SKU: 93889290429

Act Of Faith: America’s Longest Running Criminal Conspiracy Perpetrated Against Children

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Act Of Faith: America’s Longest Running Criminal Conspiracy Perpetrated Against Childrenwww. actoffaithbook. com In his debut novel, trial attorney Stephen Rubino takes the reader on an electrifying journey of deceit, intrigue, tragedy, passion and ultimate redemption. At the intersection of the sacred and the profane, Act of Faith dissects the Vaticans complicity in Americas longest criminal conspiracy perpetrated against children. This multi generational family saga is richly portrayed through an ensemble cast of unforgettable

www.actoffaithbook.com

In his debut novel, trial attorney Stephen Rubino takes the reader on an electrifying journey of deceit, intrigue, tragedy, passion and ultimate redemption. At the intersection of the sacred and the profane, Act of Faith dissects the Vatican’s complicity in America’s longest criminal conspiracy perpetrated against children. This multi-generational family saga is richly portrayed through an ensemble cast of unforgettable characters, revealing the secret world of the Vatican’s sheltering of sexual predators to avoid bringing scandal to the faithful. Act of Faith offers an unflinching account of the still emerging sexual abuse scandal plaguing the Catholic Church and its impact on the survivors and their families across America. The story chronicles the lives of siblings Francis and Elizabeth Natale, who suffer unspeakable psychological damage after being sexually abused by their trusted parish priest. As adults, Francis and Elizabeth become estranged, each hiding their secrets in dangerous double lives. He as a gifted pianist and sexually conflicted Catholic priest, she as a reckless but highly successful trial attorney. After resigning her partnership in a major New York City law firm, Elizabeth sets out to uncover the roots of the abuse scandal and to exact her personal revenge. On a serendipitous road trip across the country, Elizabeth confronts her lifelong demons and forms an unlikely alliance with Father Thomas Atkinson, her long lost high school love who has become a Vatican whistleblower. After a tense reunion with Francis, the trio enters the super-charged environment of high stakes litigation, exposing the Church’s centuries old practice of hiding sexual predators in plain sight from the religious faithful and law enforcement. Together, the trio brings to the courthouse steps the first Federal Civil Racketeering lawsuit against the Catholic Church.

About the Author

Stephen Rubino is a practicing attorney who filed the first Civil Racketeering case against the Catholic Church in 1993. For the last thirty-five years he has represented hundreds of abuse survivors throughout North America and the Canadian Arctic. For seventeen years, Mr. Rubino served as chairman of the Childhood Sexual Abuse Litigation Group of the American Association for Justice. In 2008, Mr. Rubino was a finalist for the Public Justice Foundation’s Trial Lawyer of the Year Award for his work in the Los Angeles Archdiocese and San Diego Diocese Catholic Abuse Litigation. In 2014, he received the Pioneer Award from the Survivor’s Network of Those Abused by Priests (SNAP). His work has been widely profiled in print and broadcast media and he has lectured extensively on the intricacies of the cover-up and how America’s Bishops have used draconian statutes of limitations to suppress what would otherwise be viable claims against the Catholic Church.

Endorsements

“Fast paced and elegantly written, Act of Faith offers a deep dive into the truth about the corruption at the highest levels of the Catholic Church. Drawing on his decades of experience, Act of Faith brings to life tragedy, horror, suspense and ultimately, triumphant survival. A work of fiction woven in the harsh reality of fact. A must have volume for any history on the scandal.”

-Thomas P. Doyle, Former Priest Secretary to Papal Ambassador Pio Lagi and Vatican whistleblower

“Spellbinding! This captivating novel conveys the epic courage of Catholic sex abuse victims who came forward in the early 90s, when no one wanted to believe them. Never has the story of these early whistleblowers been told with such feeling, and small wonder –Rubino knows this story better than anyone.”

-Anne Barrett Doyle, Co-Director, BishopAccountability.org

“Act of Faith is a legal thriller, adroitly plotted by a practitioner who knows the snakes and daggers that threaten cases seeking true justice. Layered into the suspense, Rubino advances the riveting story of an Italian family awakening to painful secrets that bring them to a profound spiritual reckoning.”

-Jason Berry, author of Lead Us Not Into Temptation

“Act of Faith captures a new perspective on the heartbreaking account of crime and coverup in the 1980s Roman Catholic Church in America. Through the compassionately told stories of survivors and the crucible of the courtroom, Rubino brings the reader into the rarely seen lives of those that have lived this nightmare. The stories reveal deeply held secrets and soul-crushing betrayal by Church leaders time and time again.”

-Jeff Anderson, Founder of Anderson & Associates, representing victims of childhood sexual abuse since 1981

Reviews

Act of Faith: America’s Longest Running Criminal Conspiracy Perpetrated against Children (Pittsburgh: Dorrance Publishing, 2021)

Lawyers are generally not known for their narrative prose. Nor is the sexual abuse of minors by those who minister in the name of God generally thought a proper topic for works of fiction. But Stephen Rubino, a New Jersey lawyer who was among the first generation of advocates to sound the alarm about the widespread concealment of sexual abuse in the Roman Catholic Church, upends these assumptions in his new book, Act of Faith. It is a must-read for those seeking to understand the effects of clergy sexual abuse on victim-survivors, their families, and their communities.

Rubino’s book examines these dynamics through the fictional Natale family, Italian stonemasons for many generations. In the late 1950s, Joseph and Lucy Natale, their two children Elizabeth and Francis, and their extended family are living in Washington, D.C., where Joseph and his father Giovanni are toiling to createintricate stonework for the National Shrine of the Immaculate Conception. Like many Italian Catholics of their generation, much of the Natales’ life revolves around church activities, and clergy are regular guests at the family home. When a new priest, Father Dolan, arrives unexpectedly at the Shrine, he finds his way into the family’s confidences and, taking advantage of the trust his clerical status confers, abuses both children physically, psychologically, and spiritually. When one of the children dares to acknowledge the abuse, the immediate fallout has life-changing consequences for the Natales, as well as for senior clergy who look the other way.

The second half of Rubino’s narrative jumps forward to the mid-1990s, when the Natale children are fully grown. Francis has become a priest, Elizabeth a successful corporate attorney on track to make partner at a time when few women were afforded that opportunity. Each in their own way has repressed their childhood horrors, sublimating them in work, worship, and sex. For much of the book, Dolan’s abuse forms a barrier between the two siblings, their silence forcing them into separate circles. Triggered unexpectedly, Elizabeth begins to investigate what happened not only to her but to countless other children whose lives had been upended, and in some cases ended, by abuse at the hands of clergy. Along the way, she assembles an unusual cast of supporting characters: a priest in recovery from alcohol addiction who explains the scope of the church’s cover-up, a sympathetic attorney, and a loyalcanine. Together, they confront members of the church hierarchy who, we discover, had long ago wormed their way into the Natale family’s confidences.

It is clear that Act of Faith represents many of the destructive forces Rubino encountered in his decades of legal practice on behalf of sexual abuse victim-survivors and their families. Only someone who has sat with survivors, heard them tell their stories, investigated churchly wrongdoing, and grappled with the many devices religious institutions have to shield themselves from responsibility could produce a narrative such as this. Both through Elizabeth and Francis and through their kin, Rubino shows how sexual abuse by religious leaders can destroy bonds of trust within a family and leave people with emotional demons that can torment them the rest of their lives. And the reverberations echo well beyond the family: accusations of abuse, as Rubino poignantly demonstrates, can split a community between those who believe complainants and those who do not wish to speak ill of their priests. Act of Faith gives attention to the dynamics on the other side as well. In a series of chilling scenes, Rubino depicts church leaders callously negotiating the transfer of predator clergy in order to preserve their reputation—then adjourning for a beautiful meal, a Broadway show, or several exquisite bottles of wine. He makes clear that the path to preferment in the church has often depended on a cleric’s ability to keep secrets and engage in doublespeak—practices that, while at first merely uncomfortable, ultimately twist the soul and destroy the moral compass.

This book is long—clocking in at nearly 600 pages, perhaps longer than it needs to be. Some passages, especially as Elizabeth comes to grips with the scope of the violence the church has perpetrated, are more didactic than literary, with extended explanations about history and law. Rubino places most of these in the mouth of a character clearly based on the heroic Dominican whistle-blower Tom Doyle. Some of the characters’ discussions about legal procedures for holding the church accountable, likewise, may prove too technical for fiction. (Although, having written about church institutions’ attempts to evade legal liability for clergy sexual misconduct, it seems to me Rubino makes a very strong case for applying the civil RICO statute—originally enacted to combat organized crime—to certain churchly conspiracies.)

But these weaknesses detract only slightly from Rubino’s main contribution, which is to depict the flesh-and-blood consequences of clergy sexual abuse in ways that newspaper reports and court documents may be unable to do. The reason I found Acts of Faith difficult to put down is that in the members of the Natale family, Rubino has created characters who struggle with real suffering; their wounds simply will not go away, and it is impossible not to feel with them how deep the pain goes. Acts of Faith gives readers the rare opportunity to see the clergy sexual abuse crises through the eyes of one who has walked with victim-survivors on this hard road. Stephen Rubino deserves our thanks, not just for his candor as an author, but for the years of steadfast advocacy that made it possible for him to write this book.

Patrick Hornbeck is interim dean of the Graduate School of Arts and Sciences and professor of theology at Fordham University, where he is a member of the J.D. Class of 2022 in the School of Law. He is on Twitter @PatrickHornbeck.

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MW in KY
Belleville, US
★★★★★ 5
Amazing Collection!
Format: Hardcover
I've loved Crystal Wilkinson's fiction for so long, so I'm thrilled to see her new book of poems (along with some essays and gorgeous/compelling artwork by Ron Davis). So many memorable image systems work their ways through the poems: creek water, tobacco, the Black body, blood, knives, food and kitchens--symbols and themes which have always marked Wilkinson's oeuvre in one way or another. Her language is lyrical in describing the brutalities of farm life, abuse, grief, and loss. This poetry collection is just stunning!
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Reviewed in the United States on November 9, 2021
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Peggy Hardman
Boise, US
★★★★★ 4
Need my own copy.
Format: Kindle
Looking forward to more of her work, and rereading this book. Some very evocative lines awake my granma memories much like the granmother memories herein.
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Reviewed in the United States on February 24, 2022
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Readergurl
Lexington, US
★★★★★ 5
Amazing Book...
Format: Paperback
It takes a lot nowadays for me to rate any Fiction book 5 stars. I read way more non-fiction, and usually only read highly recommended fiction, or some that's given to me. There are plenty of other reviews here that tell you how it's not a "happy" book (why that matters i dont know), so i wont go on about that part. I dont base my reading choices on whether they have a happy fantasy story. This story is very real. The writing is really good. I have several points that i use to rate a book: the story itself, the actual writing style, the 'entertainment' value, the emotions it brings out - laughter, sadness, etc., and if it's very memorable - either by being very different than anything i've ever read, or by something else about it being very different. The only point out of all of those that i wouldnt give a 5 would be the writing style/prose - which i'd give a 4. It's very good, but not "amazing" to me like some authors are. The author brought me into the characters - where i could feel what they were feeling, and i understood why they did the 'bad' things they did - totally. I felt the way they lived, the area, the poverty... As the story progressed, i stayed up one night for HOURS wanting to know what happened - until the sun rose actually. As the finale was coming - which i had no idea would be the way it was - i was literally gripping the book with both hands and holding it up to my face. I realized this and laughed to myself since i hadnt even noticed. Then - i sobbed thru the last 20 pgs - i havent cried from ANY fiction for a long time. Yes, i get into books and really let them take me away, but this book has a special kind of writing and a special story that i never expected to effect me sooo much. The author THEN does something so amazing at the very end - when i couldnt believe it could get any better. I KNEW what i wanted to happen - and i kept thinking to myself, "no, it wont - because it will just seem to corny if it does." (Even tho i wanted it so much.) She made it happen in a special way, without making it corny but while bringing me the hope and good feeling i needed after all the sobbing. (I dont want to give anything away just in case you dont know the story.) This book scores an A+. If you love good, moving, American fiction you will love this.
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Reviewed in the United States on October 21, 2013
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Francophile in Michigan
Los Angeles, US
★★★★★ 4
Brava, Ms. Ward
Format: Paperback
I read this novel, along with nine others, for a college literature course. Of the ten, this was the only book to elicit a strong emotional reaction from me. There were moments when I hung my head in frustration, threw up my hands in respect (God bless Ward’s writing style), and wiped my face of tears and snot after crying my eyes out. An incredibly moving and poignant novel. The novel opens with its narrator Esch, fourteen years old and pregnant. She often follows her brothers around, and is constantly surrounded by men as well as the gruesome society of dog-fighting. Esch’s predominant male surrounding is, perhaps, the main influence that encourages her to sleep with her brother’s friends, and to submissively pine for the one boy, Manny, who unforgivingly mistreats her. Though Esch’s character was impeccably frustrating, and borderline stereotypical and archetypal, her faults lie with a motherless young girl, who wants to be wanted and loved. Both frustrating and annoying, this characterization was, at times, unlikable, yet that is exactly what made Esch so human. I applaud Ward’s lyrical writing style, as well her ability to write such gruesome and honest depictions that made me literally cringe when reading. Ward is able to effortlessly incorporate poetic language into her novel that, at times, made me set the book in both awe and envy, knowing I would never be able to produce such a product. I did find there to be a disconnect between the poetic language and the colloquial diction. That’s to say, I found it a bit unbelievable that Esch would speak so poorly to her family and friends, yet express herself so eloquently in her narration. Regardless, I found the poetic language to be successful and moving. I knew before reading the book that it was centered on Hurricane Katrina. However, I was surprised that the novel was centered on the build-up to the hurricane. Katrina itself is more or less twenty pages. The chapter pertaining to the hurricane, as well as the aftermath of the hurricane, were the sections of the novel that I found most captivating. Living through the hurricane with Esch and her family was difficult to read, which is perhaps why Ward chose to limit its description. That said, I wish I had more of Katrina and its aftermath. I waited for the hurricane for 200 pages, and it seemed to end as soon as it started. Though I was unsatisfied by the ending, I appreciated that the novel was a work that was not so much about Katrina as it was about survival and family. I was captivated by Ward’s poetic writing and honest characters. I will definitely be on the lookout for her other works, as well as an avid recommender of this novel.
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Reviewed in the United States on December 10, 2015
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Gary Carden
Lexington, US
★★★★★ 5
00 361 pages Hurricane Katrina spawned an awesome number of literary works
Format: Kindle
Salvage the Bones by Jesmyn Ward New York: Bloomsberry $24.00 361 pages Hurricane Katrina spawned an awesome number of literary works, and it may be that, given sufficient time to determine the full merits of Jesmyn Ward’s novel, Salvage the Bones, her work may be the most worthy. Perhaps the theory that great disasters (wars, natural disasters) invariably produce great works of art (operas, novels, paintings, etc.). This theory was often discussed by Flannery O’Conner who commented on the irony of the “creative renaissance” in southern literature which owes its origin to the extensive suffering and injustice associated with slavery and the Civil War. The narrator of Salvage the Bones is Esch, a fifteen-year-old girl living in Bois Sauvage, a predominately black bayou town which happens to be in the direct path of Katrina. Set in the twelve days leading up to, and just after the arrival of the hurricane, the novel presents each day as a distinct vignette. Esch and her brothers spend each day preparing for the terrifying arrival. They have no intention of leaving and attempt to help their drunken father reinforce their shack with sheets of plywood. They collect and store bottles of drinking water. Food supplies tend to consist of Top Ramen moon pies, vienna sausage, potted meat and eggs gathered in the woods. However, despite Katrina’s approach, Esch and her brothers seem to be primarily concerned about their white pit bull, China who has just given birth to five pups. China has developed a reputation in the dog fights that take place in “The Pit” in Bois Sauvage. She is a killing machine, a fact that makes Esch and her brothers the envy of their neighbors. The family’s meager economic security depends on China and each day is spent grooming, washes and feeding her. Indeed they fawn over the big dog, telling everyone that her puppies will grow up to have a killer instinct and therefore, they are invaluable. Much of the intrigue in Esch’s daily life revolves around protecting China and her pups. Skeetah is Esch’s oldest brother and the dog’s self-appointed trainer. Esch has a multitude of problems. She struggles to love her handicapped father and is haunted by the memory of her mother’s death. Now, she discovers that she is pregnant by Bois Sauvage’s “golden boy,” Manny, the boy who put the baby inside her is totally indifferent to the consequences of a rough and tumble frolic in the dark. As each day brings more distress, the homely, pug-faced teenager turns to her imagination, searching for a means to deal with the world around her, and as luck would have it, that is Edith Hamilton’s Mythology, which was a required reading at school. Esch begins to see the people around her as characters in her favorite book. She observes that all the girls in Bois Sauvage seem to be acting like their mythical counterparts: Psyche, Eurydice, Daphne - all of them running away from something or running after someone. However, the mythical character that Esch selects for her own role model is an ominous one. It is Medea, the fierce and vindictive wife of “the golden-haired Jason, who kills her own brother when he stands in the way of her love for Jason; and when that love turns to hate, she then murders Jason’s new wife, Creusa, her father, Creon and even kills her own children. Of course, Esch is not going to harm anyone. Although she is filled with rage at the world around her, she is actually one of the forces that is holding everything together; China, the white pitbull is another. When Katrina reaches landfall, it comes like some apocalyptic act of God, sweeping everything away, including Esch’s home and all of their feeble efforts to battle the rising water. In the end Salvage the Bones acquires a kind of epic grander. Like Noah or Gilgamesh, the waters finally withdraw, leaving a confused and humbled Bois Sauvage. How much has been lost? The puppies are gone and so is China - but given the dog’s character, she may have survived. Perhaps Skeetah and his brothers will find her. The reader is left with a singular image. Skeetah, the oldest brother sits in the wreckage of their home, and while everyone else is searching for missing children, furniture and cars, Skeetah looks at his brothers and announces, “She will come back to me.” Esch tells us: “He will watch the dark, the ruined houses, the muddy appliances, the tops of the trees that surround us whose leaves are dying for lack of roots. He will feed the fire, so it will blaze bright as a lighthouse. He will listen for the beat of her tail, the padding of her feet in the mud. He will look into the future and see her emerge into the circle of his fire, beaten dirty by the hurricane so she doesn’t gleam anymore. So, she is the color of his teeth, his eyes, of the bone bounded by his blood, dull but alive, alive, alive, and when he sees her, his face will break and run water. And what of Esch who loves the white dog? She says that China will look at me and know “I am a mother.” Hopefully, it is apparent that this is a remarkable book. However, it was almost lost in the loud braying and confusion that dominates much of publishing business now. Even so, it won the National Book Award in 2011. Now, after a strange silence, it is beginning to get the attention that it deserves.
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Reviewed in the United States on March 3, 2016

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