SKU: 82304863993

A House for My Name: A Survey of the Old Testament

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Description

A House for My Name: A Survey of the Old TestamentThe best stories subtly weave themes and characters and symbols into a stunning final tapestry. In this Canon Press bestseller, Leithart shows that the Bible is the best story. Look Inside the Book or Listen on Canon+ For many Christians, sadly, the Old Testament is merely a jumble of moralistic stories and weird rituals, genealogies, and historical chronicles. What is the point of it all, and what does it have to do with Jesus? In this short and

The best stories subtly weave themes and characters and symbols into a stunning final tapestry. In this Canon Press bestseller, Leithart shows that the Bible is the best story.

Look Inside the Book or Listen on Canon+

For many Christians, sadly, the Old Testament is merely a jumble of moralistic stories and weird rituals, genealogies, and historical chronicles. What is the point of it all, and what does it have to do with Jesus?

In this short and readable book, Leithart gives a sweeping overview of the Bible, its stories, and the patterns and symbols that recur throughout it, highlighting the ways many of the little stories look forward to the life, death, and resurrection of Jesus Himself.

Although the book is lots of fun, the lessons it teaches are far from trivial. The Gospels say again and again Jesus is the fulfillment of the Old Testament. Christians need to learn to read the Old Testament the way Jesus and the Apostles read it, so that we can delight in the word of God and encounter Him in its stories. This book can be read easily by high school students and includes review questions for anyone who wants to use it in their curriculum. However, it will also give anyone familiar with Scripture much to think about. "And beginning at Moses and all the Prophets, He expounded to them in all the Scriptures the things concerning Himself" (Lk 24:27).

For a book with answers to the discussion questions, click here.

This book can be purchased as an audiobook here or on Audible.*

* All purchases made through this link will earn us a small commission through Amazon Associates, an affiliate program. 

What People Are Saying:

"One of the most important lessons any Christian reader of the Old Testament must learn in order to truly understand its message is its connection to the New Testament. Jesus himself said that the whole Old Testament looked forward to his coming suffering and glorification (Luke 24:25-27, 44-48), but it is surprising how many ignore this crucial principle of interpretation. Peter Leithart has written A House for My Name with that lesson in mind. He not only gives us a first-class introduction to the Old Testament in the context of its own time, but he also shows how all the Scriptures point to the ultimate object of our faith Jesus Christ. I strongly recommend this book." -Tremper Longman III, author of Making Sense of the Old Testament

"This Old Testament survey effectively calls evangelicals to repent of their rejection of 'externals' such as rituals, ceremonies and institutions. It contends that the typical evangelical view of the Old Testament is eerily similar to that of old-time liberalism, even though evangelicalism has always defined itself in opposition to such perspectives." -The Dallas Morning News

"Families can deepen their understanding of the beauty and connectedness of God's story of His covenantal relationship with His people." -The Presbyterian Witness

"So many evangelicals don’t know what to do with the Old Testament, and they’re missing out on so much!" -Alastair Roberts, author of Echoes in Exodus

"A great introduction to Old Testament Biblical Theology." -Steven Wedgeworth

Peter Leithart (PhD, Cambridge) is President of Theopolis Institute in Birmingham, Alabama and an Adjunct Senior Fellow at New Saint Andrews College in Moscow, Idaho. He is the author of numerous books on theology and literature, including The Baptized Body, Against Christianity, Brightest Heaven of Invention, and Ascent to Love. He has also authored articles in journals such as Pro Ecclesia, Journal of Biblical Literature, Westminster Theological Journal, and First Things. Peter and his wife Noel have ten children and a fetching collection of grandchildren.

AUTHOR: Peter J. Leithart

PAGE COUNT: 304 pages

SIZE: 5.50x8.50"

ISBN 10: 1885767692

ISBN-13: 9781885767691

PUB. DATE: June 20, 2000

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SKU: 82304863993

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Basket Case
Lowell, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
J
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johnf
Port Orchard, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016
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Todd7
Louisville, US
★★★★★ 5
My favorite movie musical
The Umbrellas of Cherbourg (1964, Jacques Demy, Director) is a very straightforward love story that’s fairly predictable, but that doesn’t take away from its absorbing allure. In fact, I love this film so much that I’m willing to overlook some of the minor flaws in the blu ray transfer from Criterion. This transfer is somewhat grainy/hazy in picture quality, and the sound isn’t exactly clear; in fact, it can be slightly muffled at times. However, I’m not going to dwell on these few minor imperfections. Now, for the heart of the review: The Umbrellas of Cherbourg is so unique in that all of the dialogue is sung. This is definitely an acquired taste, but about 15-20 minutes in, I was used to it and all-in. The next thing that becomes obvious is its rich color; it’s sort of pastel-like, with some backgrounds that are quite striking. Finally, the last thing that jumps out is the continuous upbeat music in the film, with the exception of the main theme, which is an emotionally-charged melancholy number by Michel Legrand that is the heartbeat of the film. This film is really a heartfelt love story where fate is the prevailing narrative and force. It’s a film about important decisions and their outcomes. Along the way, there are familial issues, death, rebuilding with emotional crutches, and some humor injected at just the right times. Some of the dialogue is cliched, but I guess that’s par for the course in a love story? Finally, while watching this film, I could definitely see where the 2016 film, La La Land took so much inspiration from, especially the ending sequence and the upbeat musical numbers. Overall, The Umbrellas of Cherbourg is a masterpiece of a film that’s essential to your blu ray collection. The Criterion Collection usually does a stellar job with resorting older films, but for some reason this isn’t their best work. I was expecting better quality. The blu ray also contains some nice special features.
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Reviewed in the United States on July 22, 2025
J
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JHB-4
Louisville, US
★★★★★ 5
Gorgeous Legrand music in a superb film
One of the lovliest films ever made! It's a "jazz opera" with superb Michel Legrand music and more. And the finale will melt the hearts of any "family" person who experiences it.
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Reviewed in the United States on November 26, 2025
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Verified Purchase
Anna Thalman
West Palm Beach, US
★★★★★ 5
Excellent disc and movie
This is one of the great films of the last century. If you haven’t seen it, buying this expensive blu ray is still a bargain. Love Criterion’s high quality publication and bonus materials!
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Reviewed in the United States on October 10, 2025

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