SKU: 54618590123

Viridian Clearline 445W Mono All Black Solar Panel

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Description

Viridian Clearline 445W Mono All Black Solar PanelViridian Clearline PV16 M10 445W Mono All Black Solar Panel The Viridian Clearline PV16 M10 445W Mono Solar Panel Full Black delivers a powerful combination of next generation cell technology and sleek in roof aesthetics. Featuring advanced TOPCon monocrystalline cells, this module is designed to provide high efficiency, enhanced fire safety, and a seamless appearance that integrates perfectly with UK roofing standards. Ideal for residential rooftops,

Viridian Clearline PV16 M10 445W Mono All Black Solar Panel

The Viridian Clearline PV16 M10 445W Mono Solar Panel – Full Black delivers a powerful combination of next-generation cell technology and sleek in-roof aesthetics. Featuring advanced TOPCon monocrystalline cells, this module is designed to provide high efficiency, enhanced fire safety, and a seamless appearance that integrates perfectly with UK roofing standards. Ideal for residential rooftops, it is engineered for easy installation, long-term durability, and maximum system compatibility.

Now available in the Viridian Configurator, and launching June 30th, 2025, the Clearline PV16 M10 is a future-ready solution for solar professionals looking for both performance and visual excellence.

Key Features

  • 445W High-Efficiency Output: Optimal power generation for residential systems.

  • TOPCon Cell Technology: Delivers improved performance and lower degradation over time.

  • Full Black Design: Offers a uniform, stylish aesthetic that blends into rooftops.

  • In-Roof and On-Roof Compatible: Flexible mounting options to suit different installation styles.

  • Designed for the UK Market: Engineered for compatibility with common UK roof types and fire safety standards.

  • Fast Installation: Built with installers in mind for reduced on-site time.

  • Integrated System Support: Fully supported by the Viridian Configurator and compatible with Clearline mounting solutions.

Specifications

  • Manufacturer: Viridian Solar

  • Model: Clearline PV16 M10

  • Power Output: 445W

  • Cell Type: N-type TOPCon Monocrystalline

  • Appearance: Full Black

  • Mounting Type: In Roof / On Roof

  • Dimensions: 1722 x 1134 x 70 mm

  • Weight: 28.3 kg

  • Number of Cells: 54

  • Module Efficiency: 23.6%

  • Temperature Coefficient (Pmax): -0.29%/°C

  • Open Circuit Voltage (Voc): 39.90 V

  • Short Circuit Current (Isc): 14.18 A

  • Fire Rating: BRoof (Test 1 & 4)

  • Certifications: MCS005, MCS012

  • Warranty: 15-year product warranty; power output guaranteed at 95% after 10 years and 87% after 30 years.

Applications

  • Residential rooftops (new builds and retrofits)

  • Architecturally sensitive or listed buildings

  • Projects where aesthetic integration is a priority

  • Solar installations requiring compliance with UK regulations

Why Choose This Product

  • Offers modern aesthetics with high-end performance for discerning homeowners.

  • Developed by Viridian Solar, a trusted UK-based manufacturer specializing in in-roof solar systems.

  • Part of the Clearline system, ensuring full compatibility with mounting, flashing, and electrical accessories.

What’s Included in the Box

  • 1x Viridian Clearline PV16 M10 445W Mono All Black Solar Panel

  • Installation & Mounting Guide (if provided)

  • Warranty Documentation

  • Listed in the Viridian Configurator for system planning

Disclaimer

All product information provided by Solareon UK is intended for general guidance only and may be subject to change or error. Solareon UK does not accept liability for any inaccuracies or omissions in the product specifications displayed. For accurate and detailed technical information, please refer to the manufacturer’s official datasheet available in the 'Downloads' section. We strongly advise confirming all critical details directly with the manufacturer prior to making purchasing or installation decisions.

Shipping Notes
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 54618590123

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4.6 ★★★★★
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Product Reviews
D
Verified Purchase
David R. Papke
Dallas, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Alexandria, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
West Palm Beach, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Omaha, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Battle Creek, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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