SKU: 46839470496

Amerock Clarendon Polished Chrome Wall Mount Towel Ring, 6-7/8 in Length

Sale price$38.24 Regular price$42.49
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Description

Amerock Clarendon Polished Chrome Wall Mount Towel Ring, 6-7/8 in LengthClarendon Polished Chrome Wall Mount Towel Ring A sleek, open style towel ring from Amerocks Clarendon collection, finished in polished chrome for a bright, spa like look. Durable zinc construction with smooth transitions complements coordinated cabinet hardware and installs easily with included hardware. Key Features: Polished Chrome Finish: High shine silver tone that pairs with Amerock cabinet hardware Durable Construction: Zinc material for long

Clarendon Polished Chrome Wall-Mount Towel Ring

A sleek, open-style towel ring from Amerock’s Clarendon collection, finished in polished chrome for a bright, spa-like look. Durable zinc construction with smooth transitions complements coordinated cabinet hardware and installs easily with included hardware.


Key Features:

  • Polished Chrome Finish: High-shine silver tone that pairs with Amerock cabinet hardware
  • Durable Construction: Zinc material for long-lasting performance
  • Open Ring Design: Single swinging ring for easy towel access
  • Easy Wall Mount: Includes #8 x 1-1/4-in sheet metal screws for installation
  • Lifetime Guarantee: Backed by Amerock Guardian limited lifetime warranty

Specifications Table:

Specification Details
Collection Name Clarendon
Fixture Color Family Chrome
Fixture Finish Polished
Manufacturer Color/Finish Polished Chrome
Type Open
Actual Length (Inches) 6.875
Actual Width (Inches) 5.875
Assembly Required No
Design Single
Material Zinc
Mount Type Wall mount
Mounting Hardware Included Yes
Number of Rings 1
Projection from Wall (Inches) 2.9375
Shape Square
Swinging Yes
Warranty Limited lifetime
CA Residents: Prop 65 Warning(s) No
UNSPSC 30181600

Frequently Asked Questions (FAQ):

Q: What are the overall dimensions?
A: Approx. 6.875 in length x 5.875 in width with a 2.9375 in wall projection.


Q: Is mounting hardware included?
A: Yes, #8 x 1-1/4-in sheet metal screws are included.


Q: What material is it made from?
A: Zinc construction with a polished chrome finish.


Q: Does the ring swing?
A: Yes, it features a swinging open-ring design.


Q: Is there a warranty?
A: Amerock Guardian limited lifetime warranty against defects in material and workmanship.


A Sparkling, Sculpted Accent for the Bath

Clarendon’s polished chrome gleams like jewelry, bringing crisp modernity to the everyday ritual. Its softly squared backplate and fluid open ring feel tailored yet effortless. Style it alongside polished fixtures and layered white linens for a serene, spa-inspired ensemble. This is the refined finishing touch that elevates a bath to luxurious living.


Complete your bath refresh with this polished chrome Clarendon towel ring—install in minutes and enjoy lasting style.

Shipping Notes
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SKU: 46839470496

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4.1 ★★★★★
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A
Verified Purchase
AlanWarner
Battle Creek, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 6, 2015
C
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Carole T Emberton
Dallas, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 17, 2018
P
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pat delzell
Los Angeles, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 14, 2019
B
Verified Purchase
B. Kirzner
Fort Morgan, US
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2021
V
Verified Purchase
V. Young
Belleville, US
★★★★★ 5
great book
Format: Paperback
This book was insightful yet the stories was shocking but its a dose of reality. I like the product and its great for my library.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 3, 2014

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