SKU: 92540723905

PreSonus StudioLive 32S Series III S 40-Channel Digital Mixer/Recorder/Interface

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Description

PreSonus StudioLive 32S Series III S 40-Channel Digital Mixer/Recorder/InterfaceStudioLive Series mixers ship direct and are typically not in stock at the Smyrna store. Expect delivery in 3 5 business days. s. Designed for live sound reinforcement, live recording, and studio recording applications, the PreSonus StudioLive 32S is a Series III S 40 channel digital mixing console, recorder, and audio interface in a single enclosure. The mixer features an integrated hardware and software system with a full color touchscreen, 33 touch

StudioLive Series mixers ship direct and are typically not in stock at the Smyrna store.  Expect delivery in 3-5 business days.s.

Designed for live sound reinforcement, live recording, and studio recording applications, the PreSonus StudioLive 32S is a Series III S 40-channel digital mixing console, recorder, and audio interface in a single enclosure. The mixer features an integrated hardware and software system with a full-color touchscreen, 33 touch-sensitive, motorized faders and 32 recallable XMAX preamps. The powerful dual-core FLEX DSP engine supercharges the mixer with Fat Channel vintage-style EQs and compressors on every channel, plus a four-slot FLEX FX processor that can run heralded digital reverbs and delays. Streamline your workflow with recallable scene presets, virtual sound check, and the supplied software library, which empowers you with remote control from a computer or iPad, remote monitor mixing using a mobile device, and all the software you need to track, edit, mix, and distribute your music.

Key Features

  • 33 Touch-Sensitive Motorized Faders
  • 32 XMAX Preamps: 16 Mic & 16 Mic/Line
  • 16 Analog FlexMix Outs: 12 XLR & 4 TRS
  • Full-Color Touchscreen

The StudioLive 32S boasts 16 XLR mic inputs and 16 mic/line inputs via XLR-1/4" combo jacks. Additional inputs include four 1/4" aux inputs and a dedicated XLR talkback mic input with phantom power. The mixer provides a balanced XLR mono output, stereo XLR main outputs, 16 analog FlexMix outputs (12 XLR, four 1/4" TRS), a pair of 1/4" monitor outputs, and a 1/4" headphone port. A digital AES/EBU output of the main mix is available via a rear-panel XLR socket. Additionally, unbalanced stereo RCA tape inputs and outputs are on hand for hooking up a house music source and a separate stereo recorder. Alternatively, you can wirelessly stream music from a mobile device to the mixer's built-in Bluetooth receiver. Record 40 channels and the main stereo mix to a Class 10 U3 SD card (available separately) via the onboard 34-track SD recorder, or stream 128 channels (64 in each direction) over USB 2.0 to and from your computer. You can even record redundantly to an SD card and a USB host computer at the same time. Take advantage of the built-in AVB networking capabilities for flexible system expansion, digital patching between networked devices, and more.

Powerful Mixing Features

  • Expandable plug-in processing with ten vintage EQ and classic compression options on every input channel and bus
  • Input delay, high-pass filter, gate, compressor, limiter, and parametric 4-band EQ per input channel
  • High-pass filter, compressor, limiter, output delay, and parametric 6-band EQ per bus
  • FLEX FX multi-effects processor with four slots to load legendary reverb emulations anddelays with four dedicated effects buses
  • 16 FlexMixes (aux mixes, subgroups, or matrix mixes) with 12 XLR and four 1/4" TRS mix output jacks
  • Four static subgroup buses with 1/4" outputs
  • Four designated effects buses
  • 24 DCAs to control groups of channels
  • True virtual soundcheck simplifies mix configuration
  • Enhanced scene management with scenes organized into projects, scene lock, and channel safe
  • Password-protected user profiles enable restricting access to specific features
  • Channel scribble strips and input metering

Multichannel Recording

  • Record 34 tracks (32 channels plus a stereo mix) without a computer via the onboard SD card recorder
  • Stream up to 128 channels (64 in, 64 out) of audio to a Mac or Windows computer via USB 2.0
  • Record to SD card, via USB, or both simultaneously for safe, redundant live recording
  • Record with PreSonus Capture, PreSonus Studio One, or any recording software that supports ASIO or Core Audio

DAW Control

  • Advanced Studio One control integration
  • MCU emulation mode optimized for Logic Pro
  • HUI emulation mode optimized for Pro Tools

Complete Software Bundle

  • UC Surface touch-control for Mac, Windows, and iPad
  • Capture recording app with virtual soundcheck for Mac and Windows
  • Studio One Artist DAW for recording, mixing, mastering, sharing, and collaborating on Mac and Windows
  • QMix-UC personal monitor mix control for iPhone, iPod touch, and Android
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 92540723905

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4.5 ★★★★★
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Product Reviews
C
Verified Purchase
C. Tucker
Bozeman, US
★★★★★ 5
Presentations with the audience in mind
Format: Paperback
I bought this hoping it would be a guide to creating Big-3 Consulting-style slides with fancy diagrams and eye-catching graphic design. That is not what this book is. Instead, this book is about how to tell a story with slides, using the framework of a five act drama. With this method forcing you to focus on who your audience is, what they need to know, and how much time you have to tell them (as opposed to trying to shoehorn everything you know about a subject into your pitch) you end up with a presentation that finishes on time for intelligent questions from an engaged audience. Since buying the book I have given several well-received presentations using precisely that technique. With no words on screen there is no temptation to just read the bullet points, and the audience cannot think ahead of you and must instead listen to what you're saying. You have to know your material to use this method, but when you succeed your audience will be impressed with your knowledge of the subject matter. (If you're working in a group project and want to Blue Falcon a non-contributing teammate, try giving them a few of these slides to speak to.) The recommended slide format is one picture and one headline per slide, with no bullet points at all. The book suggests creating Notes Pages with an outline of your talk as a handout, since the slides themselves don't stand alone. (And that's a good thing--visual aids are supposed to *augment* the presentation, not *be* the presentation.) In conclusion, this book might not be for everyone, but it was exactly what I needed.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 15, 2018
M
Verified Purchase
mrliteral
Bozeman, US
★★★★★ 4
An outsider's view
Format: Paperback
When it comes to Cliff Atkinson's Beyond Bullet Points, I am a bit of an outsider. I don't read many computer books and, while I have worked with PowerPoint, my presentations are very simple. Since I admittedly use my share of bullet points in these presentations, I thought learning about an alternative approach would be useful. And while there are definite benefits to reading this book, it may not be perfect for everyone. Many people use bullet points in their PowerPoint presentations; this can be a great way to organize thoughts, but Atkinson has a difference approach. Essentially, the Beyond Bullet Points method treats presentations as stories told in three "acts." Act One develops the story, Act Two develops the action and Act Three frames the resolution. Each act is broken down into scenes which provide the details. The first portion of the book explains how to work with each act; the second portion deals with the evolution from initial outline to final presentation. This book assumes a certain amount of PowerPoint knowledge; if you want to learn about the application, this is not the place to start (on the other hand, you don't need to be a PowerPoint expert). One of the nicest things about Atkinson's approach is the way he allows presentations to be pared down to fit the time frame required: his method is designed best with a 45 minute presentation, but it can be easily compressed to a 15 minute or even 5 minute presentation. Another nice thing is that he has a website that readers can access that provides some helpful materials such as template documents. On the other hand, Atkinson treats the issue of bullet points/no bullet points as something of a black-and-white issue. He doesn't really acknowledge that there may be a middle ground where bullet points should be used in certain situations, perhaps even in conjunction with his approach. I think it's more appropriate to view the Beyond Bullet Points as an alternative approach to PowerPoint presentations, not the ONLY approach. Atkinson's writing style is straightforward, and like many computer books, a little dry. But as stated earlier, I am reading this book with something of an outsider's view. This is a good book, but Atkinson's inability to look beyond his own approach keeps it from being a five-star work. Nonetheless, if you do a lot of PowerPoint presentations, there is enough useful material in here to merit a read.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 16, 2006
A
Verified Purchase
Arthur E. Williams
Battle Creek, US
★★★★★ 5
A Refreshing Approach to Presentations
Format: Paperback
I ran across this book while researching a college workshop on perfecting presentation, dealing with public speaking and effective use of PowerPoint. As one who has suffered through numerous electronic slides that did little or nothing to augment the speaker's efforts, I was delighted to see this fresh and innovative approach. I believe this process works best, however, when one's speech is primarily persuasive in nature. Although these ideas helped me set up a strong introduction and conclusion, in a recent lecture I resorted to bullet points for the material I felt the students had to master. Perhaps as I get more used to Atkinson's technique, I'll better about using it in lecture. However, the business applications seem quite worthwhile. My students' workshop presentations that used his techniques were highly engaging. I highly recommend this book and the supporting web site.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 24, 2006
D
Verified Purchase
db
Natrona Heights, US
★★★★★ 1
Simplistic and Inappropriate
Format: Paperback
I was hoping this book would provide insights into how to present complex information in a more comprehensible, useful format, using PowerPoint as the tool. Instead, the overall gist of this book is that presentations should be "dumbed down" as much as possible. The theme the author presents is that presentations should be story based. This is reasonable. However, the method the author recommends is that essentially *all* meaningful, complex (or, as the author prefers "boring") content be removed from the presentation. Presentations then become nothing more than catchy headlines and colorful graphics. All content should be in the presenter's notes (not typically to be provided). This is juvenile and useless and frankly reflects a complete lack of understanding of how presentations are made in a complex business environment.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 14, 2007
S
Verified Purchase
SteelBlue
Alexandria, US
★★★★★ 3
On the right track
Format: Paperback
This book is a good introduction about how to use story-telling techniques in PowerPoint presentations. There are some good ideas here that you won't find in technical manuals. If you don't know film techniques these will be eye-opening. But the book could have been much stronger if it were to push these concepts to the next level. I saw a PowerPoint presentation with Andy Goodman, who teaches more or less the same thing, and his presentation nailed these concepts more cleanly than this book does. But again, this book is definitely worth checking out if you haven't studied storytelling before.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 2, 2005

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