SKU: 83190589593

Green Stuff World - GOLD SERIES Siberian Kolinsky Brush - Size 2

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Description

Green Stuff World - GOLD SERIES Siberian Kolinsky Brush - Size 2GSW's range of premium quality Kolinsky Sable Brushes, GOLD SERIES. Expertly hand crafted with a high quality wooden handle and brass ferrule, only the best parts of Kolinsky Siberian hair have been used in the making of the Gold Series brushes, producing high end brushes of the highest quality. They stand out from the mid range in their greater paint load capacity, greater autonomy, and masterful fine line strokes. Only the finest parts of the

GSW's range of premium quality Kolinsky Sable Brushes, GOLD SERIES. Expertly hand-crafted with a high-quality wooden handle and brass ferrule, only the best parts of Kolinsky Siberian hair have been used in the making of the Gold Series brushes, producing high-end brushes of the highest quality. They stand out from the mid-range in their greater paint load capacity, greater autonomy, and masterful fine line strokes.

Only the finest parts of the Siberian Kolinsky have been used in the elaboration of the GOLD SERIES, producing a paintbrush with bristles at the highest level for a reasonable price. These brushes are presented in a protective case to preserve their quality.

They work best with water-based acrylic paints, especially with fine techniques such as washing, blending, layering, and degrading. In general, they are recommended for any technique which requires a more diluted medium. We advise against single stroke or dry brushing techniques as these may harm the tip.

This type of hair ensures high absorption of water and paint and excellent elasticity, making it a very technical brush.

By nature, natural brushes require more care than synthetic hair brushes, as their decay may lead to a loss of firmness and broken hair. In order for your kolinsky brushes to last longer we recommend avoiding leaving any paint residue to dry in the bristles and shaping them and sharpening the point with our Brush Repair Gel. After painting, let them stand with the bristles pointing upwards to avoid deforming the tips.

We do not recommend using Kolinsky brushes for oil paint, since the products required to clean the bristles after this type of paint can deteriorate the Kolinsky natural hair quickly.

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SKU: 83190589593

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4.6 ★★★★★
Based on 15 reviews
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Verified Purchase
Wilbur F. Pierce
New York, US
★★★★★ 5
An Excellent Choice
Format: Paperback
Excellent introduction, notes and translation.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 8, 2017
D
Verified Purchase
David Lemberg
New York, US
★★★★★ 5
Five Stars
Format: Paperback
Professor Cornford's translation with running commentary is definitive.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 5, 2015
J
Jordan Bell
Natrona Heights, US
★★★★★ 5
Plato's dialogue about the physical world
Format: Paperback
The two biggest topics in the Timaeus are astronomy and the elements of bodies, which are constructed using triangles and the tetrahedron, octahedron, icosahedron, and cube. I would like to see a translation of the Timaeus that uses it as a way to introduce all the astronomy that appears in the dialogue. Introducing the astronomy does not mean just talking in words about spheres or the zodiac or the ecliptic, but actually explaining how these were used by astronomers. Cornford has much to say, but to someone who has not learned any Greek astronomy his commentary will be opaque and hard to use. I didn't know the astronomy well enough to readily understand Cornford's explanations. I plan to learn more classical Greek astronomy, perhaps using Evans' , and then read Waterfield's translation of the Timaeus . Before reading this you should have read the Republic and know some classical Greek natural philosophy, mathematics, and astronomy. Although Cornford's commentary makes the dialogue staccato, I am glad for it because I wouldn't otherwise have understood much of what Plato says. The Timaeus and the Parmenides are the two dialogues of Plato that one needs commentary to understand; the Parmenides demands the commentary because so much of what is happening depends on the original language, and the Timaeus demands the commentary because of all the things the reader is supposed to be familiar with. The following is a list of topics I kept while reading the dialogue: theory of Forms 27d-28a, 51a-52a; harmonics 35b-36b; time 37c-38e, 39b-e; vision 45b-46c, 67c-68d; space 52b; surfaces 53c; weight 62d-63e; sound 67a-67c; physiology 70c-79e, 80d-86a; antiperistasis 79e-80c.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2015
S
Steve Lookner
Phoenix, US
★★★★★ 4
Helpful, but Waterfield is better for an intro
Format: Paperback
This is basically a scholarly paragraph-by-paragraph commentary on the Timaeus. It's really good for what it is, but I don't recommend it as your first introduction to the Timaeus -- rather, I recommend Waterfield: http://www.amazon.com/Timaeus-Critias-Oxford-Worlds-Classics-ebook/dp/B006NTMD16 A problem with using Cornford as an introduction is that he comments on everything, and it's hard to figure out what the main themes are. I tried reading Cornford as an intro and gave it up, but once I'd read Waterfield I found Cornford extremely helpful both in elucidating passages further than Waterfield does, and in interpreting passages Waterfield doesn't cover. So if you're looking to learn about the Timaeus, I'd suggest Waterfield first and Cornford second (or Cornford alongside Waterfield).
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Reviewed in the United States on February 24, 2014
B
Brian Chrzastek
Fort Morgan, US
★★★★★ 5
Cornford's running commentary is arguably the best suited to fulfill this desire
Readers of any of Plato's works are bound to feel they might profit from various commentaries. His Timaeus, in particular, may be said to elicit such a hope because of number and intricacy of its details. Cornford's running commentary is arguably the best suited to fulfill this desire: it helps make clear the integrity of the dialogue as a whole and illumines the specific points along the way. Although this work is certainly dated, originally published in 1937, it is certainly one of the best full commentaries on the Timaeus.
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Reviewed in the United States on November 4, 2014

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