SKU: 63399978376

The Year Of The Conga (UK Import) - Guti

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The Year Of The Conga (UK Import) - GutiLife is all about rhythms. We dont know what were dancing to until were in so deep we can no longer control ourselves. The rhythm controls us. Right now both Guti and the Martinez Brothers are dancing to the conga rhythm. Gutis third album, theyve been dancing to it since the summer, teasing us with a whole slew of percussive new And theyll continue throughout 2019. Chance are you will, too. Eventually the rhythm will control all of us. Its too

Life is all about rhythms. We don’t know what we’re dancing to until we’re in so deep we can no longer control ourselves. The rhythm controls us. Right now both Guti and the Martinez Brothers are dancing to the conga rhythm. Guti’s third album, they’ve been dancing to it since the summer, teasing us with a whole slew of percussive new… And they’ll continue throughout 2019. Chance are you will, too. Eventually the rhythm will control all of us. It’s too infectious not to. Here’s the 411: ‘The Year Of The Conga’ is Guti’s third and most rooted album to date. It came about through a personal request from brothers Chris & Steve Martinez. Both unapologetic Guti fans they wanted the very first album on their Cuttin’ Headz label to be his. The result is a total reconnection back to his Argentinian foundations, his club roots and everything that first lured him to the dancefloor… “I’m back to my roots and found my Latino groove again,” says Guti who wrote the album throughout 2018, starting it whilst bulleting through Japan by train, the majority crafted in the jungle of Dominican Republic, having collected and sampled native percussion instruments, and then finally mixing down on his return to Europe. “Every song is full of rhythm and created to make you dance…”

He’s not messing around; from the writhing snakelike percussion and rousing calls and cries of opener ‘Aee’ right through to the final mesmerising waves and farewell struts of finale ‘Voladora’ this an album is born both for and from the dancefloor. No overthinking, no purism, no exclusion; just unabashed physical hypnosis, fuelled for the floor, guided with gut instinct and years of groovecraft. It’s the sound of an artist who’s disconnected, explored and reconnected. He’s older, he’s wider and more in tune with his own pace and palette. One of the most diverse and explorative artists to come from Loco Dice’s Desolat stable, this is Guti simplifying his passions down to an essence of everything that’s magic about his roots and our shared dancefloor culture.

The highlights are in abundance; those hazy-but-persistent New Jersey organs on ‘Telling The Truth’, that wobbly sub on ‘Red Eye’, that shimmering sinewy acid line on ‘Se Baila’, the spicy pianos and wet horns of ‘La Orchestra Fantasma’, the list goes on. Each cut designed for deep mix pleasure, each cut rolling with a strong organic flavour and alluring percussive dynamics, each cut showing Guti at his most inspired, warmest, playful and ready to wrap you up so deep in a conga you’ll soon lose yourself.

Cuttin Headz, cuttin straight to the chase but never cutting it fine… Let us be the first to wish you happy new year with the first ever album on the currently unstoppable label. We’ll wish you a happy new conga, too. 2019’s going to be a vintage and Guti and the Martinez Brothers are leading the charge.

Track Listing And Details
A1. AEE
A2. Se Baila
A3. Simple Thoughts
B1. Salve Me feat. Morgan
B2. Telling The Truth

C1. Like That
C2. Beat
C3. Voladora
D1. Another Day
D2. Our House (Somebody) feat. Leo Garcia
D3. La Orchestra Fantasma feat. Greg Paulus & Chucky De Ipola
LABEL: CUTTIN HEADZ
NUMBER OF DISCS: 2
UPC: 5060670881274
RELEASE DATE: 4/26/2019
PRODUCT ID: IMT0881274.1
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SKU: 63399978376

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I am not normally a fan of nonfiction books, real life is just too real! So I normally stick with fiction books that a good author makes up. But I must say here and now "I Really enjoyed reading this book"!! I kept telling my husband, " you really going to enjoy this book"! I couldn't hardly put it down! Mr. D'Souza is a very fine writer. I would recommend this book to everyone. A very, very good read!!!!!!!
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Fabulous book
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Explains in an easy to understand way so many facts about the dramatic and dangerous situation we are facing in our country right now. Dinesh vast knowledge of history ties in decisive moves in the past with our current alternatives.
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Satori
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Impartial: This dispassionate history of the Supreme Court should be read by everyone genuinely concerned about the future of our country and the rule of law. It's impartiality will likely infuriate those on the Left or Right who would prefer to vilify and demolish this branch of our government. There are plenty of books out there that will support your rage. But this book is a deep breath of fresh air. I speak as a member of the bar of the Supreme Court, a retired federal judge, and a lifelong Democrat. The Most Powerful Court In the World (an accurate title) It is the first serious and nonpartisan book written about the Supreme Court in at least the last 30 years. Chock full of details and yet eminently readable. Context: Law Professor Banner puts today's Court in its historical context, demolishing the proposition that in the good old days the Court was a quiet and apolitical sanctum of wisdom and that it has only recently become controversial and political. It's been extremely controversial since at least 1803. Banner's recounting of the historical facts (including wonderful anecdotes) lifts the reader from the immediate tumult of 2024 headlines and provides us with the long view of the Court and the evolution of the law and the Court. Examples include: 1. Court packing (it started with John Marshall in 1801) and manipulating the number of Justices to help, or prevent, Presidential agenda's and appointments (1801). 2. Diversity on the Court (regional, religious, racial, gender) 3. Reconstruction and Jim Crow. 4. The Commerce Clause revolution and its sequel. 5. The rise of individual liberty litigation and decisions in the 20th century, starting with the novel idea of applying the Bill of Rights to the States. Religion, free speech, Roe, Dobbs. 5. The winning judicial strategies for challenging racial discrimination, sexual and gender discrimination and LGBTQ+ discrimination cases to the Court and their current erosion. Affirmative action and its demise. 6. The fact that the Court (composed of lawyers who are taught to revere history, precedent and law) has been a conservative institution for its entire history except for 15 years right after FDR when, for a short interval, it moved to the Left. 7. Movements to reform the Court (age limits, more justices, Congressional veto, jurisdiction stripping) have been perennial. Including Biden's Presidential Commission Report of 2021. 8. The fact that the Justices are human beings who have hobnobbed with the President, VP, Senators, Politicos and Business people forever. Frankfurter played poker with FDR, Douglas took a $12,000 per year salary from the owner of a Las Vegas Casino, Fortas took $20,000 per year from Louis Wolfson, who was later convicted and sent to prison. Spouses who worked for law firms that appeared before the Court. The reader will note that in his discussion of every case, especially the modern ones, Professor Banner provides a representative and pithy quote from the Majority decision and from the dissent. He recounts them fairly and does not take sides. He lets the reader think about it. This book is a delightful change from the norm for modern SCOTUS literature - which is either a partisan hatchet job by a journalist or professor, a compendium of gossip from the law clerks willing to talk, or the warm and neutral memoire or musings of a current Justice trying to make a buck or a former Justice burnishing his or her place in history. Banner gives you as straight, objective and unvarnished a history as you are likely to get these days. It is not a hit-job. It is not a hagiography. The Most Powerful Court in the World should be required reading for any student of the Supreme Court.
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