step Selectable plus "Free" Zero Mode

  • Drag Selection: 3-Step Selectable plus "Free" Zero Mode (Pan & Tilt)

  • Drag Mechanism: Premium Multilayered Metal Structure

  • Tilt Angle Range: +90° to -70°

  • Camera Plate: One-Touch Sideload Sliding Plate (+/-30mm range, Manfrotto/Sachtler compatible)

  • Leveling Feature: Built-in LED-Illuminated Bubble Level

  • Accessory Mounts: Left-Side 1/4"-20 and 3/8"-16 Screw Holes

  • Weight: Super lightweight at only 1.8 kg / 4.0 lbs

Why Choose the Libec 4kg Dual-Base Fluid Head?

If you are looking for an SEO-friendly camera support investment that bridges the gap between travel-weight mobility and professional studio precision, this head is a top-tier choice. By combining a 4kg payload capacity, a versatile 75mm dual base, step-calibrated fluid drag, and an illuminated level bubble, Libec provides a production-grade fluid head that guarantees flawlessly smooth cinematic movement on every take.

Take full control of your tracking shots—add this Libec 4kg Dual-Base Head to your production gear today!

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 43069507446

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.3 ★★★★★
Based on 23 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
B
Verified Purchase
Blake Ray
Los Angeles, US
★★★★★ 5
Outstanding edition of important and thrilling novel
Format: Kindle
This review is for the novel "The Master and Margarita" in the Kindle edition translated by Diana Burgin and Katherine Tiernan O'Connor. I just finished reading this novel for the third time. Ages ago I read it for a college 20th Century Russian Literature class in the Mirra Ginsburg translation, and loved it so much that as soon as I finished it I started over at the beginning without even getting up from my chair to read it a second time. Somehow this edition got lost; probably I loaned it to a friend and never got it back. In subsequent years I tried to read it again, in the P&V translation and in another that is no longer available, but I just couldn't make any headway, and abandoned these after two chapters. I have not sat down to compare line by line this translation with a Russian version, which I also have, but the translation in the version under discussion seems to me to be stellar. It read smoothly and vividly, and captured the movement and extravagant energy of the original. This is a tough novel to translate since the writing style changes drastically in some chapters. Tone and topic are intimately intertwined, and the stylistic virtuosity of Bulgakov is one of the book's primary charms. (Read it and you will find out why.) This edition also has extensive notes at the end, general guidance for making sense of references and allusions, and these are very helpful and beautifully written by Ellendea Proffer. These notes are followed by an outstanding essay on the novel, as well as a brief biographical sketch of the author, and these are likewise very helpful, thoughtful, well-written and not overly long. (These are also by Ellendea Proffer. She really hits a home run with her essay, in my humble opinion.) I am hooked now, and am sure I will be returning to this novel many times. Although I enjoyed immensely my first two readings of this novel, I feel now that three readings is not enough to grasp it. I will have to go back to it, but it's worth it! This is a novel for those who can keep an open mind and who are not bothered by satire or surrealist elements, and who can accept puzzling ambiguities and deep philosophical and moral questions for which there are no easy answers. I am so glad I decided to take a chance on this wonderful translation.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 5, 2023
D
Verified Purchase
D. Mikels
Lexington, US
★★★★★ 3
"The devil knows why. . ."
I have mentioned before in a distant review of the past that each book has a "moment of truth," that shimmering macrosecond where the reader either becomes hooked (and therefore can't wait to finish the work), or disappointed (whereby the book is either put aside, or finished grudgingly). For me, alas, Bulgakov's THE MASTER AND MARGARITA evoked the latter, although I finished the book and readily appreciated the author's rather fantastic and satirical story of Satan and his pesky retinue wreaking havoc in 1930s Moscow. That Mikhail Bulgakov is an exceptional writer is a given; if only I was fluid in Russian where I could read his words as written I would no doubt be even more impressed with his prose and style. This Vintage Press edition (translated by Diana Burgin and Katherine Tiernan O'Connor) certainly pays homage to this classic with a meticulous eye for detail, followed by notes on each chapter that I found to be invaluable. So then, what's the problem? Well, I enjoy humor and satire as much as the next guy (I suppose), but a story depicting Satan as some sort of instrument of salvation--an instrument in alliance with Yeshua--for the book's two protagonists was just. . .too much. The Master, a writer who cannot endure the pain of rejection, is one-dimensional and sullen, while Margarita, his love, becomes a willing pawn of the devil. And the story blithely suggests that death through its mortal release is preferable to life (which is understandable, given Bulgakov's failing health as he finished the book). The fantastic notion of the story--of illusion, madness, a huge talking cat, flying through the air, and a Satanic ball--is a clever device, but eventually it wears thin. As a playwright, Bulgakov uses an abundance of theater officers, bureaucrats, and authors as unhappy victims of Satan's antics (no doubt the author was settling countless scores); unfortunately, the names of these characters are in Russian, and many of the names vary by a vowel or a letter, making it very difficult for the reader to keep track of "who's who." And the parallel story of Pontius Pilate and the crucifixion--told from a political, not spiritual, perspective--was interesting, yet bizarre. In fact, "bizarre" is a good word to describe THE MASTER AND MARGARITA in its entirety; it's an interesting, fantastic, metaphysical tale, yet requires too much suspension of disbelief. --D. Mikels
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 24, 2004
D
Verified Purchase
Dr. Mike
Charlottesville, US
★★★★★ 5
If you read rarely, or all the time, don't miss this! (It's easy to do)
This is simply one of the best works of literature, allegory, and even poetry, ever put together. It took decades for Mikhail Bulgakov to write this actually, and over the past century, his Faustian flavored tale about the nature of people and the power religion vs. the state vs. the devil knows.... has become a cult classic in Russia. Note that this is pure Bulgakov (as author) and this listing names one of the 2 wonderful translators who collaborated on getting the flavor of the language just right. They make it clear that this was a total collaboration of expert translators. At the end they offer additional notes about some of the details and finer points of history or the Russian language. There are also some additional passages included for the first time, which the earlier translation omitted. I read this when it was first translated (80s?) and a college friend who had escaped from Communism insisted I read this. It was great then, as literature, human drama, and superb writing. Bulgakov amassed a huge following once his work was actually published, after his death. Some of his work is only now being published and read. I recently found myself in front of Flat #50, near Patriarchs Ponds (Moscow), the setting where the first part of this addictive novel begins. Berlioz (in the guise of literary czar, not the famous composer) is arguing with a poet about the existence of G-d when interrupted by, who the devil knows, but soon it is clear that literary and bureaucratic Moscow have become friends to the devil. Mr. Woland and his interesting entourage are about to put on a show at the theater, promising to be magical. Great book. Like other great Russian *stories*, this captures human nature, anguish, curiosity and the variations in the rules of right/wrong, possible/impossible. It's quite a ride through the supernatural as well as theological and even medical., If you immerse yourself in it, you'll see many foreshadows of Harry Potter magic. Serious must read, for the adventure, mystery, the Faustian morality play, which takes pokes at both religion and "civil" humankind. A#1 recommend - and it may help to understand Russian (and human) psychology, and how we use words to invent smoke, mirrors, and fables which mirror life and death and love.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 16, 2014
C
Verified Purchase
C. Collins
Charlottesville, US
★★★★★ 5
A masterpiece at several levels
This amazing book can be interpreted at several levels or just read for the sheer enjoyment of the bazaar antics of all the characters. I found it to be full of profound concepts wrapped in a chaotic and fantastic romp of a good story. First, I thought the story was a tale of revenge. Bulgakov was highly discriminated against and his work suppressed throughout his career and life. A genius' work is smothered by Soviet brainless censors while a literaray elite develops composed of talentless writers and editors who only push the Communist Party line. Bulgakov has these nit-wits become the play-toys of the Devil in a story of hilarious dark comedy. Bulgakov never got revenge against the system that impoverished him until after his death when readers laugh at the incredible uncomfortable situations the Devil creates for the Moscow talentless literary elite. Second, the tale is a satiric critique of the Soviet system under Stalin. Many Soviet methods of social control, such as apartment assignments by the state, set the stage for wild adventures for Soviet citizens caught in this overly centralized society. The chapter on the Soviet authorities trying to take over the apartment of the be-headed editor from the Devil and his assistants is some of the most clever satire ever written. The magic shows performed by the Devil in a state-owned theater was a perfect commentary on the weaknesses of the Soviet system. Third, the novel is a superb essay on the killing of God as a political act. The Devil is delighted to come to the Soviet Union where belief in God is under attack and atheists rise to positions of power and status. The Soviets tried to kill God to better control their citizens. The genius of this book is that Bulgakov tells us the tale of Pontius Pilot and the High Priest of Jerusalem playing a careful came of strategy with the life of Jesus Christ. Both men had reasons to kill Jesus so that they could both maintain political power. But these two men are wise and they wish for the other party to take the blame for the crucifiction. Since Jewish law did not allow for the death penalty, the High Priest must manipulate Pilot to give the orders. However Pilot uses spys and murderers to cast blame back on the Jewish leadership by murdering Judas and throwing thirty silver pieces into the home of the High Priest. God must always be killed/maimed/distorted for a totalitarian government to maintain control. Suppression of God doesn't simultaneously suppress the Devil. Fourth, the events related in the story are extremely fun to read. The encounter with the Devil in the public park, the scenes in the dead editor's apartment, the magic show, the insane assylum, the Devil's ball, the flashbacks to Jerusalem, all will stick in your mind for days after you finish the book. This novel was finally released after Bulgakov had been dead for 30 years. The Devil in the story predicts this future when he says: "Manuscripts don't burn."
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 5, 2005
K
Verified Purchase
KB2187
Draper, US
★★★★★ 5
I Really Enjoyed This
Format: Paperback
I really enjoyed this book. The story is coordinated with Star Wars Vol. 8 Mutiny on Mon Cala and Star Wars Vol. 9 Hope Dies. It is not necessary, but to get a more rich, fuller story, you'll want to read this book first then switch over to those two Star Wars main series volumes. I'm giving this review 5 Stars, but I have to say that I wavered on docking it by one star. I'm not crazy about the art. And, although the story is excellent (and as much as I love a good Vader story), I didn't enjoy it as much as I did those two Star Wars volumes I mentioned above; Volumes 8 & 9, Mutiny at Mon Cala and Hope Dies. Those books are top notch excellent. This book, I'd say, is a notch down, at very, very good. Read it and see what you think. As a whole, I like how Marvel is filling out the years between the original trilogy movies with these stories. This story about the Battle of Mon Cala, over two different series, is fantastic.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 27, 2019

recommand products