SKU: 93258979154

"Robert W. Service Leatherbound 9 Vol Set by Sangorski & Sutcliffe 1907-1928" (SOLD)

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"Robert W. Service Leatherbound 9 Vol Set by Sangorski & Sutcliffe 1907-1928" (SOLD)7. 5"x 5" 9 volume set, alas, lacking the 7th "V" volume in the set of 10. Bound by Sangorski & Sutcliffe, London, England The Spell Of The Yukon And Other Verses Barse & Hopkins 1907 [126] pp. Ballads Of A Cheechako Barse & Hopkins 1909 [135] pp. The Trail Of '98: A Northland Romance 1910 [514] pp. Rhymes Of A Rolling Stone Barse & Hopkins 1912 [172] pp. The Pretender: A Story Of The Latin Quarter Dodd, Mead and Company 1914 [349] pp. Rhymes Of A Red

7.5"x 5"

9 volume set, alas, lacking the 7th "V" volume in the set of 10.

Bound by Sangorski & Sutcliffe, London, England

The Spell Of The Yukon And Other Verses
Barse & Hopkins
1907
[126] pp.

Ballads Of A Cheechako
Barse & Hopkins
1909
[135] pp.

The Trail Of '98: A Northland Romance
1910
[514] pp.

Rhymes Of A Rolling Stone
Barse & Hopkins
1912
[172] pp.

The Pretender: A Story Of The Latin Quarter
Dodd, Mead and Company
1914
[349] pp.

Rhymes Of A Red Cross Man
Barse & Hopkins
1916
[192] pp.

The Roughneck
Grosset & Dunlap
1923
[448] pp.

The Master Of The Microbe: A Fantastic Romance
Barse & Hopkins
1926
[424] pp.

The House Of Fear
Dodd, Mead and Company
Fourth Printing March, 1928
[408] pp.

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Robert William Service (January 16, 1874 – September 11, 1958) was a British-Canadian poet and writer, often called "the Bard of the Yukon". Born in Lancashire of Scottish descent, he was a bank clerk by trade, but spent long periods travelling in the west in the United States and Canada, often in poverty. When his bank sent him to the Yukon, he was inspired by tales of the Klondike Gold Rush, and wrote two poems, "The Shooting of Dan McGrew" and "The Cremation of Sam McGee", which showed remarkable authenticity from an author with no experience of the gold rush or mining, and enjoyed immediate popularity. Encouraged by this, he quickly wrote more poems on the same theme, which were published as Songs of a Sourdough (re-titled The Spell of the Yukon and Other Verses in the U.S.), and achieved a massive sale. When his next collection, Ballads of a Cheechako, proved equally successful, Service could afford to travel widely and live a leisurely life, basing himself in Paris and the French Riviera.

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SKU: 93258979154

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I picked up the Klipsch R‑40M as part of a full 5.1 system built around the R‑50M fronts and the R‑50C center. My original plan was to use another pair of R‑50M speakers in the back, but they simply didn’t fit in the rear cabinet space I have. The R‑40M ended up being the only model that fit comfortably, so they became my surround channels. In terms of build quality, they feel solid and consistent with the rest of the Reference Next‑Gen line. The copper woofers and updated horn design give them the same visual identity as the larger models, which helps the whole system look cohesive. They’re compact enough to place in tighter spaces without compromising too much on performance. Sonically, the R‑40M does a respectable job as a surround speaker. Effects are clear, directional cues are easy to follow, and they integrate smoothly with the more powerful R‑50M fronts. That said, they are noticeably less powerful than the R‑50M, so you need to spend a little time balancing your levels. Once I bumped their channel trim a bit and adjusted the distance settings, the rear soundstage locked in nicely and felt much more even. They won’t deliver the same fullness or dynamic punch as the larger models, but for rear channels that’s usually not a deal breaker. What matters is clarity and consistency, and the R‑40M handles both well. Movies with active surround mixes feel immersive, and ambient effects wrap around the room without calling attention to the speakers themselves. If you’re building a system where space is limited in the back, the R‑40M is a practical and capable choice. Just be prepared to fine tune your calibration so they match the output of the bigger speakers up front. Once dialed in, they round out a 5.1 setup very effectively.
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These R50 Studio Monitors are worth every penny. One could easily spend a heck of a lot more to get less. Have been a pro audio engineer my entire life. These monitors kick out clean, solid bass and accurate highs. Klipsch did a excellent job designing these monitors. Perfect for smail spaces where fidelity is critical. If you wall mount these, make sure you leave at least a 1.5 inch air gap between the back of the monitor and the wall. These units are sweet.
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I had in ceiling front speakers and went with these instead. The front ceilings are now height speakers. Sounds great now.
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