SKU: 93189274468

IBG 1/72 Romanian PZL/IAR P.11F Fighter 72521

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IBG 1/72 Romanian PZL/IAR P.11F Fighter 72521Plastic model kit, assembly required. Glue, paint and finishing supplies not included. The P. 11F was the third (after P. 11c and P. 7a) most numerous version in the long line of PZL fighters based on the seagull wing concept of Eng. Zygmunt Puawski. Its history starts in the fall of 1934, when after the development of a new, significantly modified version of the P. 11 fighter (P. 11c see IBG set No. 72519), PZL factory began efforts to attract

Plastic model kit, assembly required. Glue, paint and finishing supplies not included.

 The P.11F was the third (after P.11c and P.7a) most numerous version in the long line of PZL fighters based on the seagull-wing concept of Eng. Zygmunt Puławski.
Its history starts in the fall of 1934, when after the development of a new, significantly modified version of the P.11 fighter (P.11c – see IBG set No. 72519), PZL factory began efforts to attract foreign customers for the airplane. The first step was the presentation of the fifth P.11 (P.11/V) prototype at the Paris Air Show in November and December of 1934. Romania, which had previously purchased 50 aircraft of the P.11B version from PZL (see IBG set No. 72518), decided to purchase the license for production of the latest variant, which was to be built at Industria Aeronautică Română (IAR) in Brașov. The order was placed at the beginning of 1935 – PZL factory was to provide documentation, a complete prototype and sets of prefabricated materials and spare parts constituting the equivalent of 10 airframes. However, the transaction dragged on due to numerous political and financial obstacles. Ultimately, the aforementioned prototype (P.11/V with an engine changed to IAR 9K) was handed over to the Romanian side only at the beginning of 1936.
Production, launched with the support of Polish engineers, began at the end of 1936 and was based partly on products manufactured in Poland – the most characteristic ones are the Szomański propellers and Stomil tires.
In comparison to the P.11c, the Romanian version differed in the engine and its covers (IAR 9K rated at 600 HP), propeller, armament (4x 7.92 mm FN Browning Modèle 1932, which, owing to their rate of fire, made with the P.11F the best-armed version of the P.11), gunsights, Romanian flight instruments and other smaller equipment details.
The commencement of production of the all-metal P.11F with a partly semi-monocoque fuselage represented a significant technological change for the IAR factory, which until then produced only airframes of mixed construction with truss hulls. The newly acquired experience with all-metal constructions turned out to be invaluable for the Romanian aviation industry and finally paid off a few years later during the construction of the most famous Romanian aircraft – the IAR 80.
As a result of the aforementioned delays, the first P.11F fighters were introduced into first-line units of romanian aviation only in July 1937. The last, ninety-fifth, airplane produced was handed over in November 1938. Due to the rapid development of aviation technology, it was no longer the youngest construction, but compared to the aviation of other Balkan countries, the 95 Romanian P.11F was a significant force. In 1939, however, much more powerful opponents appeared on the horizon.
P.11F were ready to defend the Romanian sky during the crises of 1940 (when the Soviet Union occupied Bessarabia in June and between July and September during the dispute with Hungary over Transylvania), invasion of Yugoslavia in April 1941 and finally took active part in Operation Barbarossa – performing mainly ground-attack missions. At the end of that year, they were withdrawn from the Eastern Front and transferred to Romanian air defense and training units. Eventually the last units in schools ended their service in 1948.
In addition to one prototype built at the PZL factory, 95 machines were produced in the IAR plant in Brașov (numbers 51-145) between 1936 and 1938. Unfortunately no P.11F fighter survives today.

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SKU: 93189274468

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Product Reviews
M
M. J. Smith
Chelsea, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Louisville, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Port Orchard, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Birmingham, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001
K
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Kindle Customer
Lake Worth, US
★★★★★ 5
Cute Romance Novel
Format: Paperback
Was the perfect gift for a friend!
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Reviewed in the United States on June 2, 2026

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