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cello virtuosi in france 1730 1790CELLO VIRTUOSI IN FRANCE 1730 1790 ( LDV 14115 ) Composer : Variuos SONATAS & DUOS FOR TWO CELLOS JP RAMEAU (1683 1764) M. BERTEAU (1691 1771) F. CUPIS (1732 1808) Airs from: Les Gentils Airs adjusted pour deux Cellos and from Recueil d'Airs choisis par Mr Cupis le Jeune , publ. in Paris, 1760 70. JB DE BOISMORTIER (1689 1755) Sonata Op. XXVI No. 5 VJ SPOURNI (17 1754) *** Sonatas (Op. IX), Nos. 1, 3 JP GUIGNON (1702 1774) *** Sonata Op. II No. 1 JB
CELLO VIRTUOSI IN FRANCE 1730-1790 ( LDV 14115 )
Composer : Variuos
SONATAS & DUOS FOR TWO CELLOS
JP RAMEAU (1683 – 1764) | M. BERTEAU (1691 – 1771) | F. CUPIS (1732 – 1808)
Airs from: “ Les Gentils Airs… adjusted pour deux Cellos” and from “Recueil d'Airs choisis … par Mr Cupis le Jeune ”, publ. in Paris, 1760/70.
JB DE BOISMORTIER (1689– 1755)
Sonata Op. XXVI No. 5
VJ SPOURNI (17… – 1754) ***
Sonatas (Op. IX), Nos. 1, 3
JP GUIGNON (1702 – 1774) ***
Sonata Op. II No. 1
JB BARRIÈRE (1707 – 1747)
Sonata Op. I, Nos. 2,3
LFJ PATOUART (1717 – 1797) ***
Sonata Op. II, Nos. 3, 5
J.P: BAUR (1719 – 1773) ***
Sonata Op. I No. 5
CH DE BLAINVILLE (1711 – 1769)
Sonata Op. II No. 1
B. GIRAUD (17.. – 1790)
Sonata Op. I No. 4
JB TILLIÈRE (2nd half XVIII Cent.)
Sonata No. 2
LCJ REY (1738 – 1811) ***
Sonata Op. IV, No. 4
JB CANAVAS L'AINÉ (1713 – 1784) ***
Sonatas Op. II nos. 1-5-6
S. LANZETTI (1710 – 1780)
“Vivace” and “Largo” from: “ Pièces …del Signor Lanchetty ”, mss Bibl. Nat. Paris.
JB BRÉVAL (1753–1823)
Sonata Op. XII Nos. 3.5, Op. XXVIII Nos. 1,4,5,6 **
*** World premiere rec.
Notes
The twelfth title in our series entirely devoted to the cello soloist in the eighteenth century, joining previous titles featuring sonatas by Lanzetti, Janson, Duport, and Spourni, this collection explores the fascinating journey of the Neapolitan school of cello in France and, concurrently, the development of their respective musical styles toward the birth of the new European music of Classicism. From the haunting, hypnotic atmospheres of French arias to the vibrant theatricality of the Italian musical imagination, throughout the sixty years preceding the Revolution, the cello was undoubtedly one of the most authentic protagonists.
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