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Illinois Jacquet: Big Band Live in Berlin 1987 - COMPACT DISCSTitle: Big Band Live in Berlin 1987 Artist: Illinois Jacquet Label: Squatty Roo Records Product Type: COMPACT DISCS UPC: 686647021204 Genre: Jazz Release Date: 2014 04 15 Number of Discs: 1 In 1981 Tenor Sax legend Illinois Jacquet pursued his career long dream of assembling a truly great big jazz band in the tradition of his mentors, Count Basie and Lionel Hampton, bands with whom he recorded and toured in his youth. He would apply all the wisdom and
Title: Big Band Live in Berlin 1987Artist: Illinois Jacquet
Label: Squatty Roo Records
Product Type: COMPACT DISCS
UPC: 686647021204
Genre: Jazz
Release Date: 2014-04-15
Number of Discs: 1
In 1981 Tenor Sax legend Illinois Jacquet pursued his career-long dream of assembling a truly great big jazz band in the tradition of his mentors, Count Basie and Lionel Hampton, bands with whom he recorded and toured in his youth. He would apply all the wisdom and experience he gleaned as their sideman, as well as from his years of leadership over his many small groups, and would include songs he made famous with his "little big band" of the 1940s. The Illinois Jacquet Big Band was filled with luminaries and young stars, but unfortunately would only record one studio album entitled "Jacquet's Got It" on Atlantic Records, in 1987. Here, for the first time in history, we have a snapshot of what that band was like on the road, playing live In Berlin at Philharmonic Hall. As listeners will easily hear, this band rocked the house, and swung hard! Illinois himself is in rare form, playing soulfully and strong, ripping through all his classics with fervor and fire. These wonderful arrangements are mostly by the pen of Eddie Barefield, Wild Bill Davis, and Phil Wilson. Featured here within the band are veterans such as Irvin Stokes, Johnny Grimes, Richard Wyands, Eddie Barefield, Rudy Rutherford, and Babe Clarke; as well as young lions such as Frank Lacy, Joey Cavaseno, Jesse Davis, and Henry Scott.
Tracks:
1.1 Robbin's Nest
1.2 Jacquet's Got It
1.3 Smooth Sailing
1.4 Old Man River
1.5 More Than You Know
1.6 Stompin' at the Savoy
1.7 Blues from Louisiana
1.8 Perdido
1.9 On the Sunny Side of the Street
1.10 Three Buckets of Jive
1.11 Flying Home
Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.
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4.6 ★★★★★
Based on 17 reviews
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Product Reviews
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked.
I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001